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Christopher Lennertz - Vampires Suck (Original Motion Picture Score)

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Vampires Suck (Original Motion Picture Score)

Christopher Lennertz

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Idioma disponible: inglés

It's hard enough for a score composer tasked with writing music for a genre film to come up with something both original and appropriate to the stylistic confines of the movie formula. But when a composer is brought in to work on a parody of a genre film, asserting any individuality must be even harder. And then there's the question, should the composer just stick to the clichés, or make the music funny, too? Christopher Lennertz seems to have intended to have it both ways in his music for the satire Vampires Suck, a send-up of the Twilight series, saying in a sleeve note that he wanted to take all the typical musical characteristics of a vampire movie "and turn it up to eleven," but also that the music was supposed to "play the straight man against the comedy." As it turns out, this hedge is a good description of what he achieved. It is true that, when he's writing the many climaxes that pepper the score (such as those heard in the cues "Edward Saves Becca" and "The Pack Arrives"), he goes over the top, to the point that the music is too melodramatic to be taken seriously. Similarly, the goth rock of "Meet the Sullens," complete with Amy White providing wordless wailing in the manner of Amy Lee of Evanescence, seems like a joke version of such music as heard in other scores. But much of the time, Lennertz does play the straight man, which means that he writes clichéd music that could just as easily be in one of the Twilight movies as in a parody of them. ~ William Ruhlmann

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Vampires Suck (Original Motion Picture Score)

Christopher Lennertz

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1
What Would You Do? 00:02:02

Christopher Lennertz, MainArtist

(C) 2010 Lakeshore Records (P) 2010 Lakeshore Records

2
Something Strange... 00:01:21

Christopher Lennertz, MainArtist

(C) 2010 Lakeshore Records (P) 2010 Lakeshore Records

3
Meet the Sullens 00:02:26

Christopher Lennertz, MainArtist

(C) 2010 Lakeshore Records (P) 2010 Lakeshore Records

4
Welcome to Sporks 00:00:44

Christopher Lennertz, MainArtist

(C) 2010 Lakeshore Records (P) 2010 Lakeshore Records

5
Chemistry in Class 00:02:41

Christopher Lennertz, MainArtist

(C) 2010 Lakeshore Records (P) 2010 Lakeshore Records

6
Attack on the Dock 00:02:00

Christopher Lennertz, MainArtist

(C) 2010 Lakeshore Records (P) 2010 Lakeshore Records

7
Edward Saves Becca 00:02:10

Christopher Lennertz, MainArtist

(C) 2010 Lakeshore Records (P) 2010 Lakeshore Records

8
Jacob's Crush / Self Defense 00:01:38

Christopher Lennertz, MainArtist

(C) 2010 Lakeshore Records (P) 2010 Lakeshore Records

9
Sleepwalking 00:02:44

Christopher Lennertz, MainArtist

(C) 2010 Lakeshore Records (P) 2010 Lakeshore Records

10
I'm a Killer 00:03:44

Christopher Lennertz, MainArtist

(C) 2010 Lakeshore Records (P) 2010 Lakeshore Records

11
First Kiss 00:02:27

Christopher Lennertz, MainArtist

(C) 2010 Lakeshore Records (P) 2010 Lakeshore Records

12
Driving and Chasing 00:01:29

Christopher Lennertz, MainArtist

(C) 2010 Lakeshore Records (P) 2010 Lakeshore Records

13
Becca Meets the Family 00:02:10

Christopher Lennertz, MainArtist

(C) 2010 Lakeshore Records (P) 2010 Lakeshore Records

14
The Breakup / Killing Jack 00:05:00

Christopher Lennertz, MainArtist

(C) 2010 Lakeshore Records (P) 2010 Lakeshore Records

15
Frank Comforts Becca 00:01:03

Christopher Lennertz, MainArtist

(C) 2010 Lakeshore Records (P) 2010 Lakeshore Records

16
Becca's Confrontation 00:01:40

Christopher Lennertz, MainArtist

(C) 2010 Lakeshore Records (P) 2010 Lakeshore Records

17
Testing Edward 00:01:23

Christopher Lennertz, MainArtist

(C) 2010 Lakeshore Records (P) 2010 Lakeshore Records

18
The Pack Arrives 00:01:17

Christopher Lennertz, MainArtist

(C) 2010 Lakeshore Records (P) 2010 Lakeshore Records

19
Antoine Torn to Shreds 00:01:10

Christopher Lennertz, MainArtist

(C) 2010 Lakeshore Records (P) 2010 Lakeshore Records

20
Becca Is Dead? 00:04:04

Christopher Lennertz, MainArtist

(C) 2010 Lakeshore Records (P) 2010 Lakeshore Records

21
Race to Prom 00:02:01

Christopher Lennertz, MainArtist

(C) 2010 Lakeshore Records (P) 2010 Lakeshore Records

22
Edward Exposed 00:03:22

Christopher Lennertz, MainArtist

(C) 2010 Lakeshore Records (P) 2010 Lakeshore Records

23
Becca Must Become a Vampire 00:02:20

Christopher Lennertz, MainArtist

(C) 2010 Lakeshore Records (P) 2010 Lakeshore Records

24
The Final Bite 00:01:37

Christopher Lennertz, MainArtist

(C) 2010 Lakeshore Records (P) 2010 Lakeshore Records

Descripción del álbum

It's hard enough for a score composer tasked with writing music for a genre film to come up with something both original and appropriate to the stylistic confines of the movie formula. But when a composer is brought in to work on a parody of a genre film, asserting any individuality must be even harder. And then there's the question, should the composer just stick to the clichés, or make the music funny, too? Christopher Lennertz seems to have intended to have it both ways in his music for the satire Vampires Suck, a send-up of the Twilight series, saying in a sleeve note that he wanted to take all the typical musical characteristics of a vampire movie "and turn it up to eleven," but also that the music was supposed to "play the straight man against the comedy." As it turns out, this hedge is a good description of what he achieved. It is true that, when he's writing the many climaxes that pepper the score (such as those heard in the cues "Edward Saves Becca" and "The Pack Arrives"), he goes over the top, to the point that the music is too melodramatic to be taken seriously. Similarly, the goth rock of "Meet the Sullens," complete with Amy White providing wordless wailing in the manner of Amy Lee of Evanescence, seems like a joke version of such music as heard in other scores. But much of the time, Lennertz does play the straight man, which means that he writes clichéd music that could just as easily be in one of the Twilight movies as in a parody of them. ~ William Ruhlmann

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