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Warsaw Philharmonic Orchestra|George Crumb: Orchestral Music

George Crumb: Orchestral Music

Thomas Conlin, Warsaw Philharmonic Orchestra

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Because George Crumb's atmospheric compositions are usually scored for chamber ensembles and filled with myriad quiet effects, his larger-scaled orchestral works may be more difficult to recognize and appreciate. The private tone that Crumb practically trademarked, in such works as Ancient Voices of Children and Music for a Summer Evening, is harder to find in his largest ensemble pieces; though his gestures, quotations, and advanced techniques are similar, they are less intimate and affecting in such a public "forum" as the orchestra. Crumb's intense vision is blurred in A Haunted Landscape (1984), which, due to fat string textures, busy woodwinds and brass, and sustained violence in the percussion, resembles a horror film soundtrack. Star-Child (1977) still has enough of Crumb's mannerisms to be identifiable, but the vastness of his forces, his apocalyptic texts, and his Ivesian complexities make the work too pretentiously epic to really touch the emotions. Of the three works here, only Echoes of Time and the River (1967) retains its period magic, since at this stage in his development Crumb was still exploring his soundworld and had not yet begun to parody himself or to take himself too seriously. The Warsaw Philharmonic Orchestra, under Thomas Conlin's direction, delivers competent performances, and soprano Susan Narucki is exceptional in Star-Child. Bridge's sound, though, is only decent.

© TiVo

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George Crumb: Orchestral Music

Warsaw Philharmonic Orchestra

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A Haunted Landscape (George Crumb)

1
A Haunted Landscape
Warsaw Philharmonic Orchestra
00:16:05

GEORGE CRUMB, Composer - Warsaw Philharmonic Orchestra, Orchestra, MainArtist - Thomas Conlin, Conductor

(C) 2017 Bridge Records (P) 2017 Bridge Records

Echoes II (Echoes of Time and the River) (George Crumb)

2
I. Frozen Time
Warsaw Philharmonic Orchestra
00:04:13

GEORGE CRUMB, Composer - Warsaw Philharmonic Orchestra, Orchestra, MainArtist - Thomas Conlin, Conductor

(C) 2017 Bridge Records (P) 2017 Bridge Records

3
II. Remembrance of Time
Warsaw Philharmonic Orchestra
00:05:35

GEORGE CRUMB, Composer - Warsaw Philharmonic Orchestra, Orchestra, MainArtist - Thomas Conlin, Conductor

(C) 2017 Bridge Records (P) 2017 Bridge Records

4
III. Collapse of Time
Warsaw Philharmonic Orchestra
00:04:48

GEORGE CRUMB, Composer - Warsaw Philharmonic Orchestra, Orchestra, MainArtist - Thomas Conlin, Conductor

(C) 2017 Bridge Records (P) 2017 Bridge Records

5
IV. Last Echoes of Time
Warsaw Philharmonic Orchestra
00:04:20

GEORGE CRUMB, Composer - Warsaw Philharmonic Orchestra, Orchestra, MainArtist - Thomas Conlin, Conductor

(C) 2017 Bridge Records (P) 2017 Bridge Records

Star-Child (George Crumb)

6
No. 1, Introduction. Desolato
Warsaw Philharmonic Orchestra
00:02:16

GEORGE CRUMB, Composer - Warsaw Philharmonic Orchestra, Orchestra, MainArtist - Thomas Conlin, Conductor

(C) 2017 Bridge Records (P) 2017 Bridge Records

7
No. 2, Vox clamans in deserto
Susan Narucki
00:08:18

GEORGE CRUMB, Composer - Susan Narucki, Artist, MainArtist - Joseph Alessi, Artist - Warsaw Philharmonic Orchestra, Orchestra - Thomas Conlin, Conductor

(C) 2017 Bridge Records (P) 2017 Bridge Records

8
No. 3, Ascensus potestatum tenebrarum
Warsaw Philharmonic Orchestra
00:01:18

GEORGE CRUMB, Composer - Warsaw Philharmonic Orchestra, Orchestra, MainArtist - Thomas Conlin, Conductor

(C) 2017 Bridge Records (P) 2017 Bridge Records

9
No. 4, Musica apocalyptica
Warsaw Philharmonic Choir
00:05:48

GEORGE CRUMB, Composer - Warsaw Philharmonic Orchestra, Orchestra - Warsaw Philharmonic Choir, Choir, MainArtist - Thomas Conlin, Conductor

(C) 2017 Bridge Records (P) 2017 Bridge Records

10
No. 5, Seven Trumpets of the Apocalypse
Warsaw Philharmonic Orchestra
00:02:06

GEORGE CRUMB, Composer - Warsaw Philharmonic Orchestra, Orchestra, MainArtist - Thomas Conlin, Conductor

(C) 2017 Bridge Records (P) 2017 Bridge Records

11
No. 6, Adventus puerorum luminis
Susan Narucki
00:02:26

GEORGE CRUMB, Composer - Susan Narucki, Artist, MainArtist - Warsaw Philharmonic Orchestra, Orchestra - Thomas Conlin, Conductor

(C) 2017 Bridge Records (P) 2017 Bridge Records

12
No. 7, Hymnus pro novo tempore
Susan Narucki
00:13:26

GEORGE CRUMB, Composer - Susan Narucki, Artist, MainArtist - Warsaw Philharmonic Orchestra, Orchestra - Warsaw Philharmonic Choir, Choir - Warsaw Boys Choir, Choir - Thomas Conlin, Conductor

(C) 2017 Bridge Records (P) 2017 Bridge Records

Chronique

Because George Crumb's atmospheric compositions are usually scored for chamber ensembles and filled with myriad quiet effects, his larger-scaled orchestral works may be more difficult to recognize and appreciate. The private tone that Crumb practically trademarked, in such works as Ancient Voices of Children and Music for a Summer Evening, is harder to find in his largest ensemble pieces; though his gestures, quotations, and advanced techniques are similar, they are less intimate and affecting in such a public "forum" as the orchestra. Crumb's intense vision is blurred in A Haunted Landscape (1984), which, due to fat string textures, busy woodwinds and brass, and sustained violence in the percussion, resembles a horror film soundtrack. Star-Child (1977) still has enough of Crumb's mannerisms to be identifiable, but the vastness of his forces, his apocalyptic texts, and his Ivesian complexities make the work too pretentiously epic to really touch the emotions. Of the three works here, only Echoes of Time and the River (1967) retains its period magic, since at this stage in his development Crumb was still exploring his soundworld and had not yet begun to parody himself or to take himself too seriously. The Warsaw Philharmonic Orchestra, under Thomas Conlin's direction, delivers competent performances, and soprano Susan Narucki is exceptional in Star-Child. Bridge's sound, though, is only decent.

© TiVo

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