Idioma disponible: inglésAlso known for her evocative songwriting and performances with indie folk-rock band Big Thief, Adrianne Lenker's solo material is spare, brittle, and often deeply personal. Featuring only a couple of backing vocalists alongside Lenker's voice and acoustic guitar, her label debut, Hours Were the Birds, arrived in early 2014, the same year she began collaborating with guitarist/songwriter Buck Meek. They went on to form Big Thief, which found critical acclaim (as well as the Billboard Heatseekers chart) with their 2016 debut, Masterpiece. Lenker continued to release solo work as her band's indie clout grew, including the 2020 double album songs and instrumentals. A Minneapolis native, Lenker learned her first few guitar chords from her father at a young age and began writing songs at ten. After her parents divorced when she was 12, she dedicated herself to music, an endeavor encouraged by her father throughout her teens. She released her first solo material as a teen in 2006. Frustrated with subsequent recording sessions in Nashville, cash-strapped, and with no high school diploma, she applied for a summer program at the Berklee College of Music in Boston with help from her dad. That led to a scholarship to attend full-time. Lenker graduated in 2012 and relocated to Brooklyn. Soon after arriving in New York, Lenker ran into fellow Berklee alum Buck Meek, whom she remembered from a brief interaction in Boston, where they had shared the same bill at a show. Fast friends and musical kindred spirits, they released two EPs as a duo -- A-Sides and B-Sides -- in 2014 before forming Big Thief with bass player Max Oleartchik and drummer James Krivchenia. In the meantime, Lenker signed with Saddle Creek, which released her solo album Hours Were the Birds that same year. The quartet's debut album, Masterpiece, followed on Saddle Creek in 2016, a year that also saw them make appearances at the South by Southwest Festival and in support slots on tours with Eleanor Friedberger, Yuck, Frankie Cosmos, and M. Ward. They made their national TV debut with a performance on Late Night with Seth Meyers in March of 2017. Big Thief's second album, Capacity, arrived that June and reached the Top 20 of the Billboard Heatseekers, independent, Americana/folk, and vinyl charts. After touring in support of Capacity, including a headlining run and dates with Conor Oberst, Meek released a self-titled solo album. A solo Lenker followed up with the intimate Abysskiss on Saddle Creek later in 2018. It was produced by Luke Temple, who also performed on the album. Back with Big Thief, a third straight album with producer Andrew Sarlo (Nick Hakim, Hand Habits), the atmospheric U.F.O.F., marked the band's debut for 4AD in May 2019. Punchier counterpart Two Hands followed that October, and both albums cracked the Billboard 200, with Two Hands peaking at 113. The group spent much of the rest of the year touring North American and Europe, including stops at Norway's Oya Festival and the U.K.'s Green Man Festival. With touring cut short in March 2020 due to the COVID-19 pandemic, Lenker returned to New York, then learned of a cabin for rent near some friends in the mountains of Western Massachusetts. Taken with the sound of the acoustics in the empty cabin, she invited engineer Philip Weinrobe to join her in the remote locale to record an acoustic album. Written mostly on-site, the resulting, double-length songs and instrumentals consisted of 11 minimally arranged songs and a collection of guitar and windchime improvisations. The set was released in October 2020 on 4AD.
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Alternativa & Indie - Publicado el 23 de octubre de 2020 | 4AD
Premios 4F de Télérama - Pitchfork: Best New Music
Antes de que Big Thief se convirtiera en la banda favorita de los fans del indie-folk-rock, su cantante Adrianne Lenker había lanzado tres álbumes en solitario: Stages of the Sun (2006), Hours Were the Birds (2014) y Abysskiss (2018). En esta ocasión, el hada del folk ha ido más allá. Pero con menos: sentada sola con su guitarra acústica, ha grabado un álbum doble (que está disponible por separado bajo los sencillos títulos de Songs e Instrumentals) en una cabaña en Berkshires, Massachusetts. Se puede oír el crepitar de la madera, así como el sonido de pájaros e insectos, y sus dedos resbalando sobre las cuerdas... Con cada segundo de escucha, el mundo real se aleja un poco más. Y su frágil voz es como un imán que arrastra al oyente con cada melodía... La cantante explora temas clásicos como la soledad, el fin de una relación o el remordimiento, con un sonido hipnótico y desnudo, siguiendo la estela de artistas como Vashti Bunyan, Judee Sill, Elliott Smith o Joni Mitchell (influencias obvias para la cantante de Big Thief). Adrianne Lenker a menudo usa repeticiones, mantras, como en la conmovedora Come where you can hear the rain ouside. A veces se centra en el espacio (My Angel). Cada canción es suave e íntima. Las dos largas pistas instrumentales (21 y 16 minutos) que componen Instrumentals requieren más atención, pero están totalmente en línea con las canciones de Songs. Se sorprenderá de la sofisticación de ambos álbumes. Un trabajo sublime que fácilmente resistirá la prueba del tiempo. © Marc Zisman/Qobuz