
Téléchargez cet album pour l'écouter en illimité
Téléchargement digital
Téléchargez cet album dans la qualité de votre choix
Langue disponible : anglais
Ornette Coleman's 1965 trio with bassist David Izenzon and drummer Charles Moffett is easily the most underrated of all his bands. Coming off the light of the famed quartet in which Don Cherry, Eddie Blackwell, and Charlie Haden shone, anything might have looked a bit dimmer, it's true. But this band certainly had no apologies to make. Coleman was deep into creating a new approach to melody, since Haden and Cherry had honed his harmonic sensibilities. Izenzon proved to be the right bassist for Coleman to realize his ambitions. A stunning arco as well as pizzicato player (check his solo in "Dawn") Izenzon offered Coleman the perfect foil. No matter where Coleman's soloing moved the band, Izenzon was there at exactly the same time with an uncanny sense of counterpoint, and he often changed the harmonic mode by force. The first of these two volumes from December 3 shows Coleman in a playful, mischievous frame of mind, toying with the trio ads well as the audience on "Faces and Places" by inserting standard bop phrases and song quotes into the heart of his free soloing. On "Dee Dee," Coleman moves along to rhythmic counterpoint by Moffett, pushing Izenzon into the unlikely role of beat-keeper -- not simple for such an amazing improviser. But it's on the closer, "Dawn," that the band gels as one inseparable, ethereal unit, cascading through scalar invention and chromatic interplay as if it were second nature.
© Thom Jurek /TiVo
Vous êtes actuellement en train d’écouter des extraits.
Écoutez plus de 100 millions de titres avec votre abonnement illimité.
Écoutez cette playlist et plus de 100 millions de titres avec votre abonnement illimité.
À partir de 12,50€/mois

Francis Wolff, Producer - Not Applicable, ComposerLyricist - Rune Andreasson, Recording Engineer, StudioPersonnel - The Ornette Coleman Trio, MainArtist
(C) 2001 Blue Note Records ℗ 2001 Blue Note Records
Francis Wolff, Producer - Ornette Coleman, Composer - Rune Andreasson, Recording Engineer, StudioPersonnel - The Ornette Coleman Trio, MainArtist
(C) 2001 Blue Note Records ℗ 2001 Blue Note Records
Francis Wolff, Producer - Ornette Coleman, ComposerLyricist - The Ornette Coleman Trio, MainArtist
(C) 2001 Blue Note Records ℗ 1987 Blue Note Records
Rudy Van Gelder, Mastering Engineer, StudioPersonnel - Francis Wolff, Producer - Ornette Coleman, Composer - Rune Andreasson, Recording Engineer, StudioPersonnel - The Ornette Coleman Trio, MainArtist
(C) 2001 Blue Note Records ℗ 2001 Blue Note Records
Francis Wolff, Producer - Ornette Coleman, Composer - Rune Andreasson, Recording Engineer, StudioPersonnel - The Ornette Coleman Trio, MainArtist
(C) 2001 Blue Note Records ℗ 2001 Blue Note Records
Francis Wolff, Producer - Ornette Coleman, Composer - Rune Andreasson, Recording Engineer, StudioPersonnel - The Ornette Coleman Trio, MainArtist
(C) 2001 Blue Note Records ℗ 2001 Blue Note Records
Francis Wolff, Producer - Ornette Coleman, Composer - Rune Andreasson, Recording Engineer, StudioPersonnel - The Ornette Coleman Trio, MainArtist
(C) 2001 Blue Note Records ℗ 2001 Blue Note Records
Francis Wolff, Producer - Ornette Coleman, Composer - Rune Andreasson, Recording Engineer, StudioPersonnel - The Ornette Coleman Trio, MainArtist
(C) 2001 Blue Note Records ℗ 2001 Blue Note Records
Descriptif de l'album
Ornette Coleman's 1965 trio with bassist David Izenzon and drummer Charles Moffett is easily the most underrated of all his bands. Coming off the light of the famed quartet in which Don Cherry, Eddie Blackwell, and Charlie Haden shone, anything might have looked a bit dimmer, it's true. But this band certainly had no apologies to make. Coleman was deep into creating a new approach to melody, since Haden and Cherry had honed his harmonic sensibilities. Izenzon proved to be the right bassist for Coleman to realize his ambitions. A stunning arco as well as pizzicato player (check his solo in "Dawn") Izenzon offered Coleman the perfect foil. No matter where Coleman's soloing moved the band, Izenzon was there at exactly the same time with an uncanny sense of counterpoint, and he often changed the harmonic mode by force. The first of these two volumes from December 3 shows Coleman in a playful, mischievous frame of mind, toying with the trio ads well as the audience on "Faces and Places" by inserting standard bop phrases and song quotes into the heart of his free soloing. On "Dee Dee," Coleman moves along to rhythmic counterpoint by Moffett, pushing Izenzon into the unlikely role of beat-keeper -- not simple for such an amazing improviser. But it's on the closer, "Dawn," that the band gels as one inseparable, ethereal unit, cascading through scalar invention and chromatic interplay as if it were second nature.
© Thom Jurek /TiVo
À propos
- 1 disque(s) - 8 piste(s)
- Durée totale : 01:15:39
- Artistes principaux : Ornette Coleman
- Compositeur : Various Composers
- Label : Blue Note Records
- Genre : Jazz
-
16-Bit CD Quality 44.1 kHz - Stereo
© 2001 Blue Note Records ℗ 2001 Blue Note Records
Améliorer les informations de l'album
Pourquoi acheter sur Qobuz ?
-
Streamez ou téléchargez votre musique
Achetez un album ou une piste à l’unité. Ou écoutez tout notre catalogue en illimité avec nos abonnements de streaming en haute qualité.
-
Zéro DRM
Les fichiers téléchargés vous appartiennent, sans aucune limite d’utilisation. Vous pouvez les télécharger autant de fois que vous souhaitez.
-
Choisissez le format qui vous convient
Vous disposez d’un large choix de formats pour télécharger vos achats (FLAC, ALAC, WAV, AIFF...) en fonction de vos besoins.
-
Écoutez vos achats dans nos applications
Téléchargez les applications Qobuz pour smartphones, tablettes et ordinateurs, et écoutez vos achats partout avec vous.