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Mauricio Arias-Esguerra|¡Colombia viva!

¡Colombia viva!

Mauricio Arias-Esguerra

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In this album Mauricio Arias-Esguerra offers a kaleidoscopic view of recent Colombian piano music, highlighting its striking stylistic variety. Germán Darío Pérez sees a traditional dance through a jazzy lens, and Blas Emilio Atehortúa takes a post-serial approach in his Preludio, Variaciones y Presto Alucinante. The influence of progressive rock music can be heard in Gustavo Parra’s Pavec Lingus, as can Jaime León’s love of US American music in his Made in U.S.A. Preludes; and there is techno and angst in Ian Frederick’s Suite Catrina. Arias-Esguerra’s own contributions are highly contrasted, with lyricism in his Arizona Mirage and rhythmic drive in his Toccata Bachkovsky. © Toccata Classics

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¡Colombia viva!

Mauricio Arias-Esguerra

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Toccata Bachkovsky (Version for Piano) (Mauricio Arias-Esguerra)

1
Toccata Bachkovsky (Version for Piano)
00:09:47

Mauricio Arias-Esguerra, Composer, Artist, MainArtist

(C) 2021 Toccata Next (P) 2021 Toccata Next

Preludios "Made in U.S.A." (Jaime Leon)

2
No. 1, Allegretto
00:02:59

Jaime León, Composer - Mauricio Arias-Esguerra, Artist, MainArtist

(C) 2021 Toccata Next (P) 2021 Toccata Next

3
No. 2, Blues
00:02:39

Jaime León, Composer - Mauricio Arias-Esguerra, Artist, MainArtist

(C) 2021 Toccata Next (P) 2021 Toccata Next

4
No. 3, Swing
00:01:41

Jaime León, Composer - Mauricio Arias-Esguerra, Artist, MainArtist

(C) 2021 Toccata Next (P) 2021 Toccata Next

5
No. 4, Lento come passacaglia
00:04:34

Jaime León, Composer - Mauricio Arias-Esguerra, Artist, MainArtist

(C) 2021 Toccata Next (P) 2021 Toccata Next

6
No. 5, Bailable
00:03:42

Jaime León, Composer - Mauricio Arias-Esguerra, Artist, MainArtist

(C) 2021 Toccata Next (P) 2021 Toccata Next

Preludio, variaciones y presto alucinante, Op. 190 (Blas Emilio Atehortua)

7
No. 1, Preludio
00:04:18

Blas Emilio Atehortua, Composer - Mauricio Arias-Esguerra, Artist, MainArtist

(C) 2021 Toccata Next (P) 2021 Toccata Next

8
No. 2, Variaciones
00:03:20

Blas Emilio Atehortua, Composer - Mauricio Arias-Esguerra, Artist, MainArtist

(C) 2021 Toccata Next (P) 2021 Toccata Next

9
No. 3, Presto alucinante
00:01:34

Blas Emilio Atehortua, Composer - Mauricio Arias-Esguerra, Artist, MainArtist

(C) 2021 Toccata Next (P) 2021 Toccata Next

Arizona Mirage (Mauricio Arias-Esguerra)

10
Arizona Mirage
00:04:54

Mauricio Arias-Esguerra, Composer, Artist, MainArtist

(C) 2021 Toccata Next (P) 2021 Toccata Next

Suite Catrina (Ian Frederick)

11
I. Atravesando el infierno
00:01:32

Mauricio Arias-Esguerra, Artist, MainArtist - Ian Frederick, Composer

(C) 2021 Toccata Next (P) 2021 Toccata Next

12
II. Villas
00:02:31

Mauricio Arias-Esguerra, Artist, MainArtist - Ian Frederick, Composer

(C) 2021 Toccata Next (P) 2021 Toccata Next

13
III. Nuestra luminiscencia
00:02:09

Mauricio Arias-Esguerra, Artist, MainArtist - Ian Frederick, Composer

(C) 2021 Toccata Next (P) 2021 Toccata Next

Pavec-lingus (Gustavo Parra)

14
I. Strictly
00:02:45

Gustavo Parra, Composer - Mauricio Arias-Esguerra, Artist, MainArtist

(C) 2021 Toccata Next (P) 2021 Toccata Next

15
II. Allegro con fuoco
00:04:29

Gustavo Parra, Composer - Mauricio Arias-Esguerra, Artist, MainArtist

(C) 2021 Toccata Next (P) 2021 Toccata Next

Ancestro (Germán Darío Perez Salazar)

16
Ancestro
00:04:57

Germán Darío Perez Salazar, Composer - Mauricio Arias-Esguerra, Artist, MainArtist

(C) 2021 Toccata Next (P) 2021 Toccata Next

Album review

In this album Mauricio Arias-Esguerra offers a kaleidoscopic view of recent Colombian piano music, highlighting its striking stylistic variety. Germán Darío Pérez sees a traditional dance through a jazzy lens, and Blas Emilio Atehortúa takes a post-serial approach in his Preludio, Variaciones y Presto Alucinante. The influence of progressive rock music can be heard in Gustavo Parra’s Pavec Lingus, as can Jaime León’s love of US American music in his Made in U.S.A. Preludes; and there is techno and angst in Ian Frederick’s Suite Catrina. Arias-Esguerra’s own contributions are highly contrasted, with lyricism in his Arizona Mirage and rhythmic drive in his Toccata Bachkovsky. © Toccata Classics

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