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En Attendant Ana|Juillet

Juillet

En Attendant Ana

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Situated somewhere between aesthetic lo-fi and noise pop, this second album from the French group En Attendant Ana takes its inspiration from the various losses endured by the group, according to singer and lyricist Margaux Bouchadon. Despite the resolutely sombre theme and tone, the spontaneity and freshness are the biggest takeaways of the ten tracks that make up the album. Dominated by guitars and brass, the elegant arrangements enrobe often bubbling melodies, most of them written in a major key. Tracks like Somewhere and Somehow and In / Out are probably the most emblematic of this simultaneously joyful and harsh aesthetic. In fact, it’s important to recognise the rhythm section’s important work on this album: Antoine Vaugelade on the bass and Adrien Pollin on drums. The band does indeed give sense to the overall theme of the album at times, like the long and melancholy intro of From My Bruise to an Island, or the bittersweet harmonies of the splendid song Words. After listening to this radiant Juillet, one comes to the conclusion that this album is less about the concept of loss itself, but rather its acceptance. © Nicolas Magenham/Qobuz

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Juillet

En Attendant Ana

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1
Down The Hill
00:04:43

En Attendant Ana, Artist, MainArtist

2020 Trouble In Mind Records, LLC. All rights reserved 2020 Trouble In Mind Records, LLC. All rights reserved

2
Do You Understand?
00:02:59

En Attendant Ana, Artist, MainArtist

2020 Trouble In Mind Records, LLC. All rights reserved 2020 Trouble In Mind Records, LLC. All rights reserved

3
Somewhere And Somehow
00:02:14

En Attendant Ana, Artist, MainArtist

2020 Trouble In Mind Records, LLC. All rights reserved 2020 Trouble In Mind Records, LLC. All rights reserved

4
In / Out
00:02:47

En Attendant Ana, Artist, MainArtist

2020 Trouble In Mind Records, LLC. All rights reserved 2020 Trouble In Mind Records, LLC. All rights reserved

5
From My Bruise To An Island
00:04:33

En Attendant Ana, Artist, MainArtist

2020 Trouble In Mind Records, LLC. All rights reserved 2020 Trouble In Mind Records, LLC. All rights reserved

6
Flesh Or Blood
00:03:06

En Attendant Ana, Artist, MainArtist

2020 Trouble In Mind Records, LLC. All rights reserved 2020 Trouble In Mind Records, LLC. All rights reserved

7
Enter My Body (Lilith)
00:04:23

En Attendant Ana, Artist, MainArtist

2020 Trouble In Mind Records, LLC. All rights reserved 2020 Trouble In Mind Records, LLC. All rights reserved

8
Words
00:03:11

En Attendant Ana, Artist, MainArtist

2020 Trouble In Mind Records, LLC. All rights reserved 2020 Trouble In Mind Records, LLC. All rights reserved

9
When It Burns
00:03:20

En Attendant Ana, Artist, MainArtist

2020 Trouble In Mind Records, LLC. All rights reserved 2020 Trouble In Mind Records, LLC. All rights reserved

10
The Light That Slept Inside
00:03:39

En Attendant Ana, Artist, MainArtist

2020 Trouble In Mind Records, LLC. All rights reserved 2020 Trouble In Mind Records, LLC. All rights reserved

Album review

Situated somewhere between aesthetic lo-fi and noise pop, this second album from the French group En Attendant Ana takes its inspiration from the various losses endured by the group, according to singer and lyricist Margaux Bouchadon. Despite the resolutely sombre theme and tone, the spontaneity and freshness are the biggest takeaways of the ten tracks that make up the album. Dominated by guitars and brass, the elegant arrangements enrobe often bubbling melodies, most of them written in a major key. Tracks like Somewhere and Somehow and In / Out are probably the most emblematic of this simultaneously joyful and harsh aesthetic. In fact, it’s important to recognise the rhythm section’s important work on this album: Antoine Vaugelade on the bass and Adrien Pollin on drums. The band does indeed give sense to the overall theme of the album at times, like the long and melancholy intro of From My Bruise to an Island, or the bittersweet harmonies of the splendid song Words. After listening to this radiant Juillet, one comes to the conclusion that this album is less about the concept of loss itself, but rather its acceptance. © Nicolas Magenham/Qobuz

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