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Lena Horne|Being Myself

Being Myself

Lena Horne

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Released weeks before her 81st birthday, Lena Horne's third album for Blue Note Records (following 1994's We'll Be Together Again and 1995's An Evening With Lena Horne) was a typically classy effort that found the remarkably well-preserved singer fronting jazz-pop arrangements of standards performed by the likes of George Benson, Donald Harrison, and Milt Jackson, though the basic backing group consisted of pianist Mike Renzi, guitarist Rodney Jones, bassist Benjamin Brown, and drummer Akira Tana. Always a stylist, Horne used her age to advantage, for example, lending Harold Arlen and Ted Koehler's "As Long As I Live," a song she first sang at the Cotton Club in 1934, a new, deeper meaning. Taking her time and singing the kind of material she had excelled at throughout her career, she savored songs like the Gershwins' "How Long Has This Been Going On?" and Arlen and Truman Capote's "Sleepin' Bee." It was fitting that a singer whose limited range early on had forced her to emphasize phrasing and enunciation suffered less than some of her contemporaries from advancing age.

© William Ruhlmann /TiVo

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Being Myself

Lena Horne

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1
Some Of My Best Friends Are The Blues
00:03:42

Jeremy Lubbock, String Arranger, AssociatedPerformer - Woody Harris, ComposerLyricist - Lena Horne, MainArtist - Rodney Jones, Producer, Mixer, Mix Engineer, StudioPersonnel - Billy Moss, Asst. Recording Engineer, StudioPersonnel - Al Byron, ComposerLyricist - Jim Czak, Mixer, Engineer, StudioPersonnel - Joe Brescio, Mastering Engineer, StudioPersonnel - Kevin Hodge, Mastering Engineer, StudioPersonnel - Carmel Malin, Orchestra Contractor, AssociatedPerformer - Jesse Levi, Strings Contractor, AssociatedPerformer

(C) 1998 Blue Note Records ℗ 1998 Blue Note Records

2
As Long As I Live
00:02:27

Jeremy Lubbock, String Arranger, AssociatedPerformer - Harold Arlen, ComposerLyricist - Ted Koehler, ComposerLyricist - Lena Horne, MainArtist - Rodney Jones, Producer, Mixer, Mix Engineer, StudioPersonnel - Billy Moss, Asst. Recording Engineer, StudioPersonnel - Jim Czak, Mixer, Engineer, StudioPersonnel - Joe Brescio, Mastering Engineer, StudioPersonnel - Kevin Hodge, Mastering Engineer, StudioPersonnel - Carmel Malin, Orchestra Contractor, AssociatedPerformer - Jesse Levi, Strings Contractor, AssociatedPerformer

(C) 1998 Blue Note Records ℗ 1998 Blue Note Records

3
Autumn In New York
00:04:25

Jeremy Lubbock, Producer, String Arranger, AssociatedPerformer - Mike Renzi, Keyboards, AssociatedPerformer - Benjamin Brown, AssociatedPerformer, Bass (Vocal) - Akira Tana, Drums, AssociatedPerformer - Lena Horne, Vocals, MainArtist, AssociatedPerformer - Rodney Jones, Producer, Mixer, Guitar, Mix Engineer, AssociatedPerformer, StudioPersonnel - Vernon Duke, Composer - Billy Moss, Asst. Recording Engineer, StudioPersonnel - Jim Czak, Mixer, Engineer, StudioPersonnel - Joe Brescio, Mastering Engineer, StudioPersonnel - Kevin Hodge, Mastering Engineer, StudioPersonnel - Carmel Malin, Orchestra Contractor, AssociatedPerformer - Jesse Levi, Strings Contractor, AssociatedPerformer

(C) 1998 Blue Note Records ℗ 1998 Blue Note Records

4
It's All Right With Me
00:03:16

Jeremy Lubbock, Producer, String Arranger, AssociatedPerformer - Cole Porter, ComposerLyricist - Lena Horne, MainArtist - Rodney Jones, Producer, Mixer, Mix Engineer, StudioPersonnel - Billy Moss, Asst. Recording Engineer, StudioPersonnel - Jim Czak, Mixer, Engineer, StudioPersonnel - Joe Brescio, Mastering Engineer, StudioPersonnel - Kevin Hodge, Mastering Engineer, StudioPersonnel - Carmel Malin, Orchestra Contractor, AssociatedPerformer - Jesse Levi, Strings Contractor, AssociatedPerformer

(C) 1998 Blue Note Records ℗ 1998 Blue Note Records

5
A Sleepin' Bee
00:03:36

Jeremy Lubbock, String Arranger, AssociatedPerformer - Harold Arlen, ComposerLyricist - Lena Horne, MainArtist - Rodney Jones, Producer, Mixer, Mix Engineer, StudioPersonnel - Billy Moss, Asst. Recording Engineer, StudioPersonnel - Truman Capote, ComposerLyricist - Jim Czak, Mixer, Engineer, StudioPersonnel - Joe Brescio, Mastering Engineer, StudioPersonnel - Kevin Hodge, Mastering Engineer, StudioPersonnel - Carmel Malin, Orchestra Contractor, AssociatedPerformer - Jesse Levi, Strings Contractor, AssociatedPerformer

(C) 1998 Blue Note Records ℗ 1998 Blue Note Records

6
Imagination
00:05:49

Jeremy Lubbock, Producer, String Arranger, AssociatedPerformer - Lena Horne, MainArtist - Rodney Jones, Producer, Mixer, Engineer, Music Production, AssociatedPerformer, StudioPersonnel - Johnny Burke, Composer - Jimmy Van Heusen, Composer - Billy Moss, Asst. Recording Engineer, StudioPersonnel - Jim Czak, Mixer, Engineer, StudioPersonnel - Joe Brescio, Mastering Engineer, StudioPersonnel - Kevin Hodge, Mastering Engineer, StudioPersonnel - Carmel Malin, Orchestra Contractor, AssociatedPerformer - Jesse Levi, Strings Contractor, AssociatedPerformer

(C) 1998 Blue Note Records ℗ 1998 Blue Note Records

7
How Long Has This Been Going On?
00:04:42

Jeremy Lubbock, String Arranger, AssociatedPerformer - George Gershwin, ComposerLyricist - Ira Gershwin, ComposerLyricist - Lena Horne, MainArtist - Rodney Jones, Producer, Mixer, Engineer, Music Production, AssociatedPerformer, StudioPersonnel - Billy Moss, Asst. Recording Engineer, StudioPersonnel - Jim Czak, Mixer, Engineer, StudioPersonnel - Joe Brescio, Mastering Engineer, StudioPersonnel - Kevin Hodge, Mastering Engineer, StudioPersonnel - Carmel Malin, Orchestra Contractor, AssociatedPerformer - Jesse Levi, Strings Contractor, AssociatedPerformer

(C) 1998 Blue Note Records ℗ 1998 Blue Note Records

8
After You
00:03:15

Jeremy Lubbock, String Arranger, AssociatedPerformer - Sam Coslow, Composer - Lena Horne, MainArtist - Rodney Jones, Producer, Mixer, Engineer, Music Production, AssociatedPerformer, StudioPersonnel - Billy Moss, Asst. Recording Engineer, StudioPersonnel - Al Siegel, Composer - Jim Czak, Mixer, Engineer, StudioPersonnel - Joe Brescio, Mastering Engineer, StudioPersonnel - Kevin Hodge, Mastering Engineer, StudioPersonnel - Carmel Malin, Orchestra Contractor, AssociatedPerformer - Jesse Levi, Strings Contractor, AssociatedPerformer

(C) 1998 Blue Note Records ℗ 1998 Blue Note Records

9
Willow Weep For Me (Being Myself Version)
00:03:54

Jeremy Lubbock, String Arranger, AssociatedPerformer - Lena Horne, MainArtist - Rodney Jones, Producer, Mixer, Engineer, Music Production, AssociatedPerformer, StudioPersonnel - Ann Ronell, ComposerLyricist - Billy Moss, Asst. Recording Engineer, StudioPersonnel - Jim Czak, Mixer, Engineer, StudioPersonnel - Joe Brescio, Mastering Engineer, StudioPersonnel - Kevin Hodge, Mastering Engineer, StudioPersonnel - Carmel Malin, Orchestra Contractor, AssociatedPerformer - Jesse Levi, Strings Contractor, AssociatedPerformer

(C) 1998 Blue Note Records ℗ 1998 Blue Note Records

10
What Am I Here For?
00:03:17

Jeremy Lubbock, String Arranger, AssociatedPerformer - Duke Ellington, Composer - Lena Horne, MainArtist - Rodney Jones, Producer, Mixer, Engineer, Music Production, AssociatedPerformer, StudioPersonnel - Frankie Laine, Composer - Billy Moss, Asst. Recording Engineer, StudioPersonnel - Jim Czak, Mixer, Engineer, StudioPersonnel - Joe Brescio, Mastering Engineer, StudioPersonnel - Kevin Hodge, Mastering Engineer, StudioPersonnel - Carmel Malin, Orchestra Contractor, AssociatedPerformer - Jesse Levi, Strings Contractor, AssociatedPerformer

(C) 1998 Blue Note Records ℗ 1998 Blue Note Records

Album review

Released weeks before her 81st birthday, Lena Horne's third album for Blue Note Records (following 1994's We'll Be Together Again and 1995's An Evening With Lena Horne) was a typically classy effort that found the remarkably well-preserved singer fronting jazz-pop arrangements of standards performed by the likes of George Benson, Donald Harrison, and Milt Jackson, though the basic backing group consisted of pianist Mike Renzi, guitarist Rodney Jones, bassist Benjamin Brown, and drummer Akira Tana. Always a stylist, Horne used her age to advantage, for example, lending Harold Arlen and Ted Koehler's "As Long As I Live," a song she first sang at the Cotton Club in 1934, a new, deeper meaning. Taking her time and singing the kind of material she had excelled at throughout her career, she savored songs like the Gershwins' "How Long Has This Been Going On?" and Arlen and Truman Capote's "Sleepin' Bee." It was fitting that a singer whose limited range early on had forced her to emphasize phrasing and enunciation suffered less than some of her contemporaries from advancing age.

© William Ruhlmann /TiVo

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