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Clásica - Publicado el 20 de octubre de 2017 | Winter & Winter

Hi-Res Libreto Premios Diapason d'or - Toma de Sonido Excepcional
The Dane Hans Abrahamsen represents the rare example of a composer who has pursued a steady simplification of his style apart from the main streams of American and Baltic minimalism. Many of his works take their own shapes, but his four string quartets, covering a period from 1973 to 2012 (including a ten-year period when he wrote nothing at all), refer, except for the first, to the classical, four-movement form. The development of his style is of considerable interest. Abrahamsen does not use extended technique per se, but the range of gliassandos, pizzicatos, and other unorthodox attacks, plus a good deal of music on the edge of silence, are enough to stretch the chops of top-flight string quartets. Fortunately, the Arditti String Quartet is up to the challenges, and the sound from a WDR radio studio in Cologne, is conducive to high levels of focus. The quartets are, unusually, presented in reverse chronological order, but this works wonderfully: the String Quartet No. 4 is the easiest one to follow, but all the music is recognizably the product of the same composer, and the effect of the program is to lead you into his world. Sample anywhere, perhaps starting with the third movement ("Dark, heavy and earthy") of the String Quartet No. 4. Highly recommended. © TiVo
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Cuartetos - Publicado el 15 de enero de 2013 | Aeon

Hi-Res Libreto Premios 5 de Diapason - Hi-Res Audio
Catalan composer Roberto Gerhard was a student of Arnold Schoenberg and an important innovator of serial procedures in the 1950s, though there are aspects of his music that reflect older practices, including traditional Spanish folk music, Baroque and Classical forms, and some influences of his modern compatriots, Isaac Albéniz, Enrique Granados, and Manuel de Falla. The two numbered string quartets are mature works that incorporate these varied elements, yet cohere perfectly well on their own as wholly integrated personal expressions, without seeming derivative or overtly referential. The Arditti String Quartet performs these pieces with its customary facility and virtuosic brilliance, and violinist Irvine Arditti fills out the remainder of the program with a passionate performance of Gerhard's Chaconne for solo violin, offering the listener an album just under 55 minutes, which may seem rather short in duration, except for the fact that the music is quite concentrated and intense. The reproduction is clear and vibrant in a highly resonant space, though the strings' tone isn't especially warm. © TiVo
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Música de cámara - Publicado el 28 de enero de 2011 | Winter & Winter

Hi-Res Premios Diapason d'or - Hi-Res Audio
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Música de cámara - Publicado el 24 de febrero de 2015 | Aeon

Libreto Premios 5 de Diapason - Toma de Sonido Excepcional
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Clásica - Publicado el 26 de mayo de 2017 | Aeon

Hi-Res Libreto Premios Gramophone Award
This Aeon label release of music by French composer Pascal Dusapin borrows design elements from ECM, with artsy black-and-white photos, philosophical-sounding text strewn around, and stark, Euro title type. ECM, however, avoids a profusion of booklet text, but here you get a formidable philosophical apparatus involving "L'inépuisable" (The Inexhaustible), both Samuel Beckett and Gilles Deleuze, and the German concept of the Hinterland. Nowhere is it explained why one of the works is called a "hapax" (a word that occurs only once in a work or body of work), or even such basic questions as why the Quatuor VI is called a quartet when it is really a work for string quartet and orchestra. All this aside, the music certainly holds your attention. Dusapin was influenced by Varèse's Arcana as a youth, and these pieces have the heated quality of that work. The movements of the Quatuor VI are described as "attempts at exhaustion" ("tentatives d'épuisement"), and indeed they elaborate initial material, in a violent atmosphere, to a point of what might be called exhaustion. Perhaps the stronger of the two works is the Quatuor VII ("Open Time"), like its predecessor composed in 2009. It's a set of 21 variations for string quartet, some of them in the Varèse-like mood, but some of them sparse enough to justify the Beckett comparison. The Arditti Quartet specializes in music of this kind, and has recorded Dusapin specifically in the past; their recording surely is definitive. Aeon's studio sound, close up and intense, is just what is needed. © TiVo
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Clásica - Publicado el 9 de diciembre de 1996 | Sony Classical

Premios Discoteca Ideal Qobuz
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Clásica - Publicado el 4 de abril de 2014 | Winter & Winter

Hi-Res Premios Hi-Res Audio
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Cuartetos - Publicado el 3 de noviembre de 2017 | Stradivarius

Premios 5 de Diapason
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Clásica - Publicado el 18 de junio de 2021 | BR-Klassik

Hi-Res Libreto
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Clásica - Publicado el 24 de marzo de 2014 | Aeon

Hi-Res Libreto
If any chamber group has the technical wherewithal to perform Brian Ferneyhough's complete works for string quartet and string trio, the Arditti Quartet surely takes pride of place. This three-CD package from Æon is a bracing survey of Ferneyhough's profoundly complex and challenging works, covering the Sonatas for string quartet (1967); the String Quartets Nos. 2-6 (1980-2010), with soprano Claron McFadden singing in the String Quartet No. 4; the Streichtrio (1994) and the String Trio (1995); Adagissimo (1983); Dum transisset I-IV (2006); and Exordium (2008). Ferneyhough is a proponent of the New Complexity, and uses ideas and strategies developed by the avant-garde in the late 20th century, including intuitive procedures that employ the total chromatic without strict observance of rows or other series. The music is uncompromisingly intense, angular, and fragmented in the extreme, and its myriad difficulties aren't disguised or softened. The Arditti Quartet specializes in such cutting-edge music, and they are at their best in works that stretch the boundaries of expression and technique. This set is recommended for adventurous listeners and serious students of Ferneyhough's work. © TiVo
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Clásica - Publicado el 1 de enero de 1994 | naïve classique

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Clásica - Publicado el 15 de julio de 2013 | naïve classique

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Cuartetos - Publicado el 16 de marzo de 2009 | naïve classique

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Clásica - Publicado el 25 de febrero de 2010 | Aeon

Libreto
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Cuartetos - Publicado el 16 de marzo de 2009 | naïve classique

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Música de cámara - Publicado el 22 de febrero de 2005 | Mode Records

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Clásica - Publicado el 16 de junio de 2013 | Stradivarius

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Clásica - Publicado el 11 de octubre de 2005 | naïve classique

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Clásica - Publicado el 6 de diciembre de 2013 | Wergo

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Clásica - Publicado el 1 de febrero de 2005 | Stradivarius