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Jack White|Fear Of The Dawn

Fear Of The Dawn

Jack White

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The first half of 2022's two solo releases from Jack White (acoustic Entering Heaven Alive is out in July), Fear of the Dawn is a solid reminder the rock 'n' roll isn't dead: Call it White's Sabbath era. "Taking Me Back" is as heavy, and as '70s, as anything he's done, layered with fuzzed-out guitar, underwater drums, and in-and-out effects that make the whole thing sound so big it's shorting out the system. The title track absolutely swings, its bass like an 18-wheeler plowing down a highway at midnight—steady while the guitar squalls, out of control and all over the place, refusing to between the lines. White works himself up into a tent-revival preacher froth—on the cusp of evangelism and madness—on "What's the Trick": "Stomping on a box that I thought was empty/ But there was something sharp inside," he rants as a guitar maniacally runs scales through a monster filter. And that's hardly the weirdest moment. White, a guy who has never seemed casual or like he takes his purpose lightly, is in a playful, experimental mood. "Into the Twilight" starts with a bit of Manhattan Transfer-style vocals, then leaps fearlessly into '70s funk and disco camp, throwing in a William S. Burroughs sample ("When you cut into the present, the future leaks out") and down-and-dirty keys. "Hi-De-Ho" kicks in with mystical vocalization before A Tribe Called Quest's Q-Tip rolls up with some '80s style rap—nodding to the obvious reference ("Hi-de-hi-de-ho is a Calloway vibe") and unleashing some fun top-of-their-game nonsense: "Hurting real bad, like Stevie Wonder with contusions/ It's a guitar chuck coming from Chuck Berry/ Hi-de-high tones from Minnie Rip, Mariah Carey/ Olajuwon post moves, Bron or Embiid/ Everybody got it in 'em, find yours and succeed."  "That Was Then, This Is Now" incorporates '70s bubblegum glam metal á la The Sweet, "Eosophobia" rides a jackhammer rhythm that slides sideways into The Edge-style atmospherics and laser-show effects, and "The White Raven" features both a pounding, industrial grind and haunted-house howls. "My camouflage is invisible … my armor is invincible," White sings, big, freewheeling and refreshed. © Shelly Ridenour/Qobuz

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Fear Of The Dawn

Jack White

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1
Taking Me Back
00:03:59

Jack White, Composer, Producer, MainArtist, MixingEngineer - Bill Skibbe, MasteringEngineer, MixingEngineer - Joshua V. Smith, MixingEngineer - Third String Tunes (BMI), Administered by Songs of Universal, Inc. (BMI), MusicPublisher - Dan Mancini, AssistantEngineer

(C) 2022 Third Man Records (P) 2022 Third Man Records

2
Fear Of The Dawn
00:02:02

Jack White, Composer, Producer, MainArtist, MixingEngineer - Bill Skibbe, MasteringEngineer, MixingEngineer - Joshua V. Smith, MixingEngineer - Third String Tunes (BMI), Administered by Songs of Universal, Inc. (BMI), MusicPublisher - Dan Mancini, AssistantEngineer

(C) 2022 Third Man Records (P) 2022 Third Man Records

3
The White Raven
00:02:43

Jack White, Composer, Producer, MainArtist, MixingEngineer - Bill Skibbe, MasteringEngineer, MixingEngineer - Joshua V. Smith, MixingEngineer - Third String Tunes (BMI), Administered by Songs of Universal, Inc. (BMI), MusicPublisher - Dan Mancini, AssistantEngineer

(C) 2022 Third Man Records (P) 2022 Third Man Records

4
Hi-De-Ho
00:03:56

Kamaal Fareed, Composer - Jack White, Composer, Producer, MainArtist, MixingEngineer - Bill Skibbe, MasteringEngineer, MixingEngineer - Joshua V. Smith, MixingEngineer - Jack Palmer, Composer - Q-Tip, FeaturedArtist - Cab Calloway, Composer - Buster Harding, Composer - Third String Tunes (BMI), MusicPublisher - Kobalt Songs Music Publishing (ASCAP), MusicPublisher - Inc. (BMI), MusicPublisher - Administered by Songs of Universal, MusicPublisher - Dan Mancini, AssistantEngineer - Creative Arts By Calloway LLC (ASCAP), MusicPublisher - administered by WC Music Corp. (ASCAP), MusicPublisher - and Crescendo Music Publishing of Dallas, MusicPublisher - administered by Affiliated Music d/b/a Interpublications, MusicPublisher

(C) 2022 Third Man Records (P) 2022 Third Man Records

5
Eosophobia
00:03:41

Jack White, Composer, Producer, MainArtist, MixingEngineer - Bill Skibbe, MasteringEngineer, MixingEngineer - Joshua V. Smith, MixingEngineer - Third String Tunes (BMI), Administered by Songs of Universal, Inc. (BMI), MusicPublisher - Dan Mancini, AssistantEngineer

(C) 2022 Third Man Records (P) 2022 Third Man Records

6
Into the Twilight
00:04:41

Jack White, Composer, Producer, MainArtist, MixingEngineer - Bill Skibbe, MasteringEngineer, MixingEngineer - Joshua V. Smith, MixingEngineer - Third String Tunes (BMI), MusicPublisher - Universal Music Corp. (ASCAP), MusicPublisher - Ltd., MusicPublisher - Inc. (BMI), MusicPublisher - Administered by Songs of Universal, MusicPublisher - Dan Mancini, AssistantEngineer - Garden Rake Music Inc. and Ariem Music/Songs of Peer, MusicPublisher

(C) 2022 Third Man Records (P) 2022 Third Man Records

7
Dusk
00:00:30

Jack White, Composer, Producer, MainArtist, MixingEngineer - Bill Skibbe, MasteringEngineer, MixingEngineer - Joshua V. Smith, MixingEngineer - Third String Tunes (BMI), Administered by Songs of Universal, Inc. (BMI), MusicPublisher - Dan Mancini, AssistantEngineer

(C) 2022 Third Man Records (P) 2022 Third Man Records

8
What's the Trick?
00:03:34

Jack White, Composer, Producer, MainArtist, MixingEngineer - Bill Skibbe, MasteringEngineer, MixingEngineer - Joshua V. Smith, MixingEngineer - Third String Tunes (BMI), Administered by Songs of Universal, Inc. (BMI), MusicPublisher - Dan Mancini, AssistantEngineer

(C) 2022 Third Man Records (P) 2022 Third Man Records

9
That Was Then, This is Now
00:03:10

Jack White, Composer, Producer, MainArtist, MixingEngineer - Bill Skibbe, MasteringEngineer, MixingEngineer - Joshua V. Smith, MixingEngineer - Third String Tunes (BMI), Administered by Songs of Universal, Inc. (BMI), MusicPublisher - Dan Mancini, AssistantEngineer

(C) 2022 Third Man Records (P) 2022 Third Man Records

10
Eosophobia (Reprise)
00:03:12

Jack White, Composer, Producer, MainArtist, MixingEngineer - Bill Skibbe, MasteringEngineer, MixingEngineer - Joshua V. Smith, MixingEngineer - Third String Tunes (BMI), Administered by Songs of Universal, Inc. (BMI), MusicPublisher - Dan Mancini, AssistantEngineer

(C) 2022 Third Man Records (P) 2022 Third Man Records

11
Morning, Noon and Night
00:04:45

Jack White, Composer, Producer, MainArtist, MixingEngineer - Bill Skibbe, MasteringEngineer, MixingEngineer - Joshua V. Smith, MixingEngineer - Third String Tunes (BMI), Administered by Songs of Universal, Inc. (BMI), MusicPublisher - Dan Mancini, AssistantEngineer

(C) 2022 Third Man Records (P) 2022 Third Man Records

12
Shedding My Velvet
00:03:41

Jack White, Composer, Producer, MainArtist, MixingEngineer - Bill Skibbe, MasteringEngineer, MixingEngineer - Joshua V. Smith, MixingEngineer - Third String Tunes (BMI), Administered by Songs of Universal, Inc. (BMI), MusicPublisher - Dan Mancini, AssistantEngineer

(C) 2022 Third Man Records (P) 2022 Third Man Records

Album Description

The first half of 2022's two solo releases from Jack White (acoustic Entering Heaven Alive is out in July), Fear of the Dawn is a solid reminder the rock 'n' roll isn't dead: Call it White's Sabbath era. "Taking Me Back" is as heavy, and as '70s, as anything he's done, layered with fuzzed-out guitar, underwater drums, and in-and-out effects that make the whole thing sound so big it's shorting out the system. The title track absolutely swings, its bass like an 18-wheeler plowing down a highway at midnight—steady while the guitar squalls, out of control and all over the place, refusing to between the lines. White works himself up into a tent-revival preacher froth—on the cusp of evangelism and madness—on "What's the Trick": "Stomping on a box that I thought was empty/ But there was something sharp inside," he rants as a guitar maniacally runs scales through a monster filter. And that's hardly the weirdest moment. White, a guy who has never seemed casual or like he takes his purpose lightly, is in a playful, experimental mood. "Into the Twilight" starts with a bit of Manhattan Transfer-style vocals, then leaps fearlessly into '70s funk and disco camp, throwing in a William S. Burroughs sample ("When you cut into the present, the future leaks out") and down-and-dirty keys. "Hi-De-Ho" kicks in with mystical vocalization before A Tribe Called Quest's Q-Tip rolls up with some '80s style rap—nodding to the obvious reference ("Hi-de-hi-de-ho is a Calloway vibe") and unleashing some fun top-of-their-game nonsense: "Hurting real bad, like Stevie Wonder with contusions/ It's a guitar chuck coming from Chuck Berry/ Hi-de-high tones from Minnie Rip, Mariah Carey/ Olajuwon post moves, Bron or Embiid/ Everybody got it in 'em, find yours and succeed."  "That Was Then, This Is Now" incorporates '70s bubblegum glam metal á la The Sweet, "Eosophobia" rides a jackhammer rhythm that slides sideways into The Edge-style atmospherics and laser-show effects, and "The White Raven" features both a pounding, industrial grind and haunted-house howls. "My camouflage is invisible … my armor is invincible," White sings, big, freewheeling and refreshed. © Shelly Ridenour/Qobuz

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