Qobuz Store wallpaper
Categorías:
Carrito 0

Su carrito está vacío

Gidon Kremer|Weinberg: Violin Concerto & Sonata for 2 Violins (Live)

Weinberg: Violin Concerto & Sonata for 2 Violins (Live)

Gidon Kremer, Gewandhausorchester Leipzig, Daniele Gatti

Libreto digital

Disponible en
24-Bit/48 kHz Estéreo

Streaming ilimitado

Escuche este álbum ahora en alta calidad en nuestras apps

Comenzar mi periodo de prueba gratis y escuchar este álbum

Disfrute de este álbum en las apps Qobuz con sususcripción

Suscribir

Disfrute de este álbum en las apps Qobuz con sususcripción

Descarga digital

Compre y descargue este álbum en múltiples formatos, según sus necesidades.

Idioma disponible: inglés

While Mieczyslaw Weinberg's instrument was the piano, he wrote extensively and wonderfully for the violin, which makes sense both on artistic and personal levels – the violin was both the perfect vehicle for the elegiac, Jewish folk-inspired melodies that flowed from his pen, and also the instrument played by his father, who along with Weinberg's mother and sister perished in a Nazi concentration camps in Polish soil during the Second World War (Weinberg was spared that fate, having fled to the Soviet Union upon the outbreak of war). What's more, it's arguably Weinberg's love for the violin we now have to thank for his music's recent rediscovery, given that this has been spearheaded by violinist and Kremerata Baltica director Kidon Kremer. So on to Kremer's latest Weinberg-shaped offering, and while the symphonic-proportioned, four-movement Violin Concerto of 1959 is actually a rare Weinberg work which isn't too badly underrepresented in the recording studio – its dedicatee Leonid Kogan recorded it in 1961 with Kirill Kondrashin and the Moscow Philharmonic Orchestra, and there's a handful of more recent efforts too – the fact that this one is from Kremer should make us sit up and take note.

The concerto recording is a live one, made in February 2020 with the Gewandhausorchester Leipzig under the baton of Daniele Gatti as part of a series of Leipzig Gewandhaus concerts in honour of Weinberg's birth centenary. Those who know the Kogan reading may initially be surprised at the much steadier speed taken by Kremer and Gatti for the opening Allegro molto, because it's a different world to Kogan and Kondrashin's supercharged gallop. However these readings aren't short on drama – angry orchestra fortissimos are suitably shattering, and Gatti also achieves tense, floating magic in the moments when suddenly Weinberg makes time stand momentarily still. Kremer himself meanwhile is as sweet-toned and lyrical as ever, his violin holding its singing quality through the spikiest of moments, and coming across most arrestingly of all in the keening laments, meaning the slow third movement is every bit as strong as you'd hope.

Paired with the Concerto is another 1959 violin work of Weinberg's, the Sonata for Two Violins, for which Kremer has been joined by Kremerata Baltica concertmaster Madara Pētersone, and their combined folk flair, range of colours and technical finesse make this perhaps an even more compelling listen than the Concerto – although please read that as praise for the Sonata rather than as criticism of what Kremer and Gatti have given us! © Charlotte Gardner/Qobuz

---


With 22 symphonies, 17 string quartets, 9 concertos, and 7 operas, the composer Mieczyslaw Weinberg left behind an extensive oeuvre. Musically, one can hear the composer's close friendship with Dmitri Shostakovich, although Weinberg's music is more lyrical and romantic in nature. Nevertheless, the composer was long forgotten and his music has only been rediscovered in the last ten years. Gidon Kremer has dedicated himself to the rediscovery and cultivation of Weinberg's music. In February 2020, he performed Weinberg's Violin Concerto, Op. 67 with the Gewandhausorchester Leipzig under the musical direction of Daniele Gatti as part of a series of concerts in honor of the composer's 100th birthday at the Leipzig Gewandhaus.

Weinberg completed the concerto in 1959, the culmination of one of his most creative and successful phases of the 1950s. The work captivates with its large symphonic structure and its four movements, which are rather atypical for a concerto. Also in 1959, Weinberg composed the Sonata for Two Violins, Op. 69, which Kremer recorded with the Latvian violinist Madara Petersone, concert master of the Kremerata Baltica. © Accentus Music

Más información

Weinberg: Violin Concerto & Sonata for 2 Violins (Live)

Gidon Kremer

launch qobuz app Ya he descargado Qobuz para Windows / MacOS Abrir

download qobuz app Todavía no he descargado Qobuz para Windows / MacOS Descargar la app Qobuz

Está escuchando muestras.

Escuche más de 100 millones de pistas con un plan de streaming ilimitado.

Escuche esta playlist y más de 100 millones de pistas con nuestros planes de streaming ilimitado.

Desde 12,49€/mes

Violin Concerto in G minor, Op. 67 (Mieczysław Weinberg)

1
I. Allegro molto (Live)
00:09:18

Gidon Kremer, Artist, MainArtist - Gewandhausorchester Leipzig, Orchestra, MainArtist - Daniele Gatti, Conductor, MainArtist - Mieczysław Weinberg, Composer

(C) 2021 Accentus Music (P) 2021 Accentus Music

2
II. Allegretto (Live)
00:08:27

Gidon Kremer, Artist, MainArtist - Gewandhausorchester Leipzig, Orchestra, MainArtist - Daniele Gatti, Conductor, MainArtist - Mieczysław Weinberg, Composer

(C) 2021 Accentus Music (P) 2021 Accentus Music

3
III. Andante (Live)
00:06:16

Gidon Kremer, Artist, MainArtist - Gewandhausorchester Leipzig, Orchestra, MainArtist - Daniele Gatti, Conductor, MainArtist - Mieczysław Weinberg, Composer

(C) 2021 Accentus Music (P) 2021 Accentus Music

4
IV. Allegro risoluto (Live)
00:08:23

Gidon Kremer, Artist, MainArtist - Gewandhausorchester Leipzig, Orchestra, MainArtist - Daniele Gatti, Conductor, MainArtist - Mieczysław Weinberg, Composer

(C) 2021 Accentus Music (P) 2021 Accentus Music

Sonata for 2 Violins, Op. 69 (Mieczysław Weinberg)

5
I. Allegro molto
00:05:59

Gidon Kremer, Artist, MainArtist - Mieczysław Weinberg, Composer - Madara Petersone, Artist, MainArtist

(C) 2021 Accentus Music (P) 2021 Accentus Music

6
II. Adagio
00:07:06

Gidon Kremer, Artist, MainArtist - Mieczysław Weinberg, Composer - Madara Petersone, Artist, MainArtist

(C) 2021 Accentus Music (P) 2021 Accentus Music

7
III. Allegro
00:05:30

Gidon Kremer, Artist, MainArtist - Mieczysław Weinberg, Composer - Madara Petersone, Artist, MainArtist

(C) 2021 Accentus Music (P) 2021 Accentus Music

Presentación del Álbum

While Mieczyslaw Weinberg's instrument was the piano, he wrote extensively and wonderfully for the violin, which makes sense both on artistic and personal levels – the violin was both the perfect vehicle for the elegiac, Jewish folk-inspired melodies that flowed from his pen, and also the instrument played by his father, who along with Weinberg's mother and sister perished in a Nazi concentration camps in Polish soil during the Second World War (Weinberg was spared that fate, having fled to the Soviet Union upon the outbreak of war). What's more, it's arguably Weinberg's love for the violin we now have to thank for his music's recent rediscovery, given that this has been spearheaded by violinist and Kremerata Baltica director Kidon Kremer. So on to Kremer's latest Weinberg-shaped offering, and while the symphonic-proportioned, four-movement Violin Concerto of 1959 is actually a rare Weinberg work which isn't too badly underrepresented in the recording studio – its dedicatee Leonid Kogan recorded it in 1961 with Kirill Kondrashin and the Moscow Philharmonic Orchestra, and there's a handful of more recent efforts too – the fact that this one is from Kremer should make us sit up and take note.

The concerto recording is a live one, made in February 2020 with the Gewandhausorchester Leipzig under the baton of Daniele Gatti as part of a series of Leipzig Gewandhaus concerts in honour of Weinberg's birth centenary. Those who know the Kogan reading may initially be surprised at the much steadier speed taken by Kremer and Gatti for the opening Allegro molto, because it's a different world to Kogan and Kondrashin's supercharged gallop. However these readings aren't short on drama – angry orchestra fortissimos are suitably shattering, and Gatti also achieves tense, floating magic in the moments when suddenly Weinberg makes time stand momentarily still. Kremer himself meanwhile is as sweet-toned and lyrical as ever, his violin holding its singing quality through the spikiest of moments, and coming across most arrestingly of all in the keening laments, meaning the slow third movement is every bit as strong as you'd hope.

Paired with the Concerto is another 1959 violin work of Weinberg's, the Sonata for Two Violins, for which Kremer has been joined by Kremerata Baltica concertmaster Madara Pētersone, and their combined folk flair, range of colours and technical finesse make this perhaps an even more compelling listen than the Concerto – although please read that as praise for the Sonata rather than as criticism of what Kremer and Gatti have given us! © Charlotte Gardner/Qobuz

---


With 22 symphonies, 17 string quartets, 9 concertos, and 7 operas, the composer Mieczyslaw Weinberg left behind an extensive oeuvre. Musically, one can hear the composer's close friendship with Dmitri Shostakovich, although Weinberg's music is more lyrical and romantic in nature. Nevertheless, the composer was long forgotten and his music has only been rediscovered in the last ten years. Gidon Kremer has dedicated himself to the rediscovery and cultivation of Weinberg's music. In February 2020, he performed Weinberg's Violin Concerto, Op. 67 with the Gewandhausorchester Leipzig under the musical direction of Daniele Gatti as part of a series of concerts in honor of the composer's 100th birthday at the Leipzig Gewandhaus.

Weinberg completed the concerto in 1959, the culmination of one of his most creative and successful phases of the 1950s. The work captivates with its large symphonic structure and its four movements, which are rather atypical for a concerto. Also in 1959, Weinberg composed the Sonata for Two Violins, Op. 69, which Kremer recorded with the Latvian violinist Madara Petersone, concert master of the Kremerata Baltica. © Accentus Music

Acerca del álbum

Mejorar la información del álbum

Qobuz logo Por qué comprar en Qobuz...

De oferta actualmente...

The Köln Concert (Live at the Opera, Köln, 1975)

Keith Jarrett

Fauré: Nocturnes & Barcarolles

Marc-André Hamelin

Fauré: Nocturnes & Barcarolles Marc-André Hamelin

Thomas Adès: Dante

Los Angeles Philharmonic

Thomas Adès: Dante Los Angeles Philharmonic

Ravel : Complete Works for Solo Piano

Bertrand Chamayou

Más en Qobuz
Por Gidon Kremer

"Preghiera" (Rachmaninov : Piano Trios)

Gidon Kremer

Songs of Fate

Gidon Kremer

Songs of Fate Gidon Kremer

New Seasons (Glass, Pärt, Kancheli, Umebayashi)

Gidon Kremer

Vivaldi: Four Seasons

Gidon Kremer

Vivaldi: Four Seasons Gidon Kremer

Arvo Pärt: Tabula Rasa (Remaster)

Gidon Kremer

Playlists

Quizás también le guste...

J.S. Bach: Goldberg Variations

Víkingur Ólafsson

J.S. Bach: Goldberg Variations Víkingur Ólafsson

Rachmaninoff: The Piano Concertos & Paganini Rhapsody

Yuja Wang

Beethoven and Beyond

María Dueñas

Beethoven and Beyond María Dueñas

Mendelssohn: Lieder ohne Worte

Igor Levit

A Symphonic Celebration - Music from the Studio Ghibli Films of Hayao Miyazaki

Joe Hisaishi