Catégories :
Panier 0

Votre panier est vide

Elbow - dead in the boot

Mes favoris

Cet élément a bien été ajouté / retiré de vos favoris.

dead in the boot

Elbow

Musique illimitée

Écoutez cet album en haute-qualité dès maintenant dans nos applications

Démarrer ma période d'essai et lancer l'écoute de cet album

Profitez de cet album sur les apps Qobuz grâce à votre abonnement

Souscrire

Profitez de cet album sur les apps Qobuz grâce à votre abonnement

Téléchargement digital

Choisissez la qualité audio : 

Pour bénéficier de ce tarif, abonnez-vous à Sublime+

Langue disponible : anglais

Culled from singles that date back to 2001, a track from the EP Newborn ("None One"), and B-sides from 2011's well-received Build a Rocket Boys!, Dead in the Boot offers up a rare glimpse into the often insular song-building world of the Manchester outfit. Decidedly less bombastic and ornate than the majority of the band's more anthemic album offerings, Dead in the Boot is a quieter, more abstract affair that feels surprisingly autonomous. Elbow have always straddled the line between stadium-ready house band and a band that just wants to stay in the house, lock the doors, and be left alone to die, and it's the latter persuasion that informs the majority of the collection's 13 cuts. The brittle "Whisper Grass" leads things off in a decidedly mellow direction, but like many of the band's best moments, it recoils and strikes when the listener least expects it, spewing a sinewy stream of distorted venom around the two-minute mark that changes the whole timber of the song. Likewise, the brooding "McGreggor" coolly struts its bluesy swagger before allowing Guy Garvey to indulge in some "Grounds for Divorce"-inspired caterwauling, probably due in large part to the track's live setting. That said, the rest of Dead in the Boot barely moves the VU meter, choosing instead to occupy that creepy corner of the room where doubt, fear, shame, indulgence, and misplaced rage go to fester when the clock sneaks past two in the morning, the rain flirts with ice, and there's only a single, half-wet cigarette left in the pack. ~ James Christopher Monger

Plus d'informations

dead in the boot

Elbow

launch qobuz app J'ai déjà téléchargé Qobuz pour Mac OS Ouvrir

download qobuz app Je n'ai pas encore téléchargé Qobuz pour Mac OS Télécharger l'app
Ecouter sur Qobuz

Copier le lien pour partager la page

Vous êtes actuellement en train d’écouter des extraits.

Écoutez plus de 40 millions de titres avec votre abonnement illimité.

Écoutez cet album et plus de 40 millions de titres avec votre abonnement illimité.

1
whisper grass 00:04:29

Ben Hillier, Producer, Mixer, Engineer, Co-Producer, StudioPersonnel - Craig Potter, Composer, Keyboards, AssociatedPerformer - Mark Potter, Composer, Guitar, AssociatedPerformer - Pete Turner, Bass Guitar, AssociatedPerformer, ComposerLyricist - Elbow, Producer, MainArtist - Richard Jupp, Drums, AssociatedPerformer, ComposerLyricist - Guy Garvey, Composer, Author, Vocals, AssociatedPerformer - Tim Young, Mastering Engineer, StudioPersonnel - Ric Morris, Asst. Recording Engineer, StudioPersonnel

℗ 2003 V2 Music Limited, Under Exclusive License To Polydor

2
lucky with disease 00:03:44

Craig Potter, Composer, Keyboards, AssociatedPerformer - Mark Potter, Composer, Guitar, AssociatedPerformer - Pete Turner, Composer, Bass Guitar, AssociatedPerformer - Elbow, Producer, Mixer, Recording Engineer, MainArtist, StudioPersonnel - Richard Jupp, Composer, Drums, AssociatedPerformer - Guy Garvey, Composer, Author, Vocals, AssociatedPerformer - Tim Young, Mastering Engineer, StudioPersonnel

℗ 2001 V2 Music Limited, Under Exclusive License To Polydor

3
lay down your cross 00:04:39

Ben Hillier, Producer, Mixer, Co-Producer, StudioPersonnel - Craig Potter, Composer, Keyboards, AssociatedPerformer - Mark Potter, Composer, Guitar, AssociatedPerformer - Pete Turner, Composer, Bass Guitar, AssociatedPerformer - Daniel Newell, Cornet, AssociatedPerformer - Ian Burdge, Horn Arranger, AssociatedPerformer - Elbow, Producer, MainArtist - Richard Jupp, Composer, Drums, AssociatedPerformer - Guy Garvey, Composer, Author, Vocals, AssociatedPerformer - Tim Young, Mastering Engineer, StudioPersonnel - Alison Balsom, Trumpet, AssociatedPerformer - Andrea Wright, Asst. Recording Engineer, StudioPersonnel - Becky Smith, Euphonium, AssociatedPerformer - Sam Morris, French Horn, AssociatedPerformer - Ric Morris, Assistant Mixer, StudioPersonnel - Toby Coles, Cornet, AssociatedPerformer - Edward Hodgson, Horn, AssociatedPerformer - Simon J Cowen, Trombone, AssociatedPerformer - Richard Balsom, Tuba, AssociatedPerformer

℗ 2004 V2 Music Limited, Under Exclusive License To Polydor

4
the long war shuffle 00:04:14

Craig Potter, Composer, Keyboards, AssociatedPerformer - Mark Potter, Composer, Guitar, AssociatedPerformer - Pete Turner, Composer, Bass Guitar, AssociatedPerformer - Elbow, Producer, Mixer, Recording Engineer, MainArtist, StudioPersonnel - Richard Jupp, Composer, Drums, AssociatedPerformer - Guy Garvey, Composer, Author, Vocals, AssociatedPerformer - Tim Young, Mastering Engineer, StudioPersonnel

℗ 2005 V2 Music Limited, Under Exclusive License To Polydor

5
every bit the little girl 00:04:23

Craig Potter, Composer, Producer, Mixer, Keyboards, AssociatedPerformer, StudioPersonnel - Mark Potter, Composer, Guitar, AssociatedPerformer - Pete Turner, Composer, Bass Guitar, AssociatedPerformer - Elbow, MainArtist - Richard Jupp, Composer, Drums, AssociatedPerformer - Guy Garvey, Composer, Author, Vocals, AssociatedPerformer - Tim Young, Mastering Engineer, StudioPersonnel - Stella Page, Additional Vocals, AssociatedPerformer - Prabjote Osahn, Additional Vocals, AssociatedPerformer - Margit Van Der Zwan, Additional Vocals, AssociatedPerformer

℗ 2008 Polydor Ltd. (UK)

6
love blown down 00:04:29

Craig Potter, Composer, Keyboards, AssociatedPerformer - Mark Potter, Composer, Guitar, AssociatedPerformer - Pete Turner, Composer, Bass Guitar, AssociatedPerformer - Elbow, Producer, Mixer, Recording Engineer, MainArtist, StudioPersonnel - Richard Jupp, Composer, Drums, AssociatedPerformer - Guy Garvey, Composer, Author, Vocals, AssociatedPerformer - Tim Young, Mastering Engineer, StudioPersonnel - Mushy the Cat, Producer, Additional Producer

℗ 2003 V2 Music Limited, Under Exclusive License To Polydor

7
none one 00:03:44

Craig Potter, Composer, Keyboards, AssociatedPerformer - Mark Potter, Composer, Guitar, AssociatedPerformer - Pete Turner, Composer, Bass Guitar, AssociatedPerformer - Elbow, Producer, Mixer, Recording Engineer, MainArtist, StudioPersonnel - Richard Jupp, Composer, Drums, AssociatedPerformer - Guy Garvey, Composer, Author, Vocals, AssociatedPerformer - Tim Young, Mastering Engineer, StudioPersonnel

℗ 2001 Uglyman Records, Under Exclusive License To V2 Under Exclusive License To Polydor

8
lullaby 00:03:15

Craig Potter, Composer, Producer, Mixer, Keyboards, AssociatedPerformer, StudioPersonnel - Mark Potter, Composer, Guitar, AssociatedPerformer - Pete Turner, Composer, Bass Guitar, AssociatedPerformer - Elbow, MainArtist - Richard Jupp, Composer, Drums, AssociatedPerformer - Guy Garvey, Composer, Author, Vocals, AssociatedPerformer - Tim Young, Mastering Engineer, StudioPersonnel

℗ 2008 Polydor Ltd. (UK)

9
mcgreggor 00:02:39

Craig Potter, Keyboards, AssociatedPerformer - Mark Potter, Guitar, AssociatedPerformer - Pete Turner, Bass Guitar, AssociatedPerformer - Elbow, Composer, Producer, Mixer, Engineer, MainArtist, StudioPersonnel - Richard Jupp, Drums, AssociatedPerformer - Guy Garvey, Author, Vocals, AssociatedPerformer

℗ 2005 V2 Music Limited, Under Exclusive License To Polydor

10
buffalo ghosts (b-side) 00:03:37

Craig Potter, Composer, Producer, Mixer, Keyboards, AssociatedPerformer, StudioPersonnel - Mark Potter, Composer, Guitar, AssociatedPerformer - Pete Turner, Composer, Bass Guitar, AssociatedPerformer - Elbow, MainArtist - Richard Jupp, Composer, Drums, AssociatedPerformer - Guy Garvey, Composer, Author, Vocals, AssociatedPerformer - Tim Young, Mastering Engineer, StudioPersonnel

℗ 2011 Polydor Ltd. (UK)

11
waving from windows 00:04:14

Craig Potter, Keyboards, AssociatedPerformer, ComposerLyricist - Mark Potter, Guitar, AssociatedPerformer, ComposerLyricist - Pete Turner, Bass Guitar, AssociatedPerformer, ComposerLyricist - Elbow, Producer, Mixer, Engineer, MainArtist, StudioPersonnel - Richard Jupp, Drums, AssociatedPerformer, ComposerLyricist - Guy Garvey, Composer, Author, Vocals, AssociatedPerformer - Tim Young, Mastering Engineer, StudioPersonnel

℗ 2004 V2 Music Limited, Under Exclusive License To Polydor

12
snowball 00:05:00

Ben Hillier, Producer, Co-Producer - Craig Potter, Composer, Keyboards, AssociatedPerformer - Mark Potter, Composer, Guitar, AssociatedPerformer - Pete Turner, Composer, Bass Guitar, AssociatedPerformer - Elbow, Producer, Mixer, MainArtist, StudioPersonnel - Richard Jupp, Composer, Drums, AssociatedPerformer - Guy Garvey, Composer, Author, Vocals, AssociatedPerformer - Tim Young, Mastering Engineer, StudioPersonnel

℗ 2005 V2 Music Limited, under exclusive licence to Polydor Ltd. (UK)

13
gentle as 00:02:57

Craig Potter, Composer, Keyboards, AssociatedPerformer - Mark Potter, Composer, Guitar, AssociatedPerformer - Pete Turner, Composer, Bass Guitar, AssociatedPerformer - Elbow, Producer, Mixer, MainArtist, StudioPersonnel - Richard Jupp, Composer, Drums, AssociatedPerformer - Guy Garvey, Composer, Author, Vocals, AssociatedPerformer - Tim Young, Mastering Engineer, StudioPersonnel

℗ 2005 V2 Music Limited, Under Exclusive License To Polydor

Descriptif de l'album

Culled from singles that date back to 2001, a track from the EP Newborn ("None One"), and B-sides from 2011's well-received Build a Rocket Boys!, Dead in the Boot offers up a rare glimpse into the often insular song-building world of the Manchester outfit. Decidedly less bombastic and ornate than the majority of the band's more anthemic album offerings, Dead in the Boot is a quieter, more abstract affair that feels surprisingly autonomous. Elbow have always straddled the line between stadium-ready house band and a band that just wants to stay in the house, lock the doors, and be left alone to die, and it's the latter persuasion that informs the majority of the collection's 13 cuts. The brittle "Whisper Grass" leads things off in a decidedly mellow direction, but like many of the band's best moments, it recoils and strikes when the listener least expects it, spewing a sinewy stream of distorted venom around the two-minute mark that changes the whole timber of the song. Likewise, the brooding "McGreggor" coolly struts its bluesy swagger before allowing Guy Garvey to indulge in some "Grounds for Divorce"-inspired caterwauling, probably due in large part to the track's live setting. That said, the rest of Dead in the Boot barely moves the VU meter, choosing instead to occupy that creepy corner of the room where doubt, fear, shame, indulgence, and misplaced rage go to fester when the clock sneaks past two in the morning, the rain flirts with ice, and there's only a single, half-wet cigarette left in the pack. ~ James Christopher Monger

À propos

Améliorer cette page album

Qobuz logo Pourquoi acheter sur Qobuz ?

Les promotions du moment...
Munich 2016 Keith Jarrett
Playing the Room Avishai Cohen (tp)
À découvrir également
Par Elbow

Playlists

Dans la même thématique...
Portrait Yann Tiersen
Father of the Bride Vampire Weekend
"Let's Rock" The Black Keys
Les Grands Angles...
Nils Frahm, le piano debout

Salué par les critiques de la musique classique comme par les amateurs d’expériences électroniques, le talent de Nils Frahm a mis tout le monde d’accord ces dix dernières années. Qu’il utilise un orgue d’église ou un synthétiseur flanqué de pédales d’effet, le pianiste allemand regarde toujours vers l’avant et c’est pour ça qu’il semble si séduisant.

Daniel Johnston, icône troublée et troublante

Personne ne sonne comme Daniel Johnston. Artiste dépressif et méconnu devenu culte grâce à la reconnaissance de ses pairs, l’Américain, mort le 11 septembre 2019 à l’âge de 58 ans, est le symbole d’une musique naïve, lo-fi mais débordant d’émotions. Il n’est pas trop tard pour (re)découvrir cet authentique génie underground qui ne rate jamais le cœur de l’auditeur.

Le grunge en 10 albums

Il y a trente ans, Seattle devenait la capitale du rock. La faute au grunge. Cet esprit “sale” et je-m’en-foutiste né sur les cendres du punk, du heavy metal et du rock alternatif passa en un éclair de l’underground au succès mondial. Trop vite récupéré par un système qu’il reniait, le genre s’étouffa dans sa propre caricature à la fin des 90’s. Retour sur 10 albums qui ont marqué le mouvement.

Dans l'actualité...