Vincent Herring
A soulful improviser, alto saxophonist Vincent Herring plays with a warm, throaty tone and an ear for combining swinging, blues-based acoustic jazz with advanced harmonic ideas. Fittingly, given the early influence saxophonist Cannonball Adderley had on Herring, it makes sense that he first came to prominence alongside cornet player Nat Adderley in the late 1980s. He has remained a vital proponent for carrying forward the hard bop tradition and has played with luminaries like Freddie Hubbard, Art Blakey, Phil Woods, and the Mingus Big Band. As a leader, his albums flow from hard-hitting acoustic dates like 1989's Scene One with Jack DeJohnette and 2004's Mr. Wizard with Jeremy Pelt to organic funk explorations like 2010's Morning Star, as well as bold team-up's like 2012's Friendly Fire: Live at Smoke with saxophonist Eric Alexander. As further evidence of his dedication to the jazz tradition, Herring marked Charlie Parker's centennial birthday in 2019 with the live album Bird at 100, and in 2021, he returned to his adept small group work with Preaching to the Choir.
Born in Kentucky in 1964, Herring grew up in Vallejo, California, where he moved with his mother after his parents divorced. It was there, around age 11, that he first picked up the saxophone, playing in school band and taking private lessons. By age 16, he had earned a scholarship to study at California State University, Chico. After a year at CSUC, he joined the United States Military Academy band the Jazz Knights and relocated to West Point. In the early '80s, after his tour was up, Herring moved to New York City and furthered his studies at Long Island University.
Upon leaving school, he scored his first professional touring job with the Lionel Hampton Big Band. It was during this period that he caught the attention of cornetist Nat Adderley, and spent close to a decade touring and recording as a member of Adderley's group, debuting on 1989's We Remember Cannon. Along with Adderley, he also performed with such highly respected artists as Cedar Walton, John Hicks, Freddie Hubbard, Horace Silver, Art Blakey, and many more.
As a leader, Herring debuted in 1989 with Scene One. Recorded just prior to joining up with Adderley, the album featured the saxophonist in a high-energy date backed by pianist Darrell Grant, bassist Robert Hurst, and drummer Jack DeJohnette. More well-received albums followed, including 1990's American Experience, 1993's Secret Love, 1994's Days of Wine and Roses, and 1999's bossa nova-themed Jobim for Lovers. During the '90s, he also appeared on albums by Phil Woods, Carl Allen, Louis Smith, the Mingus Big Band, and others.
Beginning in the 2000s, he formed a productive relationship with the HighNote label, delivering albums like 2001's Simple Pleasure, 2004's Mr. Wizard, and 2006's Ends and Means. The concert album Live at Smoke appeared in 2007. In 2010, he delivered the third installment of his funk-jazz-influenced Earth Jazz project, Morning Star, with Anthony Wonsey, Richie Goods, and Jordi Dudli. He then paired with fellow saxophone giant Eric Alexander for 2012's Friendly Fire: Live at Smoke. In 2017, Herring released Hard Times, recorded once again at Smoke in New York City, and featuring Nicolas Bearde, Russell Malone, Steve Turre, Brad Mason, and Sam Dillon.
More Smoke Sessions followed, including 2019's Bird at 100, which found him celebrating Charlie Parker's centennial alongside fellow saxophonists Bobby Watson and Gary Bartz. In 2021, Herring delivered the soulful quartet date Preaching to the Choir with pianist Cyrus Chestnut, bassist Yasushi Nakamura, and drummer Johnathan Blake.
© Matt Collar /TiVo
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Mr. Wizard
Be Bop - Editado por HighNote Records el 13 abr. 2004
16-Bit CD Quality 44.1 kHz - Stereo -
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The Uptown Shuffle
Be Bop - Editado por Smoke Sessions el 4 feb. 2014
16-Bit CD Quality 44.1 kHz - Stereo -
The Battle (Recorded Live at Smoke, 2005)
Eric Alexander, Vincent Herring
Be Bop - Editado por HighNote Records el 16 ago. 2005
16-Bit CD Quality 44.1 kHz - Stereo -
Ends and Means
Be Bop - Editado por HighNote Records el 14 mar. 2006
16-Bit CD Quality 44.1 kHz - Stereo -
All Too Real
Be Bop - Editado por HighNote Records el 11 mar. 2003
16-Bit CD Quality 44.1 kHz - Stereo -
Simple Pleasure
Be Bop - Editado por HighNote Records el 19 jul. 2001
16-Bit CD Quality 44.1 kHz - Stereo -
Bird at 100
Vincent Herring, Bobby Watson, Gary Bartz
Jazz - Editado por Smoke Sessions el 29 nov. 2019
24-Bit 48.0 kHz - Stereo -
Jobim for Lovers
Vincent Herring, Romero Lubambo
Jazz - Editado por Jazz Heritage Society el 1 ene. 1999
16-Bit CD Quality 44.1 kHz - Stereo -
Night and Day
Be Bop - Editado por Smoke Sessions el 12 may. 2015
16-Bit CD Quality 44.1 kHz - Stereo -
The Days of Wine and Roses
Jazz - Editado por Jazz Heritage Society el 1 ene. 1994
16-Bit CD Quality 44.1 kHz - Stereo -
American Experience
Jazz - Editado por Jazz Heritage Society el 1 ene. 1992
16-Bit CD Quality 44.1 kHz - Stereo -
Secret Love
Jazz - Editado por Jazz Heritage Society el 1 ene. 1993
16-Bit CD Quality 44.1 kHz - Stereo -
Don't Let It Go
Jazz - Editado por Jazz Heritage Society el 1 ene. 1995
16-Bit CD Quality 44.1 kHz - Stereo -
Folklore: Live at the Village Vanguard (Live at the Village Vanguard, 1983)
Jazz - Editado por Jazz Heritage Society el 15 mar. 1994
16-Bit CD Quality 44.1 kHz - Stereo -
Jam Session Vol. 3
Dick Oatts, Don Braden, Vincent Herring
Jazz - Editado por SteepleChase el 1 ene. 2002
16-Bit CD Quality 44.1 kHz - Stereo -
Zeitgeistmaschine
Johannes Enders Saxophone Quartet
Clásica - Editado por Laika Records el 23 ene. 2015
16-Bit CD Quality 44.1 kHz - Stereo -
Tribute to Duke (feat. Vincent Herring)
Jazz - Editado por Music Mecca el 14 mar. 2013
16-Bit CD Quality 44.1 kHz - Stereo -
Sterling Place All-Stars
Jazz - Editado por Metropolitan Records el 10 ago. 1999
16-Bit CD Quality 44.1 kHz - Stereo