Streaming ilimitado
Escuche este álbum ahora en alta calidad en nuestras apps
Comenzar mi periodo de prueba gratis y escuchar este álbumDisfrute de este álbum en las apps Qobuz con sususcripción
SuscribirDisfrute de este álbum en las apps Qobuz con sususcripción
Descarga digital
Compre y descargue este álbum en múltiples formatos, según sus necesidades.
Idioma disponible: inglés
The Misfits' 1982 debut full-length, Walk Among Us, rapidly became a legendary effort of U.S. punk, the more so because it so willfully violated many rules which were already ironically straitjacketing the scene. Utterly devoid of political confrontation or social uplift, embracing a costume sense that might have given Kiss pause and generally coming across like the horror-movie nightmares they looked like on the cover, the Misfits just wanted to entertain and do their own thing -- and that they did, brilliantly. Nearly every song on the album -- 13 total, delivered in a light-speed 25 minutes -- is a twisted classic, with the band's trademark '50s/'60s melodies run through a punk/metal meatgrinder on full display. The higher-budget (in very relative terms) recording meant a slightly cleaner and brighter sound all around, but nothing about Walk Among Us is slick, especially in commercial 1982 terms. One song title says it all: "All Hell Breaks Loose." Danzig's gift for creepy, strong, and attractively dark singing was long since established and he uses it brilliantly, making the over-the-top lyrics all the more enjoyable, while Doyle, Jerry Only, and Arthur Googy kick out the jams on Danzig's songs big time -- check out "Hatebreeders," "Violent World," and the crazed "Skulls." Everything ends with the giddily ridiculous "Braineaters," in which the chanting voices of the band bemoan their constant diet of cerebella and ask for intestines instead, but the real freaked-out highlight comes smack dab in the middle with "Mommy Can I Go Out and Kill Tonight." Taken from the show that made up the Evilive release, it starts out on the edge and, after Danzig delivers the title sans instruments, turns into an explosion of rhythm and feedback that should have killed everything within 50 feet of the amps.
© Ned Raggett /TiVo
Está escuchando muestras.
Escuche más de 100 millones de pistas con un plan de streaming ilimitado.
Escuche esta playlist y más de 100 millones de pistas con nuestros planes de streaming ilimitado.
Desde 12,49€/mes
Glenn Danzig, Writer - Doyle, Arranger - THE MISFITS, Producer - Misfits, MainArtist
© 1988 Slash Records ℗ 1988 Slash Records
Glenn Danzig, Composer - THE MISFITS, Producer - Misfits, MainArtist
© 1988 Slash Records ℗ 1988 Slash Records
Glenn Danzig, Writer - THE MISFITS, Producer - Misfits, MainArtist
© 1988 Slash Records ℗ 1988 Slash Records
Glenn Danzig, Composer - THE MISFITS, Producer - Misfits, MainArtist
© 1988 Slash Records ℗ 1988 Slash Records
Glenn Danzig, Composer - THE MISFITS, Producer - Misfits, MainArtist
© 1988 Slash Records ℗ 1988 Slash Records
Glenn Danzig, Composer - THE MISFITS, Producer - Misfits, MainArtist
© 1988 Slash Records ℗ 1988 Slash Records
Glenn Danzig, Writer - THE MISFITS, Producer - Misfits, MainArtist
© 1988 Slash Records ℗ 1988 Slash Records
Glenn Danzig, Composer - THE MISFITS, Producer - Misfits, MainArtist
© 1988 Slash Records ℗ 1988 Slash Records
Glenn Danzig, Composer - THE MISFITS, Producer - Misfits, MainArtist
© 1988 Slash Records ℗ 1988 Slash Records
Glenn Danzig, Writer - THE MISFITS, Producer - Misfits, MainArtist
© 1988 Slash Records ℗ 1988 Slash Records
Glenn Danzig, Writer - THE MISFITS, Producer - Misfits, MainArtist
© 1988 Slash Records ℗ 1988 Slash Records
Glenn Danzig, Writer - THE MISFITS, Producer - Misfits, MainArtist
© 1988 Slash Records ℗ 1988 Slash Records
Glenn Danzig, Composer - THE MISFITS, Producer - Misfits, MainArtist
© 1988 Slash Records ℗ 1988 Slash Records
Presentación del Álbum
The Misfits' 1982 debut full-length, Walk Among Us, rapidly became a legendary effort of U.S. punk, the more so because it so willfully violated many rules which were already ironically straitjacketing the scene. Utterly devoid of political confrontation or social uplift, embracing a costume sense that might have given Kiss pause and generally coming across like the horror-movie nightmares they looked like on the cover, the Misfits just wanted to entertain and do their own thing -- and that they did, brilliantly. Nearly every song on the album -- 13 total, delivered in a light-speed 25 minutes -- is a twisted classic, with the band's trademark '50s/'60s melodies run through a punk/metal meatgrinder on full display. The higher-budget (in very relative terms) recording meant a slightly cleaner and brighter sound all around, but nothing about Walk Among Us is slick, especially in commercial 1982 terms. One song title says it all: "All Hell Breaks Loose." Danzig's gift for creepy, strong, and attractively dark singing was long since established and he uses it brilliantly, making the over-the-top lyrics all the more enjoyable, while Doyle, Jerry Only, and Arthur Googy kick out the jams on Danzig's songs big time -- check out "Hatebreeders," "Violent World," and the crazed "Skulls." Everything ends with the giddily ridiculous "Braineaters," in which the chanting voices of the band bemoan their constant diet of cerebella and ask for intestines instead, but the real freaked-out highlight comes smack dab in the middle with "Mommy Can I Go Out and Kill Tonight." Taken from the show that made up the Evilive release, it starts out on the edge and, after Danzig delivers the title sans instruments, turns into an explosion of rhythm and feedback that should have killed everything within 50 feet of the amps.
© Ned Raggett /TiVo
Acerca del álbum
- 1 disco(s) - 13 pista(s)
- Duración total: 00:24:46
- Artistas principales: Misfits
- Compositor: Glenn Danzig
- Sello: London Records
- Género Pop/Rock Rock
© 1988 Slash Records ℗ 1988 Slash Records
Mejorar la información del álbumPor qué comprar en Qobuz...
-
Escuche su música en streaming o descárguela
Compre un álbum o una pista individual. O escuche nuestro catálogo completo con nuestras suscripciones ilimitadas de streaming en alta calidad.
-
Sin DRM
Las pistas descargadas le pertenecen, sin límite de utilización. Y además las puede descargar todas las veces que lo necesite.
-
Elija el formato que más le convenga
Descargue sus compras en una amplia variedad de formatos (FLAC, ALAC, WAV, AIFF...) dependiendo de sus necesidades.
-
Escuche sus compras en nuestras apps
Descargue las aplicaciones Qobuz para smartphones, tabletas u ordenadores, y escuche sus compras en cualquier lugar.