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Osibisa - Black Magic Night: Live At the Royal Festival Hall

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Black Magic Night: Live At the Royal Festival Hall

Osibisa

Musique illimitée

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Langue disponible : anglais

Recorded on July 19, 1977, this double LP (reissued as a two-CD set) contained live versions of songs that appeared on several of their 1971-1977 albums, as well as one ("Living Loving Feeling") that only came out as a single. Osibisa, who anticipated many of the features of the worldbeat sound, cover a lot of ground on this lengthy set -- maybe too much for some tastes. Sometimes the material gets close to traditional African music in its rhythms and chanting; at others, it nearly treads on jazz fusion territory, though not in a bad way. And while Osibisa singer and multi-instrumentalist Teddy Osei says in the liner notes that the band wasn't influenced by Santana, the Afro-Latin rhythms and chant-style vocals in some of the songs certainly remind you of Santana, though again not in an objectionable fashion. There's also some Rahsaan Roland Kirk-style flute playing, and a rendition of their substantial 1976 British hit "Sunshine Day" that finds them at their most pop-friendly. While they might not have been the most innovative or original of these kind of groups, overall this is a lively document of an ensemble that fused African, soul-funk, and some Latin and jazz elements when that sort of mixture was far less accessible outside Africa than it would be in subsequent decades. ~ Richie Unterberger

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Black Magic Night: Live At the Royal Festival Hall

Osibisa

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1
Introduction: The Dawn (Live at the Royal Festival Hall) 00:08:19

Teddy Osei, Composer - Mac Tontoh, Composer - Solomon Amarfio, Composer - Osibisa, Performance, MainArtist - Francis Osei, Composer

2004 Sanctuary Records Group Ltd., a BMG Company 1978 Sanctuary Records Group Ltd., a BMG Company

2
Welcome Home (Live at the Royal Festival Hall) 00:04:31

Teddy Osei, Composer - Mac Tontoh, Composer - Solomon Amarfio, Composer - Osibisa, Performance, MainArtist

2004 Sanctuary Records Group Ltd., a BMG Company 1978 Sanctuary Records Group Ltd., a BMG Company

3
Ayiko Bia (Live at the Royal Festival Hall) 00:07:33

Remi Kabaka, Composer - Osibisa, Performance, MainArtist - Francis Osei, Composer

2004 Sanctuary Records Group Ltd., a BMG Company 1978 Sanctuary Records Group Ltd., a BMG Company

4
Living Loving Feeling (Live at the Royal Festival Hall) 00:05:58

Teddy Osei, Composer - Mac Tontoh, Composer - Solomon Amarfio, Composer - Osibisa, Performance, MainArtist

2004 Sanctuary Records Group Ltd., a BMG Company 1978 Sanctuary Records Group Ltd., a BMG Company

5
Woyaya (Live at the Royal Festival Hall) 00:06:47

Teddy Osei, Composer - Solomon Amarfio, Composer - Osibisa, Performance, MainArtist

2004 Sanctuary Records Group Ltd., a BMG Company 1978 Sanctuary Records Group Ltd., a BMG Company

6
Spirits Up Above (Live at the Royal Festival Hall) 00:07:50

Roland Kirk, Composer - Osibisa, Performance, MainArtist

2004 Sanctuary Records Group Ltd., a BMG Company 1978 Sanctuary Records Group Ltd., a BMG Company

DISQUE 2

1
Kelele (Live at the Royal Festival Hall) 00:07:49

S. Amarfio, Writer - M. Tontoh, Writer - Mac Tontoh, Composer - Solomon Amarfio, Composer - F. Osei, Writer - J. Mandengue, Writer - K. Ayivor, Writer - Osibisa, Performance, MainArtist - Kofi Ayivor, Composer - R.Bailey, Writer - Francis Osei, Composer - Jean Madengue, Composer

2004 Sanctuary Records Group Ltd., a BMG Company 1978 Sanctuary Records Group Ltd., a BMG Company

2
Fire (Live at the Royal Festival Hall) 00:07:01

L. Amao, Writer - S. Amarfio, Writer - R. Bedeau, Writer - M. Tontoh, Writer - Sol Amarfio, Composer - Teddy Osei, Composer - Mac Tontoh, Composer - Solomon Amarfio, Composer - F. Osei, Writer - Jean Mandengue, Composer - Michael Tontoh, Composer - Osibisa, Performance, MainArtist - Kofi Ayivor, Composer - R.Bailey, Writer - W. Richardson, Writer

2004 Sanctuary Records Group Ltd., a BMG Company 1978 Sanctuary Records Group Ltd., a BMG Company

3
Music for Gong Gong (Live at the Royal Festival Hall) 00:08:02

Teddy Osei, Composer - Mac Tontoh, Composer - Solomon Amarfio, Composer - Osibisa, Performance, MainArtist - Francis Osei, Composer

2004 Sanctuary Records Group Ltd., a BMG Company 1978 Sanctuary Records Group Ltd., a BMG Company

4
Beautiful Seven Y Sharp (Live at the Royal Festival Hall) 00:08:33

Mac Tontoh, Composer - Robert Bailey, Composer - Solomon Amarfio, Composer - Osibisa, Performance, MainArtist - Francis Osei, Composer

2004 Sanctuary Records Group Ltd., a BMG Company 1978 Sanctuary Records Group Ltd., a BMG Company

5
Sunshine Day (Live at the Royal Festival Hall) 00:07:15

Teddy Osei, Composer - Mac Tontoh, Composer - Solomon Amarfio, Composer - Osibisa, Performance, MainArtist

2004 Sanctuary Records Group Ltd., a BMG Company 1978 Sanctuary Records Group Ltd., a BMG Company

6
Encore: Survival (Live at the Royal Festival Hall) 00:05:08

Teddy Osei, Composer - Mac Tontoh, Composer - Solomon Amarfio, Composer - Osibisa, Performance, MainArtist - Francis Osei, Composer

2004 Sanctuary Records Group Ltd., a BMG Company 1978 Sanctuary Records Group Ltd., a BMG Company

Descriptif de l'album

Recorded on July 19, 1977, this double LP (reissued as a two-CD set) contained live versions of songs that appeared on several of their 1971-1977 albums, as well as one ("Living Loving Feeling") that only came out as a single. Osibisa, who anticipated many of the features of the worldbeat sound, cover a lot of ground on this lengthy set -- maybe too much for some tastes. Sometimes the material gets close to traditional African music in its rhythms and chanting; at others, it nearly treads on jazz fusion territory, though not in a bad way. And while Osibisa singer and multi-instrumentalist Teddy Osei says in the liner notes that the band wasn't influenced by Santana, the Afro-Latin rhythms and chant-style vocals in some of the songs certainly remind you of Santana, though again not in an objectionable fashion. There's also some Rahsaan Roland Kirk-style flute playing, and a rendition of their substantial 1976 British hit "Sunshine Day" that finds them at their most pop-friendly. While they might not have been the most innovative or original of these kind of groups, overall this is a lively document of an ensemble that fused African, soul-funk, and some Latin and jazz elements when that sort of mixture was far less accessible outside Africa than it would be in subsequent decades. ~ Richie Unterberger

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