Qobuz Store wallpaper
Catégories :
Panier 0

Votre panier est vide

Fleetwood Mac - Fleetwood Mac

Mes favoris

Cet élément a bien été ajouté / retiré de vos favoris.

Fleetwood Mac

Fleetwood Mac

Disponible en
16-Bit CD Quality 44.1 kHz - Stereo

Musique illimitée

Écoutez cet album en haute-qualité dès maintenant dans nos applications

Démarrer ma période d'essai et lancer l'écoute de cet album

Profitez de cet album sur les apps Qobuz grâce à votre abonnement

Souscrire

Profitez de cet album sur les apps Qobuz grâce à votre abonnement

Téléchargement digital

Téléchargez cet album dans la qualité de votre choix

Fleetwood Mac's debut LP was a highlight of the late-'60s British blues boom. Green's always inspired playing, the capable (if erratic) songwriting, and the general panache of the band as a whole placed them leagues above the overcrowded field. Elmore James is a big influence on this set, particularly on the tunes fronted by Jeremy Spencer ("Shake Your Moneymaker," "Got to Move"). Spencer's bluster, however, was outshone by the budding singing and songwriting skills of Green. The guitarist balanced humor and vulnerability on cuts like "Looking for Somebody" and "Long Grey Mare," and with "If I Loved Another Woman," he offered a glimpse of the Latin-blues fusion that he would perfect with "Black Magic Woman." The album was an unexpected smash in the U.K., reaching number four on the British charts.
© Richie Unterberger /TiVo

Plus d'informations

Fleetwood Mac

Fleetwood Mac

launch qobuz app J'ai déjà téléchargé Qobuz pour Mac OS Ouvrir

download qobuz app Je n'ai pas encore téléchargé Qobuz pour Mac OS Télécharger l'app

Copier le lien pour partager la page

Vous êtes actuellement en train d’écouter des extraits.

Écoutez plus de 70 millions de titres avec votre abonnement illimité.

Écoutez cet album et plus de 70 millions de titres avec votre abonnement illimité.

1
My Heart Beat Like A Hammer (Take 2)
00:03:32

Fleetwood Mac, Associated Performer, Main Artist, Associated Performer - Mike Vernon, Producer - Jeremy Spencer, Composer, Lyricist

(P) 1999 Blue Horizon Records

2
Merry Go Round (Take 2)
00:04:19

Fleetwood Mac, Associated Performer, Main Artist, Associated Performer - Mike Vernon, Producer - Peter A. Green, Composer, Lyricist

(P) 1999 Blue Horizon Records

3
Long Grey Mare
00:02:13

Fleetwood Mac, Associated Performer, Main Artist, Associated Performer - Peter A. Green, Composer, Lyricist - Mike Vernon, Producer

(P) 1968 Blue Horizon Records

4
Hellhound On My Trail (Take 1)
00:02:05

Fleetwood Mac, Associated Performer, Main Artist, Associated Performer - Traditional, Composer, Lyricist - Mike Vernon, Producer - Peter A. Green, Arranger

(P) 1999 Blue Horizon Records

5
Shake Your Moneymaker
00:03:12

Fleetwood Mac, Associated Performer, Main Artist, Associated Performer - Mike Vernon, Producer - James Elmore, Composer, Lyricist

(P) 1999 Blue Horizon Records

6
Looking For Somebody
00:02:50

Fleetwood Mac, Associated Performer, Main Artist, Associated Performer - P.A. Green, Composer, Lyricist - Mike Vernon, Producer

(P) 1968 Blue Horizon Records

7
No Place to Go
00:03:20

Fleetwood Mac, Associated Performer, Main Artist, Associated Performer - C. Burnett, Composer, Lyricist - Mike Vernon, Producer

(P) 1968 Blue Horizon Records

8
My Baby's Good to Me
00:02:49

Fleetwood Mac, Associated Performer, Main Artist, Associated Performer - Jeremy Spencer, Composer, Lyricist - Mike Vernon, Producer

(P) 1968 Blue Horizon Records

9
I Loved Another Woman
00:02:55

Fleetwood Mac, Associated Performer, Main Artist, Associated Performer - Mike Vernon, Producer - P.A. Green, Composer, Lyricist

(P) 1968 Blue Horizon Records

10
Cold Black Night
00:03:15

Fleetwood Mac, Associated Performer, Main Artist, Associated Performer - Jeremy Spencer, Composer, Lyricist - Mike Vernon, Producer

(P) 1968 Blue Horizon Records

11
The World Keep On Turning
00:02:27

Fleetwood Mac, Associated Performer, Main Artist, Associated Performer - P.A. Green, Composer, Lyricist - Mike Vernon, Producer

(P) 1968 Blue Horizon Records

12
Got To Move
00:03:18

Fleetwood Mac, Associated Performer, Main Artist, Associated Performer - James Elmore, Composer, Lyricist - Marshall Sehorn, Composer, Lyricist - Mike Vernon, Producer

(P) 1968 Blue Horizon Records

13
My Heart Beat Like A Hammer (Take 1)
00:03:42

Fleetwood Mac, Associated Performer, Main Artist, Associated Performer - Jeremy Spencer, Composer, Lyricist - Mike Vernon, Producer

(P) 1999 Blue Horizon Records

14
Merry Go Round (Take 1)
00:00:55

Fleetwood Mac, Associated Performer, Main Artist, Associated Performer - Mike Vernon, Producer - Peter A. Green, Composer, Lyricist

(P) 1999 Blue Horizon Records

15
I Loved Another Woman (Takes 1, 2, 3 & 4)
00:06:08

Fleetwood Mac, Associated Performer, Main Artist, Associated Performer - Mike Vernon, Producer - Peter A. Green, Composer, Lyricist

(P) 1999 Blue Horizon Records

16
I Loved Another Woman (Takes 5 & 6)
00:05:08

Fleetwood Mac, Associated Performer, Main Artist, Associated Performer - Mike Vernon, Producer - Peter A. Green, Composer, Lyricist

(P) 1999 Blue Horizon Records

17
Cold Black Night (Takes 1, 2, 3, 4, 5 & 6)
00:05:28

Fleetwood Mac, Associated Performer, Main Artist, Associated Performer - Jeremy Spencer, Composer, Lyricist - Mike Vernon, Producer

(P) 1999 Blue Horizon Records

18
You're So Evil
00:03:05

Fleetwood Mac, Associated Performer, Main Artist, Associated Performer - Mike Vernon, Producer - Jeremy Spencer, Composer, Lyricist

(P) 1999 Blue Horizon Records

19
I'm Coming Home To Stay
00:02:28

Fleetwood Mac, Associated Performer, Main Artist, Associated Performer - Mike Vernon, Producer - Jeremy Spencer, Composer, Lyricist

(P) 1999 Blue Horizon Records

Descriptif de l'album

Fleetwood Mac's debut LP was a highlight of the late-'60s British blues boom. Green's always inspired playing, the capable (if erratic) songwriting, and the general panache of the band as a whole placed them leagues above the overcrowded field. Elmore James is a big influence on this set, particularly on the tunes fronted by Jeremy Spencer ("Shake Your Moneymaker," "Got to Move"). Spencer's bluster, however, was outshone by the budding singing and songwriting skills of Green. The guitarist balanced humor and vulnerability on cuts like "Looking for Somebody" and "Long Grey Mare," and with "If I Loved Another Woman," he offered a glimpse of the Latin-blues fusion that he would perfect with "Black Magic Woman." The album was an unexpected smash in the U.K., reaching number four on the British charts.
© Richie Unterberger /TiVo

À propos

Distinctions :

Améliorer cette page album

Qobuz logo Pourquoi acheter sur Qobuz ?

Les promotions du moment...

Crime Of The Century [2014 - HD Remaster]

Supertramp

Deloused in the Comatorium

The Mars Volta

The Snow Goose

Camel

Aqualung

Jethro Tull

Aqualung Jethro Tull
À découvrir également
Par Fleetwood Mac

Fireflies / One More Night

Fleetwood Mac

Rumours

Fleetwood Mac

Rumours Fleetwood Mac

Live

Fleetwood Mac

Live Fleetwood Mac

Fleetwood Mac

Fleetwood Mac

Fleetwood Mac Fleetwood Mac

Fleetwood Mac

Fleetwood Mac

Fleetwood Mac Fleetwood Mac

Playlists

Dans la même thématique...

I Still Have Faith In You / Don't Shut Me Down

Abba

Random Access Memories (Hi-Res Version)

Daft Punk

Chemtrails Over The Country Club

Lana Del Rey

Reprise

Moby

Reprise Moby

...‘Til We Meet Again - Live

Norah Jones

Les Grands Angles...
Santana, le lézard de Tijuana

Une place au panthéon du rock assurée dès ses débuts avec sa performance ensorcelante à Woodstock, une dizaine de Grammy Awards sous le bras et des millions de disques écoulés grâce à sa renaissance en star de la latin pop, des featurings plus prestigieux les uns que les autres… Santana fait partie de ces artistes qui ont tout raflé : la reconnaissance du public, de la critique et de ses pairs. Portrait d’un artiste comblé qui enchaîne les mues comme un lézard.

Qu'est-ce qu'il se passe, Marvin ?

Il était une fois "What's Going On", l'un des plus grands disques de soul paru il y a tout juste 50 ans. Ou comment Marvin Gaye changea l'histoire du label Motown et de la musique populaire des seventies...

Nashville au féminin

Pas facile de jouer des coudes sur la scène de la machiste Music City, berceau de la country music, lorsqu’on est une femme. Au fil des ans, certaines ont tout de même réussi à faire bouger les lignes et les mentalités. Comme ces dix-là, pionnières et révolutionnaires ayant posé – et imposé – leurs santiags sur la table de Nashville.

Dans l'actualité...