Anonymous
The majority of compositions written through the Middle Ages and into the Renaissance are by people long forgotten, and attribution often remains a problem. In fact, it is not known who was responsible for the foundation works of Western classical music. Also unknown are the composers of many later songs, dance tunes, and marches that were integral to daily life and now also count as "classical." Early sacred music represented the official doctrine and aesthetics of the church; a composer's personal expression simply didn't count once the music was adopted for liturgical use, and, in many cases, it would have seemed presumptuous for an individual to take credit for a piece of sacred music. So although a very few specific medieval church composers, such as Hildegard of Bingen, are known, most early sacred music is the work of intentionally anonymous musician employed by the Catholic Church. In the realm of early secular music, a village musician might piece together a dance tune that became popular. Taken up by other players, the tune would pass by ear from village to village, and from generation to generation. The dance's origin would become obscure, even within the composer's lifetime. The rise of music publishing and commercial sale of scores in the Renaissance, and especially the Baroque era, began linking composers' names to their music. Yet some pieces were deliberately published anonymously for political or personal reasons, and many unscrupulous publishers simply neglected to name their composers, thereby avoiding the nuisance of paying them for their work. The survival of records from the Renaissance on has made it easier for musicologists to connect names to scores of debatable authorship written in the past four centuries or so. Yet scholars have sometimes been too quick to link a famous composer to an obscure composition and their attributions have often been dead wrong. Haydn's "Toy" symphony and Beethoven's "Jena" symphony, for example, turned out to be written by other composers. In some cases, crediting a score to "Anonymous" would remain the safest practice. Since the early twentieth century, the refinement of copyright laws, the availability of royalties, the rise of composer-advocacy groups, and cultural emphasis on individual achievement have all made it unlikely that any new work will appear without a solid attribution.
© TiVo
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L'académie du massacre
Chanson francesa - Editado por Les Productions Serge el 11 nov. 2003
16-Bit CD Quality 44.1 kHz - Stereo -
Carmina Burana
Ensemble Oni Wytars, Ensemble Unicorn
Música vocal (profana y sacra) - Editado por Naxos el 12 sept. 2002
16-Bit CD Quality 44.1 kHz - Stereo -
Trombett - Undt Musikalischer Taffeldienst
Clásica - Editado por Fra Bernardo el 30 abr. 2013
16-Bit CD Quality 44.1 kHz - Stereo -
Musique barbare
Chanson francesa - Editado por Les Productions Serge el 18 nov. 2008
16-Bit CD Quality 44.1 kHz - Stereo -
John Philip Sousa's Greatest Hits
The President's Own United States Marine Band
Clásica - Editado por American Patriotic Classics el 6 nov. 2012
16-Bit CD Quality 44.1 kHz - Stereo -
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Pferdegeschichten (Zwölf Kindergeschichten rund um das Thema Pferde)
Humour/Spoken Word - Editado por Schwager & Steinlein Verlag el 1 oct. 2013
16-Bit CD Quality 44.1 kHz - Stereo -
La parc La Vérendrye
Chanson francesa - Editado por Les Productions Serge el 1 feb. 2010
16-Bit CD Quality 44.1 kHz - Stereo -
Klemperer Rarities: Amsterdam, Vol. 2 (1951)
Clásica - Editado por Archiphon el 5 jun. 2012
16-Bit CD Quality 44.1 kHz - Stereo -
Das (Hör-)buch ohne Namen - Bourbon Kid, Teil 1 (Gekürzt)
Humour/Spoken Word - Editado por Lübbe Audio el 14 jul. 2009
16-Bit CD Quality 44.1 kHz - Stereo -
Weihnachten: Die schönsten Märchen aus aller Welt (Geschichten zur Heiligen Nacht aus Europa, Skandinavien und Russland)
Humour/Spoken Word - Editado por BÄNG Management & Verlag el 4 nov. 2022
16-Bit CD Quality 44.1 kHz - Stereo -
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Otto Klemperer conducts The Los Angeles Philharmonic Orchestra (1937-1938) (na Not Applicable - Hector Berlioz - Wolfgang Amadeus Mozart)
Clásica - Editado por Symposium el 18 feb. 1997
16-Bit CD Quality 44.1 kHz - Stereo -
Warnung aus dem Weißen Haus - Ein hochrangiger Trump-Mitarbeiter packt aus (Ungekürzt)
Humour/Spoken Word - Editado por Lübbe Audio el 12 dic. 2019
16-Bit CD Quality 44.1 kHz - Stereo -
Sagen und Helden des Mittelalters (Die große Hörbuch Box)
Gottfried Von Strassburg, Konrad von Fußesbrunnen, Wolfram Von Eschenbach, Anonymous, Tim Eriksson
Humour/Spoken Word - Editado por BÄNG Management & Verlag el 16 sept. 2022
16-Bit CD Quality 44.1 kHz - Stereo -
Chapter Chaos Begins (Anonymus)
Rock - Editado por Galy Records - Earhertz el 27 feb. 2007
16-Bit CD Quality 44.1 kHz - Stereo -
The Golden Era of the German Dance Orchestra: Juan Llossas und sein internationals deutsch-spanisches Tango-Orchester (1929-1940)
Pop - Editado por Jube el 7 may. 2013
16-Bit CD Quality 44.1 kHz - Stereo -
Les fêtes en enfer
Chanson francesa - Editado por Les Productions Serge el 15 nov. 2016
24-Bit 44.1 kHz - Stereo -
L'homme qui faisait reculer la musique
Chanson francesa - Editado por Les Productions Serge el 18 sept. 2009
16-Bit CD Quality 44.1 kHz - Stereo -
Canto Gregoriano
Slovenski Madrigalisti, Janez Bole
Clásica - Editado por AV360 Music el 24 abr. 2023
16-Bit CD Quality 44.1 kHz - Stereo -
Klemperer Rarities: Amsterdam, Vol. 10 (1956)
Clásica - Editado por Archiphon el 5 jun. 2012
16-Bit CD Quality 44.1 kHz - Stereo