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Nina Simone - High Priestess Of Soul

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High Priestess Of Soul

Nina Simone

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Langue disponible : anglais

Perhaps a bit more conscious of contemporary soul trends than her previous Philips albums, this is still very characteristic of her mid-'60s work in its eclectic mix of jazz, pop, soul, and some blues and gospel. Hal Mooney directs some large band arrangements for the material on this LP without submerging Simone's essential strengths. The more serious and introspective material is more memorable than the good-natured pop selections here. The highlights are her energetic vocal rendition of the Oscar Brown/Nat Adderley composition "Work Song" and her spiritual composition "Come Ye," on which Simone's inspirational vocals are backed by nothing other than minimal percussion. ~ Richie Unterberger

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High Priestess Of Soul

Nina Simone

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1
Don't You Pay Them No Mind (Album Version)
00:03:09

B. Scott, ComposerLyricist - Richard Ahlert, ComposerLyricist - Nina Simone, MainArtist - Hal Mooney, Producer, Recording Arranger, AssociatedPerformer

℗ 1967 The Verve Music Group, a Division of UMG Recordings, Inc.

2
I'm Gonna Leave You (Album Version)
00:02:18

Nina Simone, MainArtist - Hal Mooney, Producer, Recording Arranger, AssociatedPerformer - Rudy Stevenson, ComposerLyricist

A Verve Label Group Release; ℗ 1967 UMG Recordings, Inc.

3
Brown Eyed Handsome Man (Album Version)
00:02:06

Chuck Berry, ComposerLyricist - Nina Simone, MainArtist - Hal Mooney, Producer, Recording Arranger, AssociatedPerformer

℗ 1967 The Verve Music Group, a Division of UMG Recordings, Inc.

4
Keeper Of The Flame (Album Version)
00:03:26

Nina Simone, MainArtist - Hal Mooney, Producer, Recording Arranger, AssociatedPerformer - Charles Anthony Derringer, ComposerLyricist

℗ 1967 The Verve Music Group, a Division of UMG Recordings, Inc.

5
The Gal From Joe's (Album Version)
00:02:48

Duke Ellington, Composer - Irving Mills, ComposerLyricist - Nina Simone, MainArtist - Hal Mooney, Producer, Recording Arranger, AssociatedPerformer

℗ 1967 The Verve Music Group, a Division of UMG Recordings, Inc.

6
Take Me To The Water (Album Version)
00:02:49

Nina Simone, MainArtist, ComposerLyricist - Hal Mooney, Producer, Recording Arranger, AssociatedPerformer

A Verve Label Group Release; ℗ 1967 UMG Recordings, Inc.

7
I'm Going Back Home (Album Version)
00:02:52

Nina Simone, MainArtist - Hal Mooney, Producer, Recording Arranger, AssociatedPerformer - Rudy Stevenson, ComposerLyricist

A Verve Label Group Release; ℗ 1967 UMG Recordings, Inc.

8
I Hold No Grudge (Album Version)
00:02:21

Angelo Badalamenti, ComposerLyricist - Nina Simone, MainArtist - Hal Mooney, Producer, Recording Arranger, AssociatedPerformer - John Clifford, ComposerLyricist

℗ 1967 The Verve Music Group, a Division of UMG Recordings, Inc.

9
Come Ye (Album Version)
00:03:39

Nina Simone, MainArtist, ComposerLyricist - Hal Mooney, Conductor, Producer, Recording Arranger, AssociatedPerformer

℗ 1967 The Verve Music Group, a Division of UMG Recordings, Inc.

10
He Ain't Comin' Home No More (Album Version)
00:03:10

Nina Simone, MainArtist - Hal Mooney, Producer, Recording Arranger, AssociatedPerformer - John Clifford, ComposerLyricist - Angelo Baldamenti, ComposerLyricist

℗ 1967 The Verve Music Group, a Division of UMG Recordings, Inc.

11
Work Song (Album Version)
00:03:07

Nat Adderley, ComposerLyricist - Nina Simone, MainArtist - Hal Mooney, Producer, Recording Arranger, AssociatedPerformer - Oscar Brown, Jr., ComposerLyricist

A Verve Label Group Release; ℗ 1967 UMG Recordings, Inc.

12
I Love My Baby (Album Version)
00:04:01

Nina Simone, MainArtist - Hal Mooney, Producer, Recording Arranger, AssociatedPerformer - Andrew Benjamin Stroud, ComposerLyricist

℗ 1967 The Verve Music Group, a Division of UMG Recordings, Inc.

Descriptif de l'album

Perhaps a bit more conscious of contemporary soul trends than her previous Philips albums, this is still very characteristic of her mid-'60s work in its eclectic mix of jazz, pop, soul, and some blues and gospel. Hal Mooney directs some large band arrangements for the material on this LP without submerging Simone's essential strengths. The more serious and introspective material is more memorable than the good-natured pop selections here. The highlights are her energetic vocal rendition of the Oscar Brown/Nat Adderley composition "Work Song" and her spiritual composition "Come Ye," on which Simone's inspirational vocals are backed by nothing other than minimal percussion. ~ Richie Unterberger

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