Musique illimitée
Écoutez cet album en haute-qualité dès maintenant dans nos applications
Démarrer ma période d'essai et lancer l'écoute de cet albumProfitez de cet album sur les apps Qobuz grâce à votre abonnement
SouscrireProfitez de cet album sur les apps Qobuz grâce à votre abonnement
Téléchargement digital
Téléchargez cet album dans la qualité de votre choix
If this schizophrenic double-disc set didn't throw Keith Jarrett's most devoted fans for a loop, nothing ever will. Here we have two radically disparate works involving different timbres, attacks, and mindsets, both within themselves and with each other. On "Invocations," a seven-movement suite, Jarrett returns to the massive pipe organ in Ottobeuren, Germany for a series of sometimes wildly contrasting episodes, ranging from peaceful contemplation to a fourth movement (subtitled "Shock, Scatter") that borders on the comical (people tend to forget that for all of his pretensions, Jarrett does have a sense of humor). Entranced by the abbey's long, long decay time, he brackets the organ movements with some solo meditations on the soprano sax which, pardon the witticism, echo those of Paul Horn. "The Moth and the Flame" finds Jarrett back in a studio with a grand piano, improvising musical still-lifes, rambling aimlessly, or doing his rollicking E-flat ostinato thing familiar from the solo concerts. About all that these two pieces share, with the exception of the E-flat movement from "Moth," is an aversion to a jazz pulse, so although there are plenty of rewarding passages here, casual Jarrett browsers are hereby warned.
© Richard S. Ginell /TiVo
Vous êtes actuellement en train d’écouter des extraits.
Écoutez plus de 100 millions de titres avec votre abonnement illimité.
Écoutez cette playlist et plus de 100 millions de titres avec votre abonnement illimité.
À partir de 12,49€/mois
Keith Jarrett, Composer, Organ, MainArtist, AssociatedPerformer - Manfred Eicher, Producer - Martin Wieland, Recording Engineer, StudioPersonnel
℗ 1981 ECM Records GmbH
Keith Jarrett, Composer, Organ, MainArtist, AssociatedPerformer - Manfred Eicher, Producer - Martin Wieland, Recording Engineer, StudioPersonnel
℗ 1981 ECM Records GmbH
Keith Jarrett, Composer, Organ, MainArtist, AssociatedPerformer - Manfred Eicher, Producer - Martin Wieland, Recording Engineer, StudioPersonnel
℗ 1981 ECM Records GmbH
Keith Jarrett, Composer, Organ, MainArtist, AssociatedPerformer - Manfred Eicher, Producer - Martin Wieland, Recording Engineer, StudioPersonnel
℗ 1981 ECM Records GmbH
Keith Jarrett, Composer, Organ, MainArtist, AssociatedPerformer - Manfred Eicher, Producer - Martin Wieland, Recording Engineer, StudioPersonnel
℗ 1980 ECM Records GmbH
Keith Jarrett, Composer, Organ, MainArtist, AssociatedPerformer - Manfred Eicher, Producer - Martin Wieland, Recording Engineer, StudioPersonnel
℗ 1981 ECM Records GmbH
Keith Jarrett, Composer, Organ, MainArtist, AssociatedPerformer - Manfred Eicher, Producer - Martin Wieland, Recording Engineer, StudioPersonnel
℗ 1981 ECM Records GmbH
DISQUE 2
Keith Jarrett, Composer, Piano, MainArtist, AssociatedPerformer - Manfred Eicher, Producer - Martin Wieland, Recording Engineer, StudioPersonnel
℗ 1981 ECM Records GmbH
Keith Jarrett, Composer, Piano, MainArtist, AssociatedPerformer - Manfred Eicher, Producer - Martin Wieland, Recording Engineer, StudioPersonnel
℗ 1981 ECM Records GmbH
Keith Jarrett, Composer, Piano, MainArtist, AssociatedPerformer - Manfred Eicher, Producer - Martin Wieland, Recording Engineer, StudioPersonnel
℗ 1981 ECM Records GmbH
Keith Jarrett, Composer, Piano, MainArtist, AssociatedPerformer - Manfred Eicher, Producer - Martin Wieland, Recording Engineer, StudioPersonnel
℗ 1981 ECM Records GmbH
Keith Jarrett, Composer, Piano, MainArtist, AssociatedPerformer - Manfred Eicher, Producer - Martin Wieland, Recording Engineer, StudioPersonnel
℗ 1981 ECM Records GmbH
Chronique
If this schizophrenic double-disc set didn't throw Keith Jarrett's most devoted fans for a loop, nothing ever will. Here we have two radically disparate works involving different timbres, attacks, and mindsets, both within themselves and with each other. On "Invocations," a seven-movement suite, Jarrett returns to the massive pipe organ in Ottobeuren, Germany for a series of sometimes wildly contrasting episodes, ranging from peaceful contemplation to a fourth movement (subtitled "Shock, Scatter") that borders on the comical (people tend to forget that for all of his pretensions, Jarrett does have a sense of humor). Entranced by the abbey's long, long decay time, he brackets the organ movements with some solo meditations on the soprano sax which, pardon the witticism, echo those of Paul Horn. "The Moth and the Flame" finds Jarrett back in a studio with a grand piano, improvising musical still-lifes, rambling aimlessly, or doing his rollicking E-flat ostinato thing familiar from the solo concerts. About all that these two pieces share, with the exception of the E-flat movement from "Moth," is an aversion to a jazz pulse, so although there are plenty of rewarding passages here, casual Jarrett browsers are hereby warned.
© Richard S. Ginell /TiVo
À propos
- 2 disque(s) - 12 piste(s)
- Durée totale : 01:21:06
- Artistes principaux : Keith Jarrett
- Compositeur : Keith Jarrett
- Label : ECM Records
- Genre : Jazz
© 1981 ECM Records GmbH ℗ 1981 ECM Records GmbH
Améliorer les informations de l'albumPourquoi acheter sur Qobuz ?
-
Streamez ou téléchargez votre musique
Achetez un album ou une piste à l’unité. Ou écoutez tout notre catalogue en illimité avec nos abonnements de streaming en haute qualité.
-
Zéro DRM
Les fichiers téléchargés vous appartiennent, sans aucune limite d’utilisation. Vous pouvez les télécharger autant de fois que vous souhaitez.
-
Choisissez le format qui vous convient
Vous disposez d’un large choix de formats pour télécharger vos achats (FLAC, ALAC, WAV, AIFF...) en fonction de vos besoins.
-
Écoutez vos achats dans nos applications
Téléchargez les applications Qobuz pour smartphones, tablettes et ordinateurs, et écoutez vos achats partout avec vous.