Su carrito está vacío

Categorías :

Artistas similares

Los álbumes

A partir de:
HI-RES17,49 €
CD12,49 €

Rock - Publicado el 1 de enero de 1966 | Verve

Hi-Res Premios Discoteca Ideal Qobuz
Muchas de las canciones son temas pop melódicos y las letras pueden ser encantadoras, pero también se sumergen en la experiencia de chutarse heroína y otras duras cuestiones, y parte de la música refleja el gusto de Cale por la música de vanguardia. Todo ello conforma un documento extraordinario para 1967, y mucho más provocativo que cualquier álbum debut lanzado desde entonces. © William Ruhlmann /TiVo
A partir de:
HI-RES17,49 €
CD12,49 €

Rock - Publicado el 1 de enero de 1966 | Polydor

Hi-Res Premios Discoteca Ideal Qobuz
Muchas de las canciones son temas pop melódicos y las letras pueden ser encantadoras, pero también se sumergen en la experiencia de chutarse heroína y otras duras cuestiones, y parte de la música refleja el gusto de Cale por la música de vanguardia. Todo ello conforma un documento extraordinario para 1967, y mucho más provocativo que cualquier álbum debut lanzado desde entonces. © William Ruhlmann /TiVo
A partir de:
HI-RES17,49 €
CD12,49 €

Rock - Publicado el 1 de enero de 1966 | Polydor

Hi-Res Premios Discoteca Ideal Qobuz
Muchas de las canciones son temas pop melódicos y las letras pueden ser encantadoras, pero también se sumergen en la experiencia de chutarse heroína y otras duras cuestiones, y parte de la música refleja el gusto de Cale por la música de vanguardia. Todo ello conforma un documento extraordinario para 1967, y mucho más provocativo que cualquier álbum debut lanzado desde entonces. © William Ruhlmann /TiVo
A partir de:
CD63,99 €

Pop - Publicado el 30 de octubre de 2015 | Rhino Atlantic

Premios Best New Reissue
A partir de:
CD24,99 €

Rock - Publicado el 1 de enero de 2012 | Polydor

Premios Discoteca Ideal Qobuz
Muchas de las canciones son temas pop melódicos y las letras pueden ser encantadoras, pero también se sumergen en la experiencia de chutarse heroína y otras duras cuestiones, y parte de la música refleja el gusto de Cale por la música de vanguardia. Todo ello conforma un documento extraordinario para 1967, y mucho más provocativo que cualquier álbum debut lanzado desde entonces. © William Ruhlmann /TiVo
A partir de:
HI-RES15,99 €
CD13,49 €

Pop - Publicado el 30 de octubre de 2015 | Rhino Atlantic

Hi-Res
A partir de:
HI-RES19,49 €
CD13,99 €

Rock - Publicado el 1 de marzo de 1969 | MGM Records Inc.

Hi-Res
Upon first release, the Velvet Underground's self-titled third album must have surprised their fans nearly as much as their first two albums shocked the few mainstream music fans who heard them. After testing the limits of how musically and thematically challenging rock could be on Velvet Underground & Nico and White Light/White Heat, this 1969 release sounded spare, quiet, and contemplative, as if the previous albums documented some manic, speed-fueled party and this was the subdued morning after. (The album's relative calm has often been attributed to the departure of the band's most committed avant-gardist, John Cale, in the fall of 1968; the arrival of new bassist Doug Yule; and the theft of the band's amplifiers shortly before they began recording.) But Lou Reed's lyrical exploration of the demimonde is as keen here as on any album he ever made, while displaying a warmth and compassion he sometimes denied his characters. "Candy Says," "Pale Blue Eyes," and "I'm Set Free" may be more muted in approach than what the band had done in the past, but "What Goes On" and "Beginning to See the Light" made it clear the VU still loved rock & roll, and "The Murder Mystery" (which mixes and matches four separate poetic narratives) is as brave and uncompromising as anything on White Light/White Heat. This album sounds less like the Velvet Underground than any of their studio albums, but it's as personal, honest, and moving as anything Lou Reed ever committed to tape. © Mark Deming /TiVo
A partir de:
CD13,99 €

Rock - Publicado el 1 de marzo de 1969 | MGM Records Inc.

Upon first release, the Velvet Underground's self-titled third album must have surprised their fans nearly as much as their first two albums shocked the few mainstream music fans who heard them. After testing the limits of how musically and thematically challenging rock could be on Velvet Underground & Nico and White Light/White Heat, this 1969 release sounded spare, quiet, and contemplative, as if the previous albums documented some manic, speed-fueled party and this was the subdued morning after. (The album's relative calm has often been attributed to the departure of the band's most committed avant-gardist, John Cale, in the fall of 1968; the arrival of new bassist Doug Yule; and the theft of the band's amplifiers shortly before they began recording.) But Lou Reed's lyrical exploration of the demimonde is as keen here as on any album he ever made, while displaying a warmth and compassion he sometimes denied his characters. "Candy Says," "Pale Blue Eyes," and "I'm Set Free" may be more muted in approach than what the band had done in the past, but "What Goes On" and "Beginning to See the Light" made it clear the VU still loved rock & roll, and "The Murder Mystery" (which mixes and matches four separate poetic narratives) is as brave and uncompromising as anything on White Light/White Heat. This album sounds less like the Velvet Underground than any of their studio albums, but it's as personal, honest, and moving as anything Lou Reed ever committed to tape. © Mark Deming /TiVo
A partir de:
HI-RES15,49 €
CD10,99 €

Rock - Publicado el 30 de enero de 1968 | Verve

Hi-Res
The world of pop music was hardly ready for The Velvet Underground's first album when it appeared in the spring of 1967, but while The Velvet Underground and Nico sounded like an open challenge to conventional notions of what rock music could sound like (or what it could discuss), 1968's White Light/White Heat was a no-holds-barred frontal assault on cultural and aesthetic propriety. Recorded without the input of either Nico or Andy Warhol, White Light/White Heat was the purest and rawest document of the key Velvets lineup of Lou Reed, John Cale, Sterling Morrison, and Maureen Tucker, capturing the group at their toughest and most abrasive. The album opens with an open and enthusiastic endorsement of amphetamines (startling even from this group of noted drug enthusiasts), and side one continues with an amusing shaggy-dog story set to a slab of lurching mutant R&B ("The Gift"), a perverse variation on an old folktale ("Lady Godiva's Operation"), and the album's sole "pretty" song, the mildly disquieting "Here She Comes Now." While side one was a good bit darker in tone than the Velvets' first album, side two was where they truly threw down the gauntlet with the manic, free-jazz implosion of "I Heard Her Call My Name" (featuring Reed's guitar work at its most gloriously fractured), and the epic noise jam "Sister Ray," 17 minutes of sex, drugs, violence, and other non-wholesome fun with the loudest rock group in the history of Western Civilization as the house band. White Light/White Heat is easily the least accessible of The Velvet Underground's studio albums, but anyone wanting to hear their guitar-mauling tribal frenzy straight with no chaser will love it, and those benighted souls who think of the Velvets as some sort of folk-rock band are advised to crank their stereo up to ten and give side two a spin. © Mark Deming /TiVo
A partir de:
HI-RES78,49 €
CD55,99 €

Rock - Publicado el 24 de noviembre de 2014 | MGM Records Inc.

Hi-Res
A partir de:
CD34,99 €

Rock - Publicado el 12 de marzo de 1967 | Polydor

Muchas de las canciones son temas pop melódicos y las letras pueden ser encantadoras, pero también se sumergen en la experiencia de chutarse heroína y otras duras cuestiones, y parte de la música refleja el gusto de Cale por la música de vanguardia. Todo ello conforma un documento extraordinario para 1967, y mucho más provocativo que cualquier álbum debut lanzado desde entonces. © William Ruhlmann /TiVo
A partir de:
CD27,99 €

Rock - Publicado el 20 de noviembre de 2015 | Polydor

A partir de:
CD12,49 €

Rock - Publicado el 1 de enero de 1988 | Island Mercury

A partir de:
CD13,49 €

Pop - Publicado el 30 de octubre de 2015 | Rhino Atlantic

A partir de:
HI-RES25,49 €
CD17,99 €

Rock - Publicado el 1 de marzo de 1969 | MGM Records Inc.

Hi-Res
Upon first release, the Velvet Underground's self-titled third album must have surprised their fans nearly as much as their first two albums shocked the few mainstream music fans who heard them. After testing the limits of how musically and thematically challenging rock could be on Velvet Underground & Nico and White Light/White Heat, this 1969 release sounded spare, quiet, and contemplative, as if the previous albums documented some manic, speed-fueled party and this was the subdued morning after. (The album's relative calm has often been attributed to the departure of the band's most committed avant-gardist, John Cale, in the fall of 1968; the arrival of new bassist Doug Yule; and the theft of the band's amplifiers shortly before they began recording.) But Lou Reed's lyrical exploration of the demimonde is as keen here as on any album he ever made, while displaying a warmth and compassion he sometimes denied his characters. "Candy Says," "Pale Blue Eyes," and "I'm Set Free" may be more muted in approach than what the band had done in the past, but "What Goes On" and "Beginning to See the Light" made it clear the VU still loved rock & roll, and "The Murder Mystery" (which mixes and matches four separate poetic narratives) is as brave and uncompromising as anything on White Light/White Heat. This album sounds less like the Velvet Underground than any of their studio albums, but it's as personal, honest, and moving as anything Lou Reed ever committed to tape. © Mark Deming /TiVo
A partir de:
CD34,99 €

Rock - Publicado el 26 de septiembre de 1995 | Polydor

-
A partir de:
CD27,99 €

Rock - Publicado el 14 de junio de 2005 | Universal Records

A partir de:
CD13,49 €

Pop - Publicado el 19 de enero de 2016 | Rhino Atlantic

A partir de:
CD12,49 €

Rock - Publicado el 1 de enero de 1974 | Island Mercury

A partir de:
CD19,49 €

Pop - Publicado el 16 de agosto de 2013 | Rhino - Warner Records

El intérprete

The Velvet Underground en el Magazine