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Ileana Cotrubas|Bizet: Carmen - Highlights

Bizet: Carmen - Highlights

Ambrosian Singers, Robert Lloyd, London Symphony Orchestra, Claudio Abbado, Sherrill Milnes, John McCarthy, George Watson's College Boys Chorus, Patrick Criswell, Alicia Nafé, Ileana Cotrubas, Yvonne Kenny, Teresa Berganza, Placido Domingo, Jean Lainé

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This 1977 recording of Carmen was based on a production from the Edinburgh Festival, and includes most of the cast from that production with the exception of Ileana Cotrubas as Micaëla and Sherrill Milnes as Escamillo. Claudio Abbado conducts the London Symphony Orchestra, which plays with crisp precision and vitality. His tempos are frequently eccentrically slow or fast, without any apparent rationale, and he doesn't convey a convincing dramatic through-line or the sense of inevitable musical momentum that drives the opera. There are many effective moments, some lovely and some thrilling, but they don't add up to a convincing whole. That being said, the performances of the principals are often exceptional. Teresa Berganza's sultry, believably natural Carmen is beautifully nuanced, dramatically riveting, and musically ravishing. Plácido Domingo is a troubled, powerful Don José (pronounced here the Spanish rather than the French way) and his singing is lyrically intense. Cotrubas gives Micaëla exceptional warmth, even sensuality, and makes her a more interesting character than is usual. As Escamillo, Milnes is the least effective of the principals, sounding somewhat boomy and stiff. The sound alternates between the cavernous and the distant sides of an ideal ambience, and there is sometimes intentional but distracting crowd chatter under the spoken dialogue. This generous disc of highlights lasts almost 70 minutes and includes the opera's most famous solos and ensembles. In spite of the album's drawbacks, Berganza's vivid performance makes this a recording that should interest fans of the opera.

© TiVo

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Bizet: Carmen - Highlights

Ileana Cotrubas

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Carmen, WD 31 (Georges Bizet)

1
Prélude
London Symphony Orchestra
00:03:31

Georges Bizet, Composer - Henri Meilhac, Author - London Symphony Orchestra, Orchestra, MainArtist - Ludovic Halevy, Author - Claudio Abbado, Conductor, MainArtist - Wolf-Dieter Karwatky, Recording Engineer, StudioPersonnel - Prosper Mérimée, Author, Original Text Author - Gernot Westhaeuser, Recording Engineer, StudioPersonnel - Joachim Niss, Editor, Recording Engineer, StudioPersonnel - Rainer Brock, Producer, Recording Producer - Karl-August Naegler, Balance Engineer, StudioPersonnel

(C) 1998 Deutsche Grammophon GmbH, Hamburg ℗ 1978 Deutsche Grammophon GmbH, Berlin

Carmen, WD 31, Act I (Georges Bizet)

2
Chorus of Cigarette Girls. La cloche a sonné
London Symphony Orchestra
00:05:12

John McCarthy, Chorus Master, AssociatedPerformer - Ambrosian Singers, Chorus, MainArtist, AssociatedPerformer - Georges Bizet, Composer - Henri Meilhac, Author - London Symphony Orchestra, Orchestra, MainArtist - Ludovic Halevy, Author - Claudio Abbado, Conductor, MainArtist - Wolf-Dieter Karwatky, Recording Engineer, StudioPersonnel - Prosper Mérimée, Author, Original Text Author - Gernot Westhaeuser, Recording Engineer, StudioPersonnel - Joachim Niss, Editor, Recording Engineer, StudioPersonnel - Rainer Brock, Producer, Recording Producer - Karl-August Naegler, Balance Engineer, StudioPersonnel

(C) 1998 Deutsche Grammophon GmbH, Hamburg ℗ 1978 Deutsche Grammophon GmbH, Berlin

3
Chorus. Mais nous ne voyons pas la Carmencita
Teresa Berganza
00:01:10

John McCarthy, Chorus Master, MainArtist, AssociatedPerformer - Ambrosian Singers, Chorus, MainArtist, AssociatedPerformer - Georges Bizet, Composer - Henri Meilhac, Author - London Symphony Orchestra, Orchestra, MainArtist - Ludovic Halevy, Author - Claudio Abbado, Conductor, MainArtist - Teresa Berganza, Mezzo-Soprano, MainArtist, AssociatedPerformer - Wolf-Dieter Karwatky, Recording Engineer, StudioPersonnel - Prosper Mérimée, Author, Original Text Author - Gernot Westhaeuser, Recording Engineer, StudioPersonnel - Joachim Niss, Editor, Recording Engineer, StudioPersonnel - Rainer Brock, Producer, Executive Producer - Karl-August Naegler, Balance Engineer, StudioPersonnel

(C) 1998 Deutsche Grammophon GmbH, Hamburg ℗ 1978 Deutsche Grammophon GmbH, Berlin

4
Habanera. L'amour est un oiseau rebelle
Teresa Berganza
00:04:26

John McCarthy, Chorus Master, AssociatedPerformer - Ambrosian Singers, Chorus, MainArtist, AssociatedPerformer - Georges Bizet, Composer - Henri Meilhac, Author - London Symphony Orchestra, Orchestra, MainArtist - Ludovic Halevy, Author - Claudio Abbado, Conductor, MainArtist - Teresa Berganza, Mezzo-Soprano, MainArtist, AssociatedPerformer - Wolf-Dieter Karwatky, Recording Engineer, StudioPersonnel - Prosper Mérimée, Author, Original Text Author - Gernot Westhaeuser, Recording Engineer, StudioPersonnel - Joachim Niss, Editor, Recording Engineer, StudioPersonnel - Rainer Brock, Producer, Recording Producer - Karl-August Naegler, Balance Engineer, StudioPersonnel

(C) 1998 Deutsche Grammophon GmbH, Hamburg ℗ 1978 Deutsche Grammophon GmbH, Berlin

5
Monsieur le brigadier?... Duet: "Parle-moi de ma mère!"
Ileana Cotrubas
00:09:50

Georges Bizet, Composer - Placido Domingo, Tenor, MainArtist, AssociatedPerformer - Henri Meilhac, Author - London Symphony Orchestra, Orchestra, MainArtist - Ludovic Halevy, Author - Claudio Abbado, Conductor, MainArtist - Ileana Cotrubas, Soprano, MainArtist, AssociatedPerformer - Wolf-Dieter Karwatky, Recording Engineer, StudioPersonnel - Prosper Mérimée, Author, Original Text Author - Gernot Westhaeuser, Recording Engineer, StudioPersonnel - Joachim Niss, Editor, Recording Engineer, StudioPersonnel - Rainer Brock, Producer, Recording Producer - Karl-August Naegler, Balance Engineer, StudioPersonnel

(C) 1998 Deutsche Grammophon GmbH, Hamburg ℗ 1978 Deutsche Grammophon GmbH, Berlin

6
Seguidilla. Près des remparts de Séville
Teresa Berganza
00:04:39

Georges Bizet, Composer - Placido Domingo, Tenor, MainArtist, AssociatedPerformer - Henri Meilhac, Author - London Symphony Orchestra, Orchestra, MainArtist - Ludovic Halevy, Author - Claudio Abbado, Conductor, MainArtist - Teresa Berganza, Mezzo-Soprano, MainArtist, AssociatedPerformer - Wolf-Dieter Karwatky, Recording Engineer, StudioPersonnel - Prosper Mérimée, Author, Original Text Author - Gernot Westhaeuser, Recording Engineer, StudioPersonnel - Joachim Niss, Editor, Recording Engineer, StudioPersonnel - Rainer Brock, Producer, Recording Producer - Karl-August Naegler, Balance Engineer, StudioPersonnel

(C) 1998 Deutsche Grammophon GmbH, Hamburg ℗ 1978 Deutsche Grammophon GmbH, Berlin

Carmen, WD 31, Act II (Georges Bizet)

7
Chanson bohème. Les tringles des sistres tintaient
Teresa Berganza
00:05:08

Georges Bizet, Composer - Yvonne Kenny, Soprano, MainArtist, AssociatedPerformer - Henri Meilhac, Author - London Symphony Orchestra, Orchestra, MainArtist - Ludovic Halevy, Author - Claudio Abbado, Conductor, MainArtist - Alicia Nafé, Mezzo-Soprano, MainArtist, AssociatedPerformer - Teresa Berganza, Mezzo-Soprano, MainArtist, AssociatedPerformer - Wolf-Dieter Karwatky, Recording Engineer, StudioPersonnel - Prosper Mérimée, Author, Original Text Author - Gernot Westhaeuser, Recording Engineer, StudioPersonnel - Joachim Niss, Editor, Recording Engineer, StudioPersonnel - Rainer Brock, Producer, Recording Producer - Karl-August Naegler, Balance Engineer, StudioPersonnel

(C) 1998 Deutsche Grammophon GmbH, Hamburg ℗ 1978 Deutsche Grammophon GmbH, Berlin

8
Toreador's Song. Votre toast, je peux vous le rendre
Yvonne Kenny
00:05:12

John McCarthy, Chorus Master, AssociatedPerformer - Ambrosian Singers, Chorus, MainArtist, AssociatedPerformer - Georges Bizet, Composer - Sherrill Milnes, Baritone, MainArtist, AssociatedPerformer - Yvonne Kenny, Soprano, MainArtist, AssociatedPerformer - Henri Meilhac, Author - London Symphony Orchestra, Orchestra, MainArtist - Robert Lloyd, MainArtist, AssociatedPerformer, Bass (Vocal) - Ludovic Halevy, Author - Claudio Abbado, Conductor, MainArtist - Alicia Nafé, Mezzo-Soprano, MainArtist, AssociatedPerformer - Teresa Berganza, Mezzo-Soprano, MainArtist, AssociatedPerformer - Jean Lainé, Tenor, MainArtist, AssociatedPerformer - Wolf-Dieter Karwatky, Recording Engineer, StudioPersonnel - Prosper Mérimée, Author, Original Text Author - Gernot Westhaeuser, Recording Engineer, StudioPersonnel - Joachim Niss, Editor, Recording Engineer, StudioPersonnel - Rainer Brock, Producer - Karl-August Naegler, Balance Engineer, StudioPersonnel

(C) 1998 Deutsche Grammophon GmbH, Hamburg ℗ 1978 Deutsche Grammophon GmbH, Berlin

9
La fleur que tu m'avais jetée "Flower Song"
Plácido Domingo
00:04:20

Georges Bizet, Composer - Placido Domingo, Tenor, MainArtist, AssociatedPerformer - Henri Meilhac, Author - London Symphony Orchestra, Orchestra, MainArtist - Ludovic Halevy, Author - Claudio Abbado, Conductor, MainArtist - Wolf-Dieter Karwatky, Recording Engineer, StudioPersonnel - Prosper Mérimée, Author, Original Text Author - Gernot Westhaeuser, Recording Engineer, StudioPersonnel - Joachim Niss, Editor, Recording Engineer, StudioPersonnel - Rainer Brock, Producer, Recording Producer - Karl-August Naegler, Balance Engineer, StudioPersonnel

(C) 1998 Deutsche Grammophon GmbH, Hamburg ℗ 1978 Deutsche Grammophon GmbH, Berlin

Carmen, WD 31, Act III (Georges Bizet)

10
Je dis que rien ne m'épouvante "Micaëla's Aria"
Ileana Cotrubas
00:04:54

Georges Bizet, Composer - Henri Meilhac, Author - London Symphony Orchestra, Orchestra, MainArtist - Ludovic Halevy, Author - Claudio Abbado, Conductor, MainArtist - Ileana Cotrubas, Soprano, MainArtist, AssociatedPerformer - Wolf-Dieter Karwatky, Recording Engineer, StudioPersonnel - Prosper Mérimée, Author, Original Text Author - Gernot Westhaeuser, Recording Engineer, StudioPersonnel - Joachim Niss, Editor, Recording Engineer, StudioPersonnel - Rainer Brock, Producer, Recording Producer - Karl-August Naegler, Balance Engineer, StudioPersonnel

(C) 1998 Deutsche Grammophon GmbH, Hamburg ℗ 1978 Deutsche Grammophon GmbH, Berlin

11
Duet. Je suis Escamillo
Plácido Domingo
00:03:33

Georges Bizet, Composer - Placido Domingo, Tenor, MainArtist, AssociatedPerformer - Sherrill Milnes, Baritone, MainArtist, AssociatedPerformer - Henri Meilhac, Author - London Symphony Orchestra, Orchestra, MainArtist - Ludovic Halevy, Author - Claudio Abbado, Conductor, MainArtist - Wolf-Dieter Karwatky, Recording Engineer, StudioPersonnel - Prosper Mérimée, Author, Original Text Author - Gernot Westhaeuser, Recording Engineer, StudioPersonnel - Joachim Niss, Editor, Recording Engineer, StudioPersonnel - Rainer Brock, Producer, Recording Producer - Karl-August Naegler, Balance Engineer, StudioPersonnel

(C) 1998 Deutsche Grammophon GmbH, Hamburg ℗ 1978 Deutsche Grammophon GmbH, Berlin

Carmen, WD 31, Act IV (Georges Bizet)

12
March and Chorus. Les voici!
London Symphony Orchestra
00:03:53

John McCarthy, Chorus Master, AssociatedPerformer - Ambrosian Singers, Chorus, MainArtist, AssociatedPerformer - Georges Bizet, Composer - Henri Meilhac, Author - London Symphony Orchestra, Orchestra, MainArtist - Ludovic Halevy, Author - Claudio Abbado, Conductor, MainArtist - Wolf-Dieter Karwatky, Recording Engineer, StudioPersonnel - Prosper Mérimée, Author, Original Text Author - Gernot Westhaeuser, Recording Engineer, StudioPersonnel - Joachim Niss, Editor, Recording Engineer, StudioPersonnel - Rainer Brock, Producer, Recording Producer - Karl-August Naegler, Balance Engineer, StudioPersonnel

(C) 1998 Deutsche Grammophon GmbH, Hamburg ℗ 1978 Deutsche Grammophon GmbH, Berlin

13
Si tu m'aimes, Carmen
Sherrill Milnes
00:03:23

Georges Bizet, Composer - Sherrill Milnes, Baritone, MainArtist, AssociatedPerformer - Yvonne Kenny, Soprano, MainArtist, AssociatedPerformer - Henri Meilhac, Author - London Symphony Orchestra, Orchestra, MainArtist - Ludovic Halevy, Author - Claudio Abbado, Conductor, MainArtist - Alicia Nafé, Mezzo-Soprano, MainArtist, AssociatedPerformer - Teresa Berganza, Mezzo-Soprano, MainArtist, AssociatedPerformer - Wolf-Dieter Karwatky, Recording Engineer, StudioPersonnel - Prosper Mérimée, Author, Original Text Author - Gernot Westhaeuser, Recording Engineer, StudioPersonnel - Joachim Niss, Editor, Recording Engineer, StudioPersonnel - Rainer Brock, Producer - Karl-August Naegler, Balance Engineer, StudioPersonnel

(C) 1998 Deutsche Grammophon GmbH, Hamburg ℗ 1978 Deutsche Grammophon GmbH, Berlin

14
Duet and Final Chorus. C'est toi!
Teresa Berganza
00:09:17

John McCarthy, Chorus Master, AssociatedPerformer - Ambrosian Singers, Chorus, MainArtist, AssociatedPerformer - Georges Bizet, Composer - Placido Domingo, Tenor, MainArtist, AssociatedPerformer - Henri Meilhac, Author - London Symphony Orchestra, Orchestra, MainArtist - Ludovic Halevy, Author - Claudio Abbado, Conductor, MainArtist - Teresa Berganza, Mezzo-Soprano, MainArtist, AssociatedPerformer - Wolf-Dieter Karwatky, Recording Engineer, StudioPersonnel - Prosper Mérimée, Author, Original Text Author - Gernot Westhaeuser, Recording Engineer, StudioPersonnel - Joachim Niss, Editor, Recording Engineer, StudioPersonnel - Rainer Brock, Producer, Recording Producer - Karl-August Naegler, Balance Engineer, StudioPersonnel

(C) 1998 Deutsche Grammophon GmbH, Hamburg ℗ 1978 Deutsche Grammophon GmbH, Berlin

Chronique

This 1977 recording of Carmen was based on a production from the Edinburgh Festival, and includes most of the cast from that production with the exception of Ileana Cotrubas as Micaëla and Sherrill Milnes as Escamillo. Claudio Abbado conducts the London Symphony Orchestra, which plays with crisp precision and vitality. His tempos are frequently eccentrically slow or fast, without any apparent rationale, and he doesn't convey a convincing dramatic through-line or the sense of inevitable musical momentum that drives the opera. There are many effective moments, some lovely and some thrilling, but they don't add up to a convincing whole. That being said, the performances of the principals are often exceptional. Teresa Berganza's sultry, believably natural Carmen is beautifully nuanced, dramatically riveting, and musically ravishing. Plácido Domingo is a troubled, powerful Don José (pronounced here the Spanish rather than the French way) and his singing is lyrically intense. Cotrubas gives Micaëla exceptional warmth, even sensuality, and makes her a more interesting character than is usual. As Escamillo, Milnes is the least effective of the principals, sounding somewhat boomy and stiff. The sound alternates between the cavernous and the distant sides of an ideal ambience, and there is sometimes intentional but distracting crowd chatter under the spoken dialogue. This generous disc of highlights lasts almost 70 minutes and includes the opera's most famous solos and ensembles. In spite of the album's drawbacks, Berganza's vivid performance makes this a recording that should interest fans of the opera.

© TiVo

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