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Bill Evans|Alone (Again) (Album Version)

Alone (Again) (Album Version)

Bill Evans

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Langue disponible : anglais

Bill Evans was at his best playing solo piano; his touch, harmonic and rhythmic creativity, phrasing, and total technique were so accomplished that he needed ideal accompanists to excel in any trio or group situation. But when playing unaccompanied, he was free to explore any and all directions, developing and exploiting them without concern about other musicians following, fitting in, or expanding the territory behind or underneath him. There were only five cuts on this 1975 date, and the superb CD remastering illuminates Evans' brilliant solos. It offers a textbook example of how Evans opened, developed, and finished a composition; he examined it to the utmost, explored multiple options with flair, then concluded it in spectacular fashion.

© Ron Wynn /TiVo

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Alone (Again) (Album Version)

Bill Evans

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1
The Touch Of Your Lips (Album Version)
00:07:03

Bill Evans, MainArtist - Ray Noble, ComposerLyricist - HELEN KEANE, Producer

℗ 1977 Fantasy, Inc.

2
In Your Own Sweet Way (Album Version)
00:08:57

Bill Evans, MainArtist - HELEN KEANE, Producer - Dave Brubeck, Composer

℗ 1977 Fantasy, Inc.

3
Make Someone Happy (Album Version)
00:07:11

Bill Evans, MainArtist - Jule Styne, Composer - HELEN KEANE, Producer - Adolph Green, ComposerLyricist - Betty Comden, ComposerLyricist

℗ 1977 Fantasy, Inc.

4
What Kind Of Fool Am I (Album Version)
00:06:05

Bill Evans, MainArtist - Anthony Newley, ComposerLyricist - Leslie Bricusse, ComposerLyricist - HELEN KEANE, Producer

℗ 1977 Fantasy, Inc.

5
People (Album Version)
00:13:38

Bill Evans, MainArtist - Jule Styne, Composer - HELEN KEANE, Producer - Bob Merrill, Author

℗ 1977 Fantasy, Inc.

Chronique

Bill Evans was at his best playing solo piano; his touch, harmonic and rhythmic creativity, phrasing, and total technique were so accomplished that he needed ideal accompanists to excel in any trio or group situation. But when playing unaccompanied, he was free to explore any and all directions, developing and exploiting them without concern about other musicians following, fitting in, or expanding the territory behind or underneath him. There were only five cuts on this 1975 date, and the superb CD remastering illuminates Evans' brilliant solos. It offers a textbook example of how Evans opened, developed, and finished a composition; he examined it to the utmost, explored multiple options with flair, then concluded it in spectacular fashion.

© Ron Wynn /TiVo

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