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Alternativa & Indie - Publicado el 10 de septiembre de 2021 | Sub Pop Records

Premios Pitchfork: Best New Music
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Alternativa & Indie - Publicado el 14 de septiembre de 2018 | Sub Pop Records

Premios Pitchfork: Best New Music
Trabajando nuevamente con el productor BJ Burton, en Double Negative Low lleva hasta límites insospechados las atmósferas electrónicas insinuadas en el precedente Ones and Sixes. Las voces de Mimi Parker y Alan Spearhawks, a menudo procesadas al punto de funcionar más como instrumentos que como conductoras de lenguaje y emociones, se ven rodeadas de capas esculpidas de ruido blanco para conformar un todo decididamente alienante, como si se tratara de un experimento sónico de ciencia ficción distópica. Double Negative es un álbum arriesgado y reflexivo con el cual Low busca expresar la dificultad de los seres humanos para hacerse oír en un mundo sin compasión. No es exactamente divertido, pero considerando el deprimente estado del planeta en 2018 resulta absolutamente necesario. © TiVo
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Alternativa & Indie - Publicado el 19 de marzo de 2013 | Sub Pop Records

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Alternativa & Indie - Publicado el 11 de septiembre de 2015 | Sub Pop Records

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Rock - Publicado el 1 de enero de 1994 | Astralwerks

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Alternativa & Indie - Publicado el 21 de mayo de 2001 | In The Fishtank

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Alternativa & Indie - Publicado el 11 de abril de 2011 | Sub Pop Records

No one has ever listened to Low expecting boundless good cheer, but the dour beauty of their best work -- Secret Name, Things We Lost in the Fire, and Trust -- made something deeply rewarding out of the fragile sorrow of their spare melodies and Alan Sparhawk and Mimi Parker's voices. However, the bigger and more sonically diverse sound of Low's two albums with producer Dave Fridmann, The Great Destroyer and Drums and Guns, tended to reinforce the increasingly dark and chaotic tone of the group's songwriting, and what once seemed quietly sad now seemed more than a bit troubling. So it's both surprising and reassuring that Low's ninth studio album, C'mon, is also the most hopeful music they've released in quite some time. With the lovely tranquility of the opening tune, "Try to Sleep," and the easy charm of "You See Everything" (which sounds like some lost gem of mid-‘70s soft rock), C'mon is as languid as ever for Low while at the same time suggesting these musicians are looking for some light at the end of the tunnel. C'mon was co-produced and mixed by Matt Beckley, who has previously worked with Katy Perry, Avril Lavigne, and Vanessa Hudgens; he's an odd choice to work with Low, but thankfully, he's not afraid to let the album's darker and more contemplative songs sound as dramatic as they should, while adding just the right touch of polish on "Especially Me" and "Something's Turning Over," where the pop undercurrents that often run beneath Sparhawk and Parker's songs bob to the surface. (Beckley also does fine work with Sparhawk and Parker's vocals, which are in splendid form here.) C'mon, like Low's albums with Fridmann, stands apart from the stark minimalism of this band's earlier music, with a number of additional musicians contributing to the sessions (including Wilco guitarist Nels Cline and violinist Caitlin Moe), but this material more successfully adds dynamics and color to Low's melodies while retaining the power of their elemental approach. The dark clouds that have haunted Low are still clearly visible on "Witches" and "$20," but the slow, noisy build to the climax of "Nothing But Heart" is a testament to the very real heart and soul behind their music, and C'mon, while well short of sunny, is an album devoted to the search for answers amidst the darkness, and it's a powerful, deeply moving work from a truly singular band. © Mark Deming /TiVo
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Rock - Publicado el 1 de enero de 1995 | Astralwerks

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Alternativa & Indie - Publicado el 1 de enero de 2000 | kranky

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Alternativa & Indie - Publicado el 1 de enero de 1996 | Astralwerks

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Alternativa & Indie - Publicado el 22 de junio de 2021 | Sub Pop Records

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Alternativa & Indie - Publicado el 11 de octubre de 2013 | Chair Kicker's Union

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Pop - Publicado el 1 de enero de 1996 | Astralwerks

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Alternativa & Indie - Publicado el 6 de abril de 1999 | Chair Kicker's Union

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Alternativa & Indie - Publicado el 11 de septiembre de 2015 | Sub Pop Records

If the relative warmth and hopefulness of 2011's C'mon and 2013's The Invisible Way had you wondering if Low were starting to get happy on us after all these years, don't fret -- 2015's Ones and Sixes shows Alan Sparhawk and Mimi Parker have not lost touch with their somber slowcore roots. While Low's two previous albums boasted production and instrumental accompaniment that brought out an emotional generosity that was a real change from the cool isolation of their best-known work, for Ones and Sixes the group and producer BJ Burton have opted for a stark and chilly sound, dominated by electronic pulsebeats and waves of polished noise that give the songs a spare, alien backdrop. One of the greatest strengths of Low's work for Sub Pop has been the beauty of Sparhawk and Parker's vocals, with their harmonies sounding even stronger and more effective with the passage of time, and that's just as true on Ones and Sixes, as the humanity of their voices gives this music a hint of body heat and warm breath in spite of the brushed aluminum sound of much of the album. And though the electronics often dominate, the group's guitars and keyboards are still a key part of the arrangements. Ones and Sixes is a brave effort that stands apart from much of Low's work, putting the dour beauty of their music into a new context. © Mark Deming /TiVo
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Alternativa & Indie - Publicado el 1 de enero de 1997 | kranky

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Alternativa & Indie - Publicado el 16 de diciembre de 2020 | Sub Pop

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Alternativa & Indie - Publicado el 1 de enero de 2002 | Chair Kicker's Union

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Alternativa & Indie - Publicado el 14 de noviembre de 2013 | Chair Kicker's Union

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Alternativa & Indie - Publicado el 16 de agosto de 2000 | Temporary Residence Ltd.