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Emerson String Quartet|Bach, J.S.: The Art of Fugue - Emerson String Quartet

Bach, J.S.: The Art of Fugue - Emerson String Quartet

Emerson String Quartet

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Bach's Art of Fugue came down to us without any clear indication of the performing forces desired. The fugue was primarily a keyboard genre, and this massive, almost mystically complex extraction of well over an hour's worth of contrapuntal treatments from a simple fugue subject is most often performed on a harpsichord or organ. But the work's abstract quality has invited performances on other instruments for decades. String quartet versions on recordings go back to a Roth Quartet version of the 1930s, in an arrangement to which Roy Harris contributed. But this is a risky way to go, riskier even than novelty arrangements for saxophones and the like that maintain and exploit a sharp contrast between music and medium. The string quartet was not part of Bach's compositional world, but its origins were temporally close enough to the Art of Fugue to make quartet performances sound just a little "off" from Bach's Baroque sound ideal. The liner notes of the Emerson Quartet's new recording of the work play up the cerebral aspect of the string quartet image; they seethe with diagrams and deep thoughts. But the cerebrations of a Classical string quartet are the witty dialogues of Diderot, not the solitary metaphysics of Leibnitz. The Emerson seems cognizant of the single-minded intensity of this unique work, but the group doesn't always negotiate the pitfall of sounding too much like a string quartet -- too elegantly expressive, too much like the conversation among learned friends to which the string quartet is so often likened. Bach's fugues aren't conversations, and though lovers of the Art of Fugue will find plenty to interest them here, those looking for their first Art of Fugue might investigate a keyboard version instead -- a work this concentrated is best appreciated without distraction.
© TiVo

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Bach, J.S.: The Art of Fugue - Emerson String Quartet

Emerson String Quartet

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The Art Of Fugue, BWV 1080 - Version For String Quartet (Johann Sebastian Bach)

1
Contrapunctus 1
Emerson String Quartet
00:03:03

Johann Sebastian Bach, Composer - Da-Hong Seetoo, Producer, Balance Engineer, Recording Producer, StudioPersonnel - Emerson String Quartet, String Quartet, MainArtist, AssociatedPerformer

℗ 2003 Deutsche Grammophon GmbH, Berlin

2
Contrapunctus 2
Emerson String Quartet
00:02:44

Johann Sebastian Bach, Composer - Da-Hong Seetoo, Producer, Balance Engineer, Recording Producer, StudioPersonnel - Emerson String Quartet, String Quartet, MainArtist, AssociatedPerformer

℗ 2003 Deutsche Grammophon GmbH, Berlin

3
Contrapunctus 3
Emerson String Quartet
00:02:30

Johann Sebastian Bach, Composer - Da-Hong Seetoo, Producer, Balance Engineer, Recording Producer, StudioPersonnel - Emerson String Quartet, String Quartet, MainArtist, AssociatedPerformer

℗ 2003 Deutsche Grammophon GmbH, Berlin

4
Contrapunctus 4
Emerson String Quartet
00:03:30

Johann Sebastian Bach, Composer - Da-Hong Seetoo, Producer, Balance Engineer, Recording Producer, StudioPersonnel - Emerson String Quartet, String Quartet, MainArtist, AssociatedPerformer

℗ 2003 Deutsche Grammophon GmbH, Berlin

5
Contrapunctus 5
Emerson String Quartet
00:02:32

Johann Sebastian Bach, Composer - Da-Hong Seetoo, Producer, Balance Engineer, Recording Producer, StudioPersonnel - Emerson String Quartet, String Quartet, MainArtist, AssociatedPerformer

℗ 2003 Deutsche Grammophon GmbH, Berlin

6
Contrapunctus 6
Emerson String Quartet
00:04:10

Johann Sebastian Bach, Composer - Da-Hong Seetoo, Producer, Balance Engineer, Recording Producer, StudioPersonnel - Emerson String Quartet, String Quartet, MainArtist, AssociatedPerformer

℗ 2003 Deutsche Grammophon GmbH, Berlin

7
Contrapunctus 7
Emerson String Quartet
00:03:07

Johann Sebastian Bach, Composer - Da-Hong Seetoo, Producer, Balance Engineer, Recording Producer, StudioPersonnel - Emerson String Quartet, String Quartet, MainArtist, AssociatedPerformer

℗ 2003 Deutsche Grammophon GmbH, Berlin

8
Contrapunctus 8
Eugene Drucker
00:04:53

Johann Sebastian Bach, Composer - Da-Hong Seetoo, Producer, Balance Engineer, Recording Producer, StudioPersonnel - David Finckel, Cello, MainArtist, AssociatedPerformer - Lawrence Dutton, Viola, MainArtist, AssociatedPerformer - Eugene Drucker, Violin, MainArtist, AssociatedPerformer

℗ 2003 Deutsche Grammophon GmbH, Berlin

9
Contrapunctus 9
Emerson String Quartet
00:02:13

Johann Sebastian Bach, Composer - Da-Hong Seetoo, Producer, Balance Engineer, Recording Producer, StudioPersonnel - Emerson String Quartet, String Quartet, MainArtist, AssociatedPerformer

℗ 2003 Deutsche Grammophon GmbH, Berlin

10
Contrapunctus 10
Emerson String Quartet
00:03:02

Johann Sebastian Bach, Composer - Da-Hong Seetoo, Producer, Balance Engineer, Recording Producer, StudioPersonnel - Emerson String Quartet, String Quartet, MainArtist, AssociatedPerformer

℗ 2003 Deutsche Grammophon GmbH, Berlin

11
Contrapunctus 11
Emerson String Quartet
00:04:42

Johann Sebastian Bach, Composer - Da-Hong Seetoo, Producer, Balance Engineer, Recording Producer, StudioPersonnel - Emerson String Quartet, String Quartet, MainArtist, AssociatedPerformer

℗ 2003 Deutsche Grammophon GmbH, Berlin

12
Contrapunctus 14a: Canon per Augmentationem in contrario motu
Eugene Drucker
00:05:18

Johann Sebastian Bach, Composer - Da-Hong Seetoo, Producer, Balance Engineer, Recording Producer, StudioPersonnel - David Finckel, Cello, MainArtist, AssociatedPerformer - Eugene Drucker, Violin, MainArtist, AssociatedPerformer

℗ 2003 Deutsche Grammophon GmbH, Berlin

13
Contrapunctus 12a, rectus
Emerson String Quartet
00:01:49

Johann Sebastian Bach, Composer - Da-Hong Seetoo, Producer, Balance Engineer, Recording Producer, StudioPersonnel - Emerson String Quartet, String Quartet, MainArtist, AssociatedPerformer

℗ 2003 Deutsche Grammophon GmbH, Berlin

14
Contrapunctus 12b, inversus
Emerson String Quartet
00:01:53

Johann Sebastian Bach, Composer - Da-Hong Seetoo, Producer, Balance Engineer, Recording Producer, StudioPersonnel - Emerson String Quartet, String Quartet, MainArtist, AssociatedPerformer

℗ 2003 Deutsche Grammophon GmbH, Berlin

15
Canon alla Ottava
Lawrence Dutton
00:04:02

Johann Sebastian Bach, Composer - Da-Hong Seetoo, Producer, Balance Engineer, Recording Producer, StudioPersonnel - David Finckel, Cello, MainArtist, AssociatedPerformer - Lawrence Dutton, Viola, MainArtist, AssociatedPerformer

℗ 2003 Deutsche Grammophon GmbH, Berlin

16
Canona alla Decima, in Contrapunto alla Terza
Eugene Drucker
00:03:41

Johann Sebastian Bach, Composer - Da-Hong Seetoo, Producer, Balance Engineer, Recording Producer, StudioPersonnel - Lawrence Dutton, Viola, MainArtist, AssociatedPerformer - Eugene Drucker, Violin, MainArtist, AssociatedPerformer

℗ 2003 Deutsche Grammophon GmbH, Berlin

17
Canon alla Duodecima in Contrapunto alla Quinta
Philip Setzer
00:04:12

Johann Sebastian Bach, Composer - Da-Hong Seetoo, Producer, Balance Engineer, Recording Producer, StudioPersonnel - David Finckel, Cello, MainArtist, AssociatedPerformer - Philip Setzer, Violin, MainArtist, AssociatedPerformer

℗ 2003 Deutsche Grammophon GmbH, Berlin

18
Contrapunctus 13a, inversus
Philip Setzer
00:02:05

Johann Sebastian Bach, Composer - Da-Hong Seetoo, Producer, Balance Engineer, Recording Producer, StudioPersonnel - David Finckel, Cello, MainArtist, AssociatedPerformer - Philip Setzer, Violin, MainArtist, AssociatedPerformer - Lawrence Dutton, Viola, MainArtist, AssociatedPerformer

℗ 2003 Deutsche Grammophon GmbH, Berlin

19
Contrapunctus 13b, rectus
Eugene Drucker
00:02:08

Johann Sebastian Bach, Composer - Da-Hong Seetoo, Producer, Balance Engineer, Recording Producer, StudioPersonnel - David Finckel, Cello, MainArtist, AssociatedPerformer - Lawrence Dutton, Viola, MainArtist, AssociatedPerformer - Eugene Drucker, Violin, MainArtist, AssociatedPerformer

℗ 2003 Deutsche Grammophon GmbH, Berlin

20
Contrapunctus 14: Canon per Augmentationem in contrario motu
Philip Setzer
00:06:52

Johann Sebastian Bach, Composer - Da-Hong Seetoo, Producer, Balance Engineer, Recording Producer, StudioPersonnel - David Finckel, Cello, MainArtist, AssociatedPerformer - Philip Setzer, Violin, MainArtist, AssociatedPerformer

℗ 2003 Deutsche Grammophon GmbH, Berlin

21
Contrapunctus 14(18): Fuga a 3 Soggetti
Emerson String Quartet
00:08:06

Johann Sebastian Bach, Composer - Da-Hong Seetoo, Producer, Balance Engineer, Recording Producer, StudioPersonnel - Emerson String Quartet, String Quartet, MainArtist, AssociatedPerformer

℗ 2003 Deutsche Grammophon GmbH, Berlin

22
Chorale: Wenn wir in höchsten Nöten sein
Emerson String Quartet
00:03:14

Johann Sebastian Bach, Composer - Da-Hong Seetoo, Producer, Balance Engineer, Recording Producer, StudioPersonnel - Emerson String Quartet, String Quartet, MainArtist, AssociatedPerformer

℗ 2003 Deutsche Grammophon GmbH, Berlin

Chronique

Bach's Art of Fugue came down to us without any clear indication of the performing forces desired. The fugue was primarily a keyboard genre, and this massive, almost mystically complex extraction of well over an hour's worth of contrapuntal treatments from a simple fugue subject is most often performed on a harpsichord or organ. But the work's abstract quality has invited performances on other instruments for decades. String quartet versions on recordings go back to a Roth Quartet version of the 1930s, in an arrangement to which Roy Harris contributed. But this is a risky way to go, riskier even than novelty arrangements for saxophones and the like that maintain and exploit a sharp contrast between music and medium. The string quartet was not part of Bach's compositional world, but its origins were temporally close enough to the Art of Fugue to make quartet performances sound just a little "off" from Bach's Baroque sound ideal. The liner notes of the Emerson Quartet's new recording of the work play up the cerebral aspect of the string quartet image; they seethe with diagrams and deep thoughts. But the cerebrations of a Classical string quartet are the witty dialogues of Diderot, not the solitary metaphysics of Leibnitz. The Emerson seems cognizant of the single-minded intensity of this unique work, but the group doesn't always negotiate the pitfall of sounding too much like a string quartet -- too elegantly expressive, too much like the conversation among learned friends to which the string quartet is so often likened. Bach's fugues aren't conversations, and though lovers of the Art of Fugue will find plenty to interest them here, those looking for their first Art of Fugue might investigate a keyboard version instead -- a work this concentrated is best appreciated without distraction.
© TiVo

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