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Marc Johnson|Overpass

Overpass

Marc Johnson

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Before he was able to carve out his own identity, Marc Johnson was known for many years as "Bill Evans' last bassist", a glorious gig which boosted his reputation and enabled him to launch the excellent group Bass Desires with John Scofield, Bill Frisell and Peter Erskine, a few years after Evans' death. What followed was a mixture of tasteful collaborations with people as eclectic as Mel Lewis, Jim Hall, Stan Getz, John Abercrombie, Michael Brecker, Jack DeJohnette, Joe Lovano, Pat Metheny, Enrico Pieranunzi and, his wife, Eliane Elias... At 67 years of age, Marc Johnson brought out Overpass, recorded in January and February of 2018 at the Nacema studio in São Paulo and co-produced with Eliane Elias. An entirely solo album for ECM, a label that is fond of solo records by double bassists. This is the kind of material that promotes introspection, and retrospection too. It is therefore not surprising that Overpass contains the Miles Davis standard Nardis, a cornerstone of Bill Evans' repertoire, as well as Alex North's Love Theme from Spartacus, another of the pianist's favourite compositions. Marc Johnson has written five original compositions, including Samurai Fly, a sort of facelift for Samurai Hee-Haw recorded in the past for ECM with Bass Desires and with John Abercrombie's trio. Each song follows on from the other with impressive flexibility. Johnson's full, rounded-out sound and the finesse of his timing help save us from four-string overdose. This type of solo exercise is hard to sustain across an entire album, but the American bassist always keeps a serious sense of narrative in mind, constantly developing new ideas and high-flying improvisations. Overall, it's impressive. © Marc Zisman/Qobuz

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Overpass

Marc Johnson

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1
Freedom Jazz Dance
00:06:47

EDDIE HARRIS, Composer - Eliane Elias, Producer - Marc Johnson, Producer, Double Bass, MainArtist, AssociatedPerformer - STEVE RODBY, Mixer, StudioPersonnel - Christoph Stickel, Mastering Engineer, StudioPersonnel - Manfred Eicher, Producer, Executive Producer - Rodrigo de Castro-Lopes, Recording Engineer, StudioPersonnel

℗ 2021 ECM Records GmbH

2
Nardis
00:05:18

Miles Davis, Composer - Eliane Elias, Producer - Marc Johnson, Producer, Double Bass, MainArtist, AssociatedPerformer - STEVE RODBY, Mixer, StudioPersonnel - Christoph Stickel, Mastering Engineer, StudioPersonnel - Manfred Eicher, Producer, Executive Producer - Rodrigo de Castro-Lopes, Recording Engineer, StudioPersonnel

℗ 2021 ECM Records GmbH

3
Samurai Fly
00:04:20

Eliane Elias, Producer - Marc Johnson, Composer, Producer, Double Bass, MainArtist, AssociatedPerformer - STEVE RODBY, Mixer, StudioPersonnel - Christoph Stickel, Mastering Engineer, StudioPersonnel - Manfred Eicher, Producer, Executive Producer - Rodrigo de Castro-Lopes, Recording Engineer, StudioPersonnel

℗ 2021 ECM Records GmbH

4
Love Theme from Spartacus
00:04:23

Alex North, Composer - Eliane Elias, Producer - Marc Johnson, Producer, Double Bass, MainArtist, AssociatedPerformer - STEVE RODBY, Mixer, StudioPersonnel - Christoph Stickel, Mastering Engineer, StudioPersonnel - Manfred Eicher, Producer, Executive Producer - Rodrigo de Castro-Lopes, Recording Engineer, StudioPersonnel

℗ 2021 ECM Records GmbH

5
Life of Pai
00:04:25

Eliane Elias, Producer - Marc Johnson, Composer, Producer, Double Bass, MainArtist, AssociatedPerformer - STEVE RODBY, Mixer, StudioPersonnel - Christoph Stickel, Mastering Engineer, StudioPersonnel - Manfred Eicher, Producer, Executive Producer - Rodrigo de Castro-Lopes, Recording Engineer, StudioPersonnel

℗ 2021 ECM Records GmbH

6
And Strike Each Tuneful String
00:07:20

Eliane Elias, Producer - Marc Johnson, Composer, Producer, Double Bass, MainArtist, AssociatedPerformer - STEVE RODBY, Mixer, StudioPersonnel - Christoph Stickel, Mastering Engineer, StudioPersonnel - Manfred Eicher, Producer, Executive Producer - Rodrigo de Castro-Lopes, Recording Engineer, StudioPersonnel

℗ 2021 ECM Records GmbH

7
Yin and Yang
00:04:16

Eliane Elias, Producer - Marc Johnson, Composer, Producer, Double Bass, MainArtist, AssociatedPerformer - STEVE RODBY, Mixer, StudioPersonnel - Christoph Stickel, Mastering Engineer, StudioPersonnel - Manfred Eicher, Producer, Executive Producer - Rodrigo de Castro-Lopes, Recording Engineer, StudioPersonnel

℗ 2021 ECM Records GmbH

8
Whorled Whirled World
00:06:32

Eliane Elias, Producer - Marc Johnson, Composer, Producer, Double Bass, MainArtist, AssociatedPerformer - STEVE RODBY, Mixer, StudioPersonnel - Christoph Stickel, Mastering Engineer, StudioPersonnel - Manfred Eicher, Producer, Executive Producer - Rodrigo de Castro-Lopes, Recording Engineer, StudioPersonnel

℗ 2021 ECM Records GmbH

Album review

Before he was able to carve out his own identity, Marc Johnson was known for many years as "Bill Evans' last bassist", a glorious gig which boosted his reputation and enabled him to launch the excellent group Bass Desires with John Scofield, Bill Frisell and Peter Erskine, a few years after Evans' death. What followed was a mixture of tasteful collaborations with people as eclectic as Mel Lewis, Jim Hall, Stan Getz, John Abercrombie, Michael Brecker, Jack DeJohnette, Joe Lovano, Pat Metheny, Enrico Pieranunzi and, his wife, Eliane Elias... At 67 years of age, Marc Johnson brought out Overpass, recorded in January and February of 2018 at the Nacema studio in São Paulo and co-produced with Eliane Elias. An entirely solo album for ECM, a label that is fond of solo records by double bassists. This is the kind of material that promotes introspection, and retrospection too. It is therefore not surprising that Overpass contains the Miles Davis standard Nardis, a cornerstone of Bill Evans' repertoire, as well as Alex North's Love Theme from Spartacus, another of the pianist's favourite compositions. Marc Johnson has written five original compositions, including Samurai Fly, a sort of facelift for Samurai Hee-Haw recorded in the past for ECM with Bass Desires and with John Abercrombie's trio. Each song follows on from the other with impressive flexibility. Johnson's full, rounded-out sound and the finesse of his timing help save us from four-string overdose. This type of solo exercise is hard to sustain across an entire album, but the American bassist always keeps a serious sense of narrative in mind, constantly developing new ideas and high-flying improvisations. Overall, it's impressive. © Marc Zisman/Qobuz

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