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Jazz - Publicado el 23 de febrero de 2015 | Impulse!

Hi-Res Libreto Premios 4F de Télérama - Sélection JAZZ NEWS - 5 Sterne Fono Forum Jazz
Pianist Jacky Terrasson's Impulse! Records debut, 2015's Take This, is a sophisticated showcase for his virtuoso jazz chops and eclectic musical taste. Following up his 2012 effort, Gouache, Take This finds Terrasson investigating a mix of originals and unexpected covers, many of which are infused with a strong African and Cuban rhythmic influence. Supplying much of this rhythmic intensity is Terrasson's adventurous outfit featuring bassist Burniss Travis, drummer Lukmil Perez, and Malian percussionist Adama Diarra. Together, this group is responsible for many of the album's brightest moments, with updates of such classic jazz piano numbers as Bud Powell's "Un Poco Loco," and Miles Davis' "Blue and Green," to name a few. Also collaborating with Terrasson here is French vocalist/beatboxer Sly Johnson. A soulful, gifted singer with a bent toward throaty R&B, Johnson broke through in Paris as a member of the hip-hop act Saian Supa Crew, as well as performing with established jazz artists such as trumpeter Erik Truffaz. Here, he lends his vocals, as well as his unique human beatbox technique, to several tracks, often blending his various vocal pops and ticks into the rhythm section just as any percussionist might do. It's a nifty concept that works best when Johnson is out-front on cuts like the opening "Kiff" and an inspired duo reworking of the Beatles' "Come Together," where Johnson brings to mind the similarly inclined rhythmic vocal jazz of Bobby McFerrin and Al Jarreau. Elsewhere, Terrasson and his pan-global ensemble deliver engaging takes on Gotye's "Somebody That I Used to Know," the Paul Desmond-penned Dave Brubeck classic "Take Five," and a buoyant rendition Henri Salvador's Caribbean-infused "Maladie D'Amour." © Matt Collar /TiVo
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Jazz - Publicado el 1 de enero de 2012 | Universal Music Division Decca Records France

Premios 4F de Télérama - Qobuz Referencia - Sélection JAZZ NEWS
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Jazz - Publicado el 23 de febrero de 2015 | Universal Music Division Decca Records France

Libreto Premios 4F de Télérama - Sélection JAZZ NEWS - 5 Sterne Fono Forum Klassik
Pianist Jacky Terrasson's Impulse! Records debut, 2015's Take This, is a sophisticated showcase for his virtuoso jazz chops and eclectic musical taste. Following up his 2012 effort, Gouache, Take This finds Terrasson investigating a mix of originals and unexpected covers, many of which are infused with a strong African and Cuban rhythmic influence. Supplying much of this rhythmic intensity is Terrasson's adventurous outfit featuring bassist Burniss Travis, drummer Lukmil Perez, and Malian percussionist Adama Diarra. Together, this group is responsible for many of the album's brightest moments, with updates of such classic jazz piano numbers as Bud Powell's "Un Poco Loco," and Miles Davis' "Blue and Green," to name a few. Also collaborating with Terrasson here is French vocalist/beatboxer Sly Johnson. A soulful, gifted singer with a bent toward throaty R&B, Johnson broke through in Paris as a member of the hip-hop act Saian Supa Crew, as well as performing with established jazz artists such as trumpeter Erik Truffaz. Here, he lends his vocals, as well as his unique human beatbox technique, to several tracks, often blending his various vocal pops and ticks into the rhythm section just as any percussionist might do. It's a nifty concept that works best when Johnson is out-front on cuts like the opening "Kiff" and an inspired duo reworking of the Beatles' "Come Together," where Johnson brings to mind the similarly inclined rhythmic vocal jazz of Bobby McFerrin and Al Jarreau. Elsewhere, Terrasson and his pan-global ensemble deliver engaging takes on Gotye's "Somebody That I Used to Know," the Paul Desmond-penned Dave Brubeck classic "Take Five," and a buoyant rendition Henri Salvador's Caribbean-infused "Maladie D'Amour." © Matt Collar /TiVo
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Jazz - Publicado el 2 de septiembre de 2016 | Impulse!

Hi-Res Libreto Premios Indispensable JAZZ NEWS
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Jazz - Publicado el 1 de enero de 2002 | Blue Note Records

Premios Elu par Citizen Jazz
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Pop - Publicado el 1 de enero de 2002 | Blue Note Records

Premios Elu par Citizen Jazz
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53

Jazz - Publicado el 27 de septiembre de 2019 | Blue Note

Hi-Res
Marking his 53rd birthday and 25 years since his eponymous debut for Blue Note, Jacky Terrasson's 2019 studio album, 53, is an engaging, deeply nuanced set that reflects his ever-deepening artistic maturity. An inventive, technically adept "young lion", Terrasson has continued to refine his style over the years. Here he displays a broad range of rhythmic and harmonic colors. Helping him achieve this are no less than three rhythm sections including one with electric bassist Géraud Portal and drummer Ali Jackson, double-bassist Sylvain Romano and drummer Gregory Hutchinson, and double-bassist Thomas Bramerie and drummer Lukmil Perez. The result is an album of original compositions that touch upon all of Terrasson's varied musical touchstones. "The Call" is a brightly rolling opener dedicated to legendary pianist and longtime Terrasson idol Ahmad Jamal. Similarly, he pays homage to another of his main influences, Keith Jarrett, on "Kiss Jannett for Me." Elsewhere, the soulful "Babyplum" is a midtempo groover à la Ramsey Lewis and "3. Sequentia: Lacrimosa" is an introspective rendition of Mozart's requiem that brings to mind the work of pianist Bill Evans, as well as the dusky balladry of Chet Baker in his later years. Shifting gears, Terrasson draws upon his love of '70s crossover jazz with the Chick Corea-esque "This Is Mine" before swinging into the off-kilter blues of "Blues en femmes majeures." He ends by sinking into "Resilience," a ballad that evokes the poignant standard "For All We Know." While Terrasson certainly borrows inspiration from a variety of players and sources on 53, he never sounds anything less than distinctively his own. © Matt Collar /TiVo

Jazz - Publicado el 7 de noviembre de 2020 | UMG Recordings, Inc.

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Jazz - Publicado el 1 de enero de 1997 | Blue Note Records

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Jazz - Publicado el 1 de enero de 2000 | Blue Note Records

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Jazz - Publicado el 1 de enero de 1996 | Blue Note Records

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Jazz - Publicado el 1 de enero de 1995 | Blue Note Records

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Jazz - Publicado el 1 de enero de 2007 | Blue Note Records

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Jazz - Publicado el 1 de enero de 1998 | Blue Note Records

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Jazz - Publicado el 2 de septiembre de 2016 | Universal Music Division Decca Records France

Libreto
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53

Jazz - Publicado el 27 de septiembre de 2019 | Blue Note

Marking his 53rd birthday and 25 years since his eponymous debut for Blue Note, Jacky Terrasson's 2019 studio album, 53, is an engaging, deeply nuanced set that reflects his ever-deepening artistic maturity. An inventive, technically adept "young lion", Terrasson has continued to refine his style over the years. Here he displays a broad range of rhythmic and harmonic colors. Helping him achieve this are no less than three rhythm sections including one with electric bassist Géraud Portal and drummer Ali Jackson, double-bassist Sylvain Romano and drummer Gregory Hutchinson, and double-bassist Thomas Bramerie and drummer Lukmil Perez. The result is an album of original compositions that touch upon all of Terrasson's varied musical touchstones. "The Call" is a brightly rolling opener dedicated to legendary pianist and longtime Terrasson idol Ahmad Jamal. Similarly, he pays homage to another of his main influences, Keith Jarrett, on "Kiss Jannett for Me." Elsewhere, the soulful "Babyplum" is a midtempo groover à la Ramsey Lewis and "3. Sequentia: Lacrimosa" is an introspective rendition of Mozart's requiem that brings to mind the work of pianist Bill Evans, as well as the dusky balladry of Chet Baker in his later years. Shifting gears, Terrasson draws upon his love of '70s crossover jazz with the Chick Corea-esque "This Is Mine" before swinging into the off-kilter blues of "Blues en femmes majeures." He ends by sinking into "Resilience," a ballad that evokes the poignant standard "For All We Know." While Terrasson certainly borrows inspiration from a variety of players and sources on 53, he never sounds anything less than distinctively his own. © Matt Collar /TiVo
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Jazz - Publicado el 1 de enero de 2001 | Blue Note Records

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Jazz - Publicado el 26 de abril de 2010 | Concord Jazz

Libreto
Jacky Terrasson's 11th CD and first for the Concord label is a lively affair, mostly in a trio setting with special guests spotted in, that addresses various avenues of contemporary jazz styles. Pop and Afro-Cuban or even South African flavors are sprinkled in with the technically challenging bop that the pianist excels in. Thelonious Monk Award-winning bassist from Michigan State University Ben Williams is in on this one, as well as cameo appearances from Gregoire Maret on harmonica and saxophonist Jacques Schwarz-Bart amidst Terrasson's acoustic piano, occasional electric keyboards, and some vocalizing. Echoes of Keith Jarrett, Frank Emilio Flynn, or Abdullah Ibrahim creep in as the gifted and oftentimes brilliant Terrasson bobs and weaves through this set of originals and highly modified versions of familiar tunes. A blurring fast "Beat Bop" hopped up with synthesizer accents, the contemporary "O Cafe, O Soleil" with Cyro Baptista's percussion work and handclapping reveling in the Capetown joy of Ibrahim, and the deliberate modal soul-funk of "Morning" all showcase vastly different interests for Terrasson. The pleasant pop trio jazz of "Gaux Girl" recalls Michael Jackson's "Liberian Girl," while the combination of Jackson's "Beat It" with the revered standard "Body and Soul" might seem odd until you hear Terrasson's free jazz tinkling to rubato and modal ideas, a thoroughly contemporary development, even adding a waltz tempo. There are stock or straight-laced versions of "'Round Midnight" and "You'd Be So Nice to Come Home To" that in this collection sound unusually common, but are played with a high degree of artistry and prowess. Push is one of Terrasson's most enjoyable and diverse recordings, a fine display of how he has both grown apart from what might be musically fashionable and matured exponentially. © Michael G. Nastos /TiVo
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Jazz - Publicado el 1 de enero de 1999 | Blue Note Records

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Jazz - Publicado el 26 de abril de 2010 | Concord Jazz

Jacky Terrasson's 11th CD and first for the Concord label is a lively affair, mostly in a trio setting with special guests spotted in, that addresses various avenues of contemporary jazz styles. Pop and Afro-Cuban or even South African flavors are sprinkled in with the technically challenging bop that the pianist excels in. Thelonious Monk Award-winning bassist from Michigan State University Ben Williams is in on this one, as well as cameo appearances from Gregoire Maret on harmonica and saxophonist Jacques Schwarz-Bart amidst Terrasson's acoustic piano, occasional electric keyboards, and some vocalizing. Echoes of Keith Jarrett, Frank Emilio Flynn, or Abdullah Ibrahim creep in as the gifted and oftentimes brilliant Terrasson bobs and weaves through this set of originals and highly modified versions of familiar tunes. A blurring fast "Beat Bop" hopped up with synthesizer accents, the contemporary "O Cafe, O Soleil" with Cyro Baptista's percussion work and handclapping reveling in the Capetown joy of Ibrahim, and the deliberate modal soul-funk of "Morning" all showcase vastly different interests for Terrasson. The pleasant pop trio jazz of "Gaux Girl" recalls Michael Jackson's "Liberian Girl," while the combination of Jackson's "Beat It" with the revered standard "Body and Soul" might seem odd until you hear Terrasson's free jazz tinkling to rubato and modal ideas, a thoroughly contemporary development, even adding a waltz tempo. There are stock or straight-laced versions of "'Round Midnight" and "You'd Be So Nice to Come Home To" that in this collection sound unusually common, but are played with a high degree of artistry and prowess. Push is one of Terrasson's most enjoyable and diverse recordings, a fine display of how he has both grown apart from what might be musically fashionable and matured exponentially. © Michael G. Nastos /TiVo