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Roger Miller|A Trip In The Country

A Trip In The Country

Roger Miller

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Roger Miller revisits some of his earliest songs on A Trip in the Country, many of which were hits for artists such as Faron Young ("That's the Way I Feel"), Ernest Tubb ("Half a Mind"), and Ray Price ("Invitation to the Blues"). A couple of these songs were hits for Miller, too, in the early '60s, which makes A Trip in the Country seem less like an interesting concept and more like a dubious re-recording project. Miller's early songs were very different from the ones he wrote after "Dang Me," and exhibit little of the humor and surrealism for which he became known. The album's brush with commercial success came when "Don't We All Have the Right" saw a little chart action when recycled as the B-side of Miller's minor 1970 hit "South."
© Greg Adams /TiVo

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A Trip In The Country

Roger Miller

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1
Tall, Tall Trees (Album Version)
00:02:11

Buddy Emmons, Steel Guitar, AssociatedPerformer - Chip Young, Guitar, AssociatedPerformer - Ray Edenton, Guitar, AssociatedPerformer - Roger Miller, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist - GEORGE JONES, ComposerLyricist - Charlie McCoy, Guitar, AssociatedPerformer - Harold Bradley, Guitar, AssociatedPerformer - Bob Moore, Bass, AssociatedPerformer - Jerry Kennedy, Producer - Buddy Spicher, Fiddle, AssociatedPerformer - Tommy Jackson, Fiddle, AssociatedPerformer - Hargus Robbins, Piano, AssociatedPerformer - Murrey "Buddy" Harman, Drums, AssociatedPerformer

℗ 1970 UMG Recordings, Inc.

2
A World I Can't Live In
00:02:15

Buddy Emmons, Steel Guitar, AssociatedPerformer - Chip Young, Guitar, AssociatedPerformer - Ray Edenton, Guitar, AssociatedPerformer - Roger Miller, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist - Charlie McCoy, Guitar, AssociatedPerformer - Harold Bradley, Guitar, AssociatedPerformer - Bob Moore, Bass, AssociatedPerformer - Jerry Kennedy, Producer - Buddy Spicher, Fiddle, AssociatedPerformer - Tommy Jackson, Fiddle, AssociatedPerformer - Hargus Robbins, Piano, AssociatedPerformer - Murrey "Buddy" Harman, Drums, AssociatedPerformer

℗ 1970 UMG Recordings, Inc.

3
Nothing Can Stop My Love
00:01:50

Buddy Emmons, Steel Guitar, AssociatedPerformer - Chip Young, Guitar, AssociatedPerformer - Ray Edenton, Guitar, AssociatedPerformer - Roger Miller, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist - GEORGE JONES, ComposerLyricist - Charlie McCoy, Guitar, AssociatedPerformer - Harold Bradley, Guitar, AssociatedPerformer - Bob Moore, Bass, AssociatedPerformer - Jerry Kennedy, Producer - Buddy Spicher, Fiddle, AssociatedPerformer - Tommy Jackson, Fiddle, AssociatedPerformer - Hargus Robbins, Piano, AssociatedPerformer - Murrey "Buddy" Harman, Drums, AssociatedPerformer

℗ 1970 UMG Recordings, Inc.

4
When Two Worlds Collide (1970 Album Version)
00:02:08

Bill Anderson, ComposerLyricist - Buddy Emmons, Steel Guitar, AssociatedPerformer - Chip Young, Guitar, AssociatedPerformer - Ray Edenton, Guitar, AssociatedPerformer - Roger Miller, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist - Charlie McCoy, Guitar, AssociatedPerformer - Harold Bradley, Guitar, AssociatedPerformer - Bob Moore, Bass, AssociatedPerformer - Jerry Kennedy, Producer - Buddy Spicher, Fiddle, AssociatedPerformer - Tommy Jackson, Fiddle, AssociatedPerformer - Hargus Robbins, Piano, AssociatedPerformer - Murrey "Buddy" Harman, Drums, AssociatedPerformer

℗ 1970 UMG Recordings, Inc.

5
My Ears Should Burn (When Fools Are Talked About)
00:02:06

Buddy Emmons, Steel Guitar, AssociatedPerformer - Chip Young, Guitar, AssociatedPerformer - Ray Edenton, Guitar, AssociatedPerformer - Roger Miller, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist - Charlie McCoy, Guitar, AssociatedPerformer - Harold Bradley, Guitar, AssociatedPerformer - Bob Moore, Bass, AssociatedPerformer - Jerry Kennedy, Producer - Buddy Spicher, Fiddle, AssociatedPerformer - Tommy Jackson, Fiddle, AssociatedPerformer - Hargus Robbins, Piano, AssociatedPerformer - Murrey "Buddy" Harman, Drums, AssociatedPerformer

℗ 1970 UMG Recordings, Inc.

6
A World So Full Of Love
00:02:19

Buddy Emmons, Steel Guitar, AssociatedPerformer - Chip Young, Guitar, AssociatedPerformer - Ray Edenton, Guitar, AssociatedPerformer - Roger Miller, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist - Faron Young, ComposerLyricist - Charlie McCoy, Guitar, AssociatedPerformer - Harold Bradley, Guitar, AssociatedPerformer - Bob Moore, Bass, AssociatedPerformer - Jerry Kennedy, Producer - Buddy Spicher, Fiddle, AssociatedPerformer - Tommy Jackson, Fiddle, AssociatedPerformer - Hargus Robbins, Piano, AssociatedPerformer - Murrey "Buddy" Harman, Drums, AssociatedPerformer

℗ 1970 UMG Recordings, Inc.

7
Don't We All Have The Right (Album Version)
00:01:56

Buddy Emmons, Steel Guitar, AssociatedPerformer - Chip Young, Guitar, AssociatedPerformer - Ray Edenton, Guitar, AssociatedPerformer - Roger Miller, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist - Charlie McCoy, Guitar, AssociatedPerformer - Harold Bradley, Guitar, AssociatedPerformer - Bob Moore, Bass, AssociatedPerformer - Jerry Kennedy, Producer - Buddy Spicher, Fiddle, AssociatedPerformer - Tommy Jackson, Fiddle, AssociatedPerformer - Hargus Robbins, Piano, AssociatedPerformer - Murrey "Buddy" Harman, Drums, AssociatedPerformer

℗ 1970 UMG Recordings, Inc.

8
That's The Way I Feel (Album Version)
00:01:49

Buddy Emmons, Steel Guitar, AssociatedPerformer - Chip Young, Guitar, AssociatedPerformer - Ray Edenton, Guitar, AssociatedPerformer - Roger Miller, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist - GEORGE JONES, ComposerLyricist - Charlie McCoy, Guitar, AssociatedPerformer - Harold Bradley, Guitar, AssociatedPerformer - Bob Moore, Bass, AssociatedPerformer - Jerry Kennedy, Producer - Buddy Spicher, Fiddle, AssociatedPerformer - Tommy Jackson, Fiddle, AssociatedPerformer - Hargus Robbins, Piano, AssociatedPerformer - Murrey "Buddy" Harman, Drums, AssociatedPerformer

℗ 1970 UMG Recordings, Inc.

9
Half A Mind (Album Version)
00:02:45

Buddy Emmons, Steel Guitar, AssociatedPerformer - Chip Young, Guitar, AssociatedPerformer - Ray Edenton, Guitar, AssociatedPerformer - Roger Miller, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist - Charlie McCoy, Guitar, AssociatedPerformer - Harold Bradley, Guitar, AssociatedPerformer - Bob Moore, Bass, AssociatedPerformer - Jerry Kennedy, Producer - Buddy Spicher, Fiddle, AssociatedPerformer - Tommy Jackson, Fiddle, AssociatedPerformer - Hargus Robbins, Piano, AssociatedPerformer - Murrey "Buddy" Harman, Drums, AssociatedPerformer

℗ 1970 UMG Recordings, Inc.

10
When A House Is Not A Home (1970 Album Version)
00:02:27

Buddy Emmons, Steel Guitar, AssociatedPerformer - Chip Young, Guitar, AssociatedPerformer - Ray Edenton, Guitar, AssociatedPerformer - Roger Miller, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist - Charlie McCoy, Guitar, AssociatedPerformer - Harold Bradley, Guitar, AssociatedPerformer - Bob Moore, Bass, AssociatedPerformer - Jerry Kennedy, Producer - Buddy Spicher, Fiddle, AssociatedPerformer - Tommy Jackson, Fiddle, AssociatedPerformer - Hargus Robbins, Piano, AssociatedPerformer - Murrey "Buddy" Harman, Drums, AssociatedPerformer

℗ 1970 UMG Recordings, Inc.

11
Invitation To The Blues (Album Version)
00:02:33

Buddy Emmons, Steel Guitar, AssociatedPerformer - Chip Young, Guitar, AssociatedPerformer - Ray Edenton, Guitar, AssociatedPerformer - Roger Miller, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist - Charlie McCoy, Guitar, AssociatedPerformer - Harold Bradley, Guitar, AssociatedPerformer - Bob Moore, Bass, AssociatedPerformer - Jerry Kennedy, Producer - Buddy Spicher, Fiddle, AssociatedPerformer - Tommy Jackson, Fiddle, AssociatedPerformer - Hargus Robbins, Piano, AssociatedPerformer - Murrey "Buddy" Harman, Drums, AssociatedPerformer

℗ 1970 UMG Recordings, Inc.

Album Description

Roger Miller revisits some of his earliest songs on A Trip in the Country, many of which were hits for artists such as Faron Young ("That's the Way I Feel"), Ernest Tubb ("Half a Mind"), and Ray Price ("Invitation to the Blues"). A couple of these songs were hits for Miller, too, in the early '60s, which makes A Trip in the Country seem less like an interesting concept and more like a dubious re-recording project. Miller's early songs were very different from the ones he wrote after "Dang Me," and exhibit little of the humor and surrealism for which he became known. The album's brush with commercial success came when "Don't We All Have the Right" saw a little chart action when recycled as the B-side of Miller's minor 1970 hit "South."
© Greg Adams /TiVo

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