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Mandrill|Composite Truth

Composite Truth

Mandrill

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Langue disponible : anglais

Composite Truth is Mandrill's most successful album, commercially as well as artistically. Although the band's sense of freewheeling experimentation had been tempered, its gradual transition to a straight-ahead funk band was made perfect with two of the biggest hits of its career: "Hang Loose" and "Fencewalk." "Hang Loose" is all over the place (in a good way), moving from a grooving funk jam to mid-tempo guitar skronk and back, all part of an impassioned call to peace. "Fencewalk" also had several transitions, with a crooning chorus and an extended middle section powered by heavy brass and a screaming guitar solo. Elsewhere, Mandrill turns in a very convincing impression of a salsa band ("Hágalo"), breaks into killer loose-groove funk ("Don't Mess With People," with a splendidly undecipherable vocal), and stumbles only with the long, rasta-fied San Francisco tribute "Polk Street Carnival," featuring a bass part that would make even a student smirk. (For such a strong band, Mandrill's basslines were often uncharacteristically weak.) In the main, the songs on Composite Truth were catchier than on its first two albums, and the band never appeared subservient to the sense of experimentation that had troubled it before. Even if on Composite Truth Mandrill sounded more like other funk bands of the time, no one could argue with the fact that the results were more exciting and consistent.

© John Bush /TiVo

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Composite Truth

Mandrill

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1
Hang Loose
00:04:48

Mandrill, Producer, MainArtist - Claude B. Cave II, ComposerLyricist - Alfred V Brown, Producer

℗ 1972 UMG Recordings, Inc.

2
Fencewalk
00:05:31

Louis Wilson, ComposerLyricist - Ricardo Wilson, ComposerLyricist - Carlos Wilson, ComposerLyricist - Mandrill, Producer, Recording Arranger, MainArtist, AssociatedPerformer - Alfred V Brown, Producer

℗ 1972 UMG Recordings, Inc.

3
Hagalo
00:02:49

Mandrill, Producer, MainArtist - Wilson Brothers, ComposerLyricist - Alfred V Brown, Producer

℗ 1972 UMG Recordings, Inc.

4
Don't Mess With People
00:04:55

Louis Wilson, ComposerLyricist - Carlos Wilson, ComposerLyricist - Ric Wilson, ComposerLyricist - Mandrill, Producer, MainArtist - Alfred V Brown, Producer

℗ 1972 UMG Recordings, Inc.

5
Polk Street Carnival
00:06:05

Louis Wilson, ComposerLyricist - Carlos Wilson, ComposerLyricist - Ric Wilson, ComposerLyricist - Mandrill, Producer, MainArtist - Alfred V Brown, Producer

℗ 1972 UMG Recordings, Inc.

6
Golden Stone
00:07:15

Mandrill, Producer, MainArtist - Omar Mesa, ComposerLyricist - Alfred V Brown, Producer

℗ 1972 UMG Recordings, Inc.

7
Out With The Boys
00:05:08

Mandrill, Producer, MainArtist - Alfred V Brown, Producer - Fudgie Kae, ComposerLyricist

℗ 1972 UMG Recordings, Inc.

8
Moroccan Nights
00:06:42

Louis Wilson, ComposerLyricist - Carlos Wilson, ComposerLyricist - Ric Wilson, ComposerLyricist - Mandrill, Producer, MainArtist - Alfred V Brown, Producer

℗ 1972 UMG Recordings, Inc.

Chronique

Composite Truth is Mandrill's most successful album, commercially as well as artistically. Although the band's sense of freewheeling experimentation had been tempered, its gradual transition to a straight-ahead funk band was made perfect with two of the biggest hits of its career: "Hang Loose" and "Fencewalk." "Hang Loose" is all over the place (in a good way), moving from a grooving funk jam to mid-tempo guitar skronk and back, all part of an impassioned call to peace. "Fencewalk" also had several transitions, with a crooning chorus and an extended middle section powered by heavy brass and a screaming guitar solo. Elsewhere, Mandrill turns in a very convincing impression of a salsa band ("Hágalo"), breaks into killer loose-groove funk ("Don't Mess With People," with a splendidly undecipherable vocal), and stumbles only with the long, rasta-fied San Francisco tribute "Polk Street Carnival," featuring a bass part that would make even a student smirk. (For such a strong band, Mandrill's basslines were often uncharacteristically weak.) In the main, the songs on Composite Truth were catchier than on its first two albums, and the band never appeared subservient to the sense of experimentation that had troubled it before. Even if on Composite Truth Mandrill sounded more like other funk bands of the time, no one could argue with the fact that the results were more exciting and consistent.

© John Bush /TiVo

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