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Nils Frahm|Tripping with Nils Frahm

Tripping with Nils Frahm

Nils Frahm

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In December 2018, Nils Frahm returned for four nights at Funkhaus Berlin, the former headquarters of the East German national radio which is now a complex of studios and concert halls. It was here that he had composed his last album, the acclaimed All Melody, and here also that he had started a tour of 180 dates to support it. "It was about time to document my concerts in picture and sound," Frahm explains, "trying to freeze a moment of this period where my team and I were nomads, using any method of travel to play yet another show the next day. Maybe tonight is the night where everything works out perfectly and things fall into place? Normally things go wrong with concerts, but by combining our favourite moments of four performances, we were able to achieve what I was trying to do in these two years of touring: getting it right!" On the track-list of this record which comes accompanied by a film, we see an inspired Nils Frahm in beret and black T-shirt. He replays a good half of the album All Melody, and notably the trippy Sunson, whose techno break will draw whistles from Berlin club audiences. We can also enjoy the addition of The Dane (which is on All Encores) and a final, melancholic Ode – Our Own Roof, taken from the soundtrack to the film Victoria. © Smaël Bouaici/Qobuz

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Tripping with Nils Frahm

Nils Frahm

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1
Enters
00:05:36

Nils Frahm, Composer, MainArtist

2020 Erased Tapes Records Ltd. 2020 Erased Tapes Records Ltd.

2
Sunson
00:11:05

Nils Frahm, Composer, MainArtist

2020 Erased Tapes Records Ltd. 2020 Erased Tapes Records Ltd.

3
Fundamental Values
00:14:18

Nils Frahm, Composer, MainArtist

2020 Erased Tapes Records Ltd. 2020 Erased Tapes Records Ltd.

4
My Friend the Forest
00:06:08

Nils Frahm, Composer, MainArtist

2020 Erased Tapes Records Ltd. 2020 Erased Tapes Records Ltd.

5
The Dane
00:03:41

Nils Frahm, Composer, MainArtist

2020 Erased Tapes Records Ltd. 2020 Erased Tapes Records Ltd.

6
All Melody
00:14:18

Nils Frahm, Composer, MainArtist

2020 Erased Tapes Records Ltd. 2020 Erased Tapes Records Ltd.

7
#2
00:10:45

Nils Frahm, Composer, MainArtist

2020 Erased Tapes Records Ltd. 2020 Erased Tapes Records Ltd.

8
Ode – Our Own Roof
00:10:03

Nils Frahm, Composer, MainArtist

2020 Erased Tapes Records Ltd. 2020 Erased Tapes Records Ltd.

Album Description

In December 2018, Nils Frahm returned for four nights at Funkhaus Berlin, the former headquarters of the East German national radio which is now a complex of studios and concert halls. It was here that he had composed his last album, the acclaimed All Melody, and here also that he had started a tour of 180 dates to support it. "It was about time to document my concerts in picture and sound," Frahm explains, "trying to freeze a moment of this period where my team and I were nomads, using any method of travel to play yet another show the next day. Maybe tonight is the night where everything works out perfectly and things fall into place? Normally things go wrong with concerts, but by combining our favourite moments of four performances, we were able to achieve what I was trying to do in these two years of touring: getting it right!" On the track-list of this record which comes accompanied by a film, we see an inspired Nils Frahm in beret and black T-shirt. He replays a good half of the album All Melody, and notably the trippy Sunson, whose techno break will draw whistles from Berlin club audiences. We can also enjoy the addition of The Dane (which is on All Encores) and a final, melancholic Ode – Our Own Roof, taken from the soundtrack to the film Victoria. © Smaël Bouaici/Qobuz

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In your panoramas...
Neoclassicism: The New World Between Classical Music and Electro

Ólafur Arnalds, Nils Frahm, Max Richter, Poppy Ackroyd, Peter Broderick, Joana Gama... In recent years, these popular names have all been grouped under the vast and imprecise label "neoclassical". In truth, this "scene" looks more like a motley crew of curious artists who mix classical instruments with electronic production. Drawing influence from American minimalism, these musicians tantalise the senses and expand horizons on both sides of the musical spectrum.

Nils Frahm, an Atypical Piano Master

Hailed by critics of classical music as well as amateurs of the electronic genre, Nils Frahm’s talent has brought harmony between the two worlds for the last ten years. Whether he plays on a church organ or a synthesiser fitted with effect pedals, the German pianist is always looking forward, and that’s what makes him so appealing.

Erased Tapes, a Not-so-classic Label

Since its birth in 2007, Erased Tapes has made a name for itself as one of the most innovative labels of the last 15 years and enjoyed great commercial success. Although some fail to see past its neoclassical shopfront (Nils Frahm, Ólafur Arnalds), the London-based label explores the outer limits of ambient, electronica and experimental with a catalogue that's smoothly curated by the German Robert Raths. Qobuz takes a closer look.

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