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World music - Publicado el 1 de enero de 1963 | Verve

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Pop - Publicado el 5 de febrero de 2008 | Rhino - Warner Records

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Pop - Publicado el 15 de noviembre de 2011 | Rhino - Warner Records

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Jazz - Publicado el 1 de octubre de 1967 | Verve Reissues

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Jazz - Publicado el 5 de octubre de 2010 | Masterworks Jazz

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Jazz - Publicado el 1 de enero de 1963 | Verve Reissues

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In his first American album, Antonio Carlos Jobim presents a dozen of his songs, each one destined to become a standard -- an astounding batting average. Jobim, who claimed to have been out of practice at the time of the session, merely plays single notes on the piano with one hand, punctuated by chords now and then, sticking to his long, undulating melodies with a few passages of jazz improvisation now and then. Yet it is a lovely idea, not a gesture is wasted. Arranger Claus Ogerman unveils many of the trademarks that would define his Creed Taylor-produced albums with Jobim -- the soaring, dying solo flute and spare, brooding unison string lines widening into lush harmony; flutes doubling on top of Jobim's piano chords -- again with an exquisitely spare touch. The songs include "Desafinado," "Corcovado," "Chega de Saudade" (No More Blues), "The Girl From Ipanema," "Meditation," "One Note Samba," and half-a-dozen others (every one of which is included on The Man From Ipanema set). © Richard S. Ginell /TiVo
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Jazz - Publicado el 1 de mayo de 1970 | Verve Reissues

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Jazz - Publicado el 21 de noviembre de 1995 | Verve Reissues

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Jazz - Publicado el 1 de enero de 1963 | Verve Reissues

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In his first American album, Antonio Carlos Jobim presents a dozen of his songs, each one destined to become a standard -- an astounding batting average. Jobim, who claimed to have been out of practice at the time of the session, merely plays single notes on the piano with one hand, punctuated by chords now and then, sticking to his long, undulating melodies with a few passages of jazz improvisation now and then. Yet it is a lovely idea, not a gesture is wasted. Arranger Claus Ogerman unveils many of the trademarks that would define his Creed Taylor-produced albums with Jobim -- the soaring, dying solo flute and spare, brooding unison string lines widening into lush harmony; flutes doubling on top of Jobim's piano chords -- again with an exquisitely spare touch. The songs include "Desafinado," "Corcovado," "Chega de Saudade" (No More Blues), "The Girl From Ipanema," "Meditation," "One Note Samba," and half-a-dozen others (every one of which is included on The Man From Ipanema set). © Richard S. Ginell /TiVo
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Jazz - Publicado el 1 de mayo de 1970 | Verve Reissues

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World music - Publicado el 1 de enero de 1953 | El Records

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Jazz - Publicado el 1 de enero de 1973 | Verve

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Jazz - Publicado el 19 de abril de 1994 | GRP

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Jazz - Publicado el 5 de febrero de 1991 | Verve Reissues

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Jazz - Publicado el 15 de junio de 1967 | Verve Reissues

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Jazz - Publicado el 27 de junio de 2000 | Verve Reissues

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Bossa nova & Brasil - Publicado el 9 de enero de 1994 | Columbia

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Jazz - Publicado el 1 de marzo de 1980 | Rhino - Warner Records

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Jazz - Publicado el 1 de enero de 1987 | Verve

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Pop - Publicado el 5 de febrero de 2008 | Rhino - Warner Records