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Pop - Publicado el 8 de febrero de 2005 | Rhino

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Pop - Publicado el 3 de diciembre de 1985 | Rhino

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R&B - Publicado el 15 de julio de 2016 | Arista - Legacy

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Jazz vocal - Publicado el 18 de octubre de 2019 | S-Curve Records

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Pop - Publicado el 4 de febrero de 2004 | Rhino

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Pop - Publicado el 19 de abril de 2005 | Rhino

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Pop - Publicado el 15 de abril de 2016 | Rhino

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Pop - Publicado el 8 de febrero de 2005 | Rhino

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Pop - Publicado el 7 de diciembre de 2009 | Rhino

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Variété internacional - Publicado el 31 de octubre de 1989 | Arista

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R&B - Publicado el 17 de mayo de 2019 | eOne Music

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Pop - Publicado el 3 de enero de 2007 | Traditional Line

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Pop - Publicado el 8 de febrero de 2005 | Rhino

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Pop - Publicado el 8 de febrero de 2005 | Rhino

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Variété internacional - Publicado el 1 de octubre de 1982 | Legacy Recordings

The Barry Gibb hit machine of the early '80s kept steam rolling at a frantic pace, and Heartbreaker was a major factor in the equation. While it lacks the genius and soulful grit of Dionne Warwick's earlier classic work, the album was polished and painstakingly produced perfectly for adult pop stations. Heartbreaker was tailor made to be played right next to the soft rock hits of the era and it helped to propel the singer into the spotlight once again. Starting off with a bang courtesy of the title track, Warwick and Gibb go through all of the motions. The track sequencing gives the album a feeling of deflation at first, as tempos gradually decrease until "Take The Short Way Home," which is so Gibb-esque that it could be an outtake from Spirits Having Flown. There are a few fragments of filler, most notably with "All I Love in the World," which is almost a redux of the title track. This is not the most definitive album of Warwick's career, but is definitely one of the few highlights that a pop-heavy '80s afforded her. © Rob Theakston /TiVo
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Pop - Publicado el 8 de febrero de 2005 | Rhino

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R&B - Publicado el 18 de diciembre de 2015 | Legacy Recordings

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Pop - Publicado el 28 de agosto de 1984 | Motown

Stevie Wonder's career in the 1980s was a source of frustration to the fans he had earned in the '60s and '70s. In 1982, there were a few new songs on a greatest-hits album and a duet with Paul McCartney. Then came this soundtrack to a Gene Wilder comedy that was simultaneously more of a pop vocal album than most soundtracks and yet less than a full-fledged Wonder record. The gold-selling number one hit that resulted was the sappy "I Just Called to Say I Love You," a formulaic TV commercial-in-the-making. "Love Light in Flight" also hit, and the album featured Dionne Warwick on two duets and one solo. This was a pleasant record, but slight, and after four years, Wonder fans wanted more than that. © William Ruhlmann /TiVo
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Pop - Publicado el 8 de febrero de 2005 | Rhino

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R&B - Publicado el 18 de diciembre de 2015 | Arista - Legacy

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