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Música vocal sacra - Publicado el 25 de octubre de 2010 | RCA Red Seal

Hi-Res Libreto Premios 5 de Diapason - Gramophone Editor's Choice - Choc de Classica - Choc Classica de l'année - Hi-Res Audio
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Sinfonías - Publicado el 5 de febrero de 2016 | Sony Classical

Hi-Res Libreto Premios Diapason d'or - Choc de Classica - Choc Classica de l'année
Nikolaus Harnoncourt and his period orchestra, Concentus Musicus Wien, never recorded a complete cycle of the symphonies of Ludwig van Beethoven, and this 2016 Sony release is their only recording of the Symphony No. 4 in B flat major and the Symphony No. 5 in C minor, made almost ten months before the conductor's death. Harnoncourt planned for this to be his last recording before his retirement, so it inevitably has the feeling of a valedictory performance, and one can also hear it as the orchestra's warm tribute to its leader and his sterling musicianship. But beyond the well-deserved accolades, this is a truly fine live recording of one of the most famous symphonies of all time and its somewhat less loved sibling, so the musical value of this singular Beethoven disc is quite high. Because the Symphony No. 4 is often overlooked, it's gratifying that it opens the album, and listeners are well advised to try it first. The distinctive woodwind sonorities, the punch of the brass and the timpani, and the crisp articulation of the strings make it a delightful performance, and the pronounced use of the bassoon as a lyrical instrument gives this performance a special character lacking in more conventional performances. The dramatic Symphony No. 5 needs no introduction, but this well-considered reading explores the piece's internal workings and Beethoven's innovative use of instruments, and Harnoncourt draws out extraordinary details in the winds and brass that are seldom heard as clearly as they are here. This is a splendid disc for its original and thoughtful interpretations, remarkable sound quality, and compelling energy, and it is a superb achievement that serves Harnoncourt's memory well. Highly recommended. © TiVo
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Sinfonías - Publicado el 13 de agosto de 2014 | Sony Classical

Hi-Res Libreto Premios 5 de Diapason - 4F de Télérama - 4 étoiles Classica
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Música sinfónica - Publicado el 5 de marzo de 2012 | Sony Classical

Libreto Premios Diapason d'or - Choc de Classica - Toma de Sonido Excepcional
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Música concertante - Publicado el 14 de diciembre de 2012 | Sony Classical

Libreto Premios 5 de Diapason - 4F de Télérama - Choc de Classica
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Música coral (para coro) - Publicado el 29 de mayo de 2007 | Warner Classics International

Premios Diapason d'or - Discoteca Ideal Qobuz
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Oratorios sacros - Publicado el 13 de noviembre de 1986 | Teldec

Premios Diapason d'or - Discoteca Ideal Qobuz
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Oratorios profanos - Publicado el 26 de abril de 2013 | Sony Classical

Hi-Res Libreto Premios Gramophone Record of the Month - Hi-Res Audio
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Clásica - Publicado el 16 de agosto de 2019 | Berlin Philharmonic Orchestra

Hi-Res Premios Diapason d'or / Arte
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Clásica - Publicado el 1 de enero de 2004 | Warner Classics International

Premios Discoteca Ideal Qobuz
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Clásica - Publicado el 1 de enero de 1984 | Warner Classics International

Premios Discoteca Ideal Qobuz
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Clásica - Publicado el 1 de junio de 1991 | Warner Classics International

Premios Gramophone Record of the Year
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Música sinfónica - Publicado el 1 de mayo de 1991 | Warner Classics International

Premios Discoteca Ideal Qobuz
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Cantatas sacras - Publicado el 13 de noviembre de 2009 | deutsche harmonia mundi

Premios 3F de Télérama
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Clásica - Publicado el 28 de diciembre de 2004 | Warner Classics International

Premios Discoteca Ideal Qobuz
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Clásica - Publicado el 31 de mayo de 1996 | Warner Classics International

Premios Discoteca Ideal Qobuz
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Clásica - Publicado el 29 de mayo de 2006 | Warner Classics International

Premios Diapason d'or
Nikolaus Harnoncourt and the Royal Concertgebouw Orchestra have a knack for delivering something with which many other orchestras and conductors struggle. That is, to produce a box set that has the ability to maintain a listener's interest from disc one to, in this case, disc five. Like their cycle of the Mozart and Schubert symphonies, this set of the late Haydn symphonies is a treat from start to finish. Although Haydn's symphonies do not display the dramatic changes from one symphony to the next that a listener might expect when listening to a cycle of the Beethoven or Mahler symphonies, Harnoncourt and the RCO play with ample exuberance, energy, and minute attention to detail so as to make every note and phrase as fresh as the last. The recordings, made between 1987 and 1993, are highly consistent in sound quality and could just as easily have been made in the same season. The RCO's sound is generally very well-suited to Haydn: crisp strings, punchy brass that don't get in the way, and winds that are equally comfortable in either an accompanimental or soloistic role. The one potential bugaboo that pervades the recording is the timpani, whose sound all too often covers the rest of the orchestra with its very boomy attacks. Apart from that, this collection makes for an excellent reference for the late Haydn symphonies. © TiVo
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Clásica - Publicado el 1 de enero de 1992 | Warner Classics International

Premios Diapason d'or
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Clásica - Publicado el 1 de abril de 2012 | Warner Classics International

Premios 5 de Diapason
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Clásica - Publicado el 1 de enero de 1985 | Warner Classics International

Premios Choc de Classica