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Bob Dylan|Infidels

Infidels

Bob Dylan

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Infidels was the first secular record Bob Dylan recorded since Street Legal, and it's far more like a classicist Dylan album than that one, filled with songs that are evocative in their imagery and direct in their approach. This is lean, much like Slow Train Coming, but its writing is closer to Dylan's peak of the mid-'70s, and some of the songs here -- particularly on the first side -- are minor classics, capturing him reviving his sense of social consciousness and his gift for poetic, elegant love songs. For a while, Infidels seems like a latter-day masterpiece, but toward the end of the record it runs out of steam, preventing itself from being a triumph. Still, in comparison to everything that arrived in the near-decade before it, Infidels is a triumph, finding Dylan coming tantalizingly close to regaining all his powers.

© Stephen Thomas Erlewine /TiVo

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Infidels

Bob Dylan

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1
Jokerman (Album Version)
00:06:18

Alan Clark, Keyboards - B. Dylan, Composer - B. Dylan, Lyricist - Bill Kipper, Mastering Engineer - Bob Dylan, Guitar - Bob Dylan, Harmonica - Bob Dylan, Keyboards - Bob Dylan, Performer - Bob Dylan, Producer - Bob Dylan, Vocal - Frank Dickinson, Engineer - Ian Taylor, Mastering Engineer - Ian Taylor, Mixing Engineer - Ian Taylor, Re-Mixer - Josh Abbey, Engineer - Mark Knopfler, Guitar - Mark Knopfler, Producer - Mick Taylor, Guitar - Neil Dorfsman, Recording Engineer - Robbie Shakespear, Bass - Sly Dunbar, Drums - Sly Dunbar, Percussion

(P) 1983 Columbia Records, a division of Sony Music Entertainment

2
Sweetheart Like You (Album Version)
00:04:35

Alan Clark, Keyboards - B. Dylan, Composer - B. Dylan, Lyricist - Bill Kipper, Mastering Engineer - Bob Dylan, Guitar - Bob Dylan, Harmonica - Bob Dylan, Keyboards - Bob Dylan, Performer - Bob Dylan, Producer - Bob Dylan, Vocal - Frank Dickinson, Engineer - Ian Taylor, Mastering Engineer - Ian Taylor, Mixing Engineer - Ian Taylor, Re-Mixer - Josh Abbey, Engineer - Mark Knopfler, Guitar - Mark Knopfler, Producer - Mick Taylor, Guitar - Neil Dorfsman, Recording Engineer - Robbie Shakespear, Bass - Sly Dunbar, Drums - Sly Dunbar, Percussion

(P) 1983 Columbia Records, a division of Sony Music Entertainment

3
Neighborhood Bully (Album Version)
00:04:37

Alan Clark, Keyboards - B. Dylan, Composer - B. Dylan, Lyricist - Bill Kipper, Mastering Engineer - Bob Dylan, Guitar - Bob Dylan, Harmonica - Bob Dylan, Keyboards - Bob Dylan, Performer - Bob Dylan, Producer - Bob Dylan, Vocal - Frank Dickinson, Engineer - Ian Taylor, Mastering Engineer - Ian Taylor, Mixing Engineer - Ian Taylor, Re-Mixer - Josh Abbey, Engineer - Mark Knopfler, Guitar - Mark Knopfler, Producer - Mick Taylor, Guitar - Neil Dorfsman, Recording Engineer - Robbie Shakespear, Bass - Sly Dunbar, Drums - Sly Dunbar, Percussion

(P) 1983 Columbia Records, a division of Sony Music Entertainment

4
License to Kill (Album Version)
00:03:35

Alan Clark, Keyboards - B. Dylan, Composer - B. Dylan, Lyricist - Bill Kipper, Mastering Engineer - Bob Dylan, Guitar - Bob Dylan, Harmonica - Bob Dylan, Keyboards - Bob Dylan, Performer - Bob Dylan, Producer - Bob Dylan, Vocal - Frank Dickinson, Engineer - Ian Taylor, Mastering Engineer - Ian Taylor, Mixing Engineer - Ian Taylor, Re-Mixer - Josh Abbey, Engineer - Mark Knopfler, Guitar - Mark Knopfler, Producer - Mick Taylor, Guitar - Neil Dorfsman, Recording Engineer - Robbie Shakespear, Bass - Sly Dunbar, Drums - Sly Dunbar, Percussion

(P) 1983 Columbia Records, a division of Sony Music Entertainment

5
Man of Peace (Album Version)
00:06:31

Alan Clark, Keyboards - B. Dylan, Composer - B. Dylan, Lyricist - Bill Kipper, Mastering Engineer - Bob Dylan, Guitar - Bob Dylan, Harmonica - Bob Dylan, Keyboards - Bob Dylan, Performer - Bob Dylan, Producer - Bob Dylan, Vocal - Frank Dickinson, Engineer - Ian Taylor, Mastering Engineer - Ian Taylor, Mixing Engineer - Ian Taylor, Re-Mixer - Josh Abbey, Engineer - Mark Knopfler, Guitar - Mark Knopfler, Producer - Mick Taylor, Guitar - Neil Dorfsman, Recording Engineer - Robbie Shakespear, Bass - Sly Dunbar, Drums - Sly Dunbar, Percussion

(P) 1983 Columbia Records, a division of Sony Music Entertainment

6
Union Sundown (Album Version)
00:05:25

Alan Clark, Keyboards - B. Dylan, Composer - B. Dylan, Lyricist - Bill Kipper, Mastering Engineer - Bob Dylan, Guitar - Bob Dylan, Harmonica - Bob Dylan, Keyboards - Bob Dylan, Performer - Bob Dylan, Producer - Bob Dylan, Vocal - Clydie King, Vocal - Frank Dickinson, Engineer - Ian Taylor, Mastering Engineer - Ian Taylor, Mixing Engineer - Ian Taylor, Re-Mixer - Josh Abbey, Engineer - Mark Knopfler, Guitar - Mark Knopfler, Producer - Mick Taylor, Guitar - Neil Dorfsman, Recording Engineer - Robbie Shakespear, Bass - Sly Dunbar, Drums - Sly Dunbar, Percussion

(P) 1983 Columbia Records, a division of Sony Music Entertainment

7
I and I (Album Version)
00:05:11

Alan Clark, Keyboards - B. Dylan, Composer - B. Dylan, Lyricist - Bob Dylan, Guitar - Bob Dylan, Harmonica - Bob Dylan, Keyboards - Bob Dylan, Performer - Bob Dylan, Producer - Bob Dylan, Vocal - Mark Knopfler, Guitar - Mark Knopfler, Producer - Mick Taylor, Guitar - Robbie Shakespear, Bass - Sly Dunbar, Drums - Sly Dunbar, Percussion

(P) 1983 Columbia Records, a division of Sony Music Entertainment

8
Don't Fall Apart on Me Tonight (Album Version)
00:05:52

Alan Clark, Keyboards - B. Dylan, Composer - B. Dylan, Lyricist - Bill Kipper, Mastering Engineer - Bob Dylan, Guitar - Bob Dylan, Harmonica - Bob Dylan, Keyboards - Bob Dylan, Performer - Bob Dylan, Producer - Bob Dylan, Vocal - Frank Dickinson, Engineer - Ian Taylor, Mastering Engineer - Ian Taylor, Mixing Engineer - Ian Taylor, Re-Mixer - Josh Abbey, Engineer - Mark Knopfler, Guitar - Mark Knopfler, Producer - Mick Taylor, Guitar - Neil Dorfsman, Recording Engineer - Robbie Shakespear, Bass - Sly Dunbar, Drums - Sly Dunbar, Percussion

(P) 1983 Columbia Records, a division of Sony Music Entertainment

Chronique

Infidels was the first secular record Bob Dylan recorded since Street Legal, and it's far more like a classicist Dylan album than that one, filled with songs that are evocative in their imagery and direct in their approach. This is lean, much like Slow Train Coming, but its writing is closer to Dylan's peak of the mid-'70s, and some of the songs here -- particularly on the first side -- are minor classics, capturing him reviving his sense of social consciousness and his gift for poetic, elegant love songs. For a while, Infidels seems like a latter-day masterpiece, but toward the end of the record it runs out of steam, preventing itself from being a triumph. Still, in comparison to everything that arrived in the near-decade before it, Infidels is a triumph, finding Dylan coming tantalizingly close to regaining all his powers.

© Stephen Thomas Erlewine /TiVo

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