Missy Elliott Under ConstructionDiscothèque Idéale Qobuz

Under Construction

Missy Elliott

Publicado el 22 de mayo de 2007 en Atlantic Records - ATG

Artista principal: Missy Elliott

Género: Rap

Premios: Discoteca Ideal Qobuz ( septiembre 2015)

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The fact that Missy Elliott still considers her work to be "under construction" should, justifiably, send everyone else in the rap world scurrying back to the drawing board. No other commercial rapper sounded more in command of her production and flow than Elliott during 2002, and it's no surprise that Under Construction ranks as one of the best rap LPs of the year (granted, it came against relatively weak competition). While Timbaland's stark digital soul girds these tracks, Missy herself continues her artistic progression, trying to push hip-hop forward with an almost pleading intro and neatly emphasizing her differences from other rappers by writing tracks for nearly every facet of the female side of relationships. The hit single "Work It" turns the tables on male rappers, taking charge of the sex game, matching their lewdest, rudest rhymes, and also featuring the most notorious backmasked vocal of the year. Elliott more than keeps up with a dirty-minded Method Man as well on "Bring the Pain," strikes back at haters on the self-explanatory "Gossip Folks," and produced her own duet with Beyoncé Knowles, "Nothing Out There for Me," a track that finds her trying to lure Knowles out to a party (using her best Timbaland impression) over the wishes of the diva's home-bound man. She also recognizes the constantly changing aspects of sexuality, admitting how dependent she is on a man during "Play That Beat" but ruminating on the curious power of the female persuasion on "P***ycat." Elliott goes on a refreshing old-school tear with "Back in the Day," featuring Jay-Z having more fun than he's had in a while and Missy crooning, "What happened to those good old days, when hip-hop was so much fun/those parties in the summer y'all, and no one came through with a gun." The disc closes with the TLC duet "Can You Hear Me," a tribute to Aaliyah and Lisa "Left Eye" Lopes. Missy Elliott obviously understands how important hip-hop can be when rappers concentrate on the music instead of the violent lifestyle; fortunately, her talents are just as strong as her vision. ~ John Bush
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Álbum : 1 disco - 14 pistas Duración total : 00:55:58

  1. 1 Intro / Go to the Floor (Explicit LP Version)

    Jimmy Douglass, Mixing Engineer - Steamy, Assistant Engineer - Missy Elliott, Vocals, MainArtist - Senator Jimmy D, Recording Engineer - T Mosley, Writer - Missy Elliot, Co-Producer, Vocals, Writer - Timbaland, Producer, Mixing Engineer - Carlos "El Loco" Bedoya, Recording Engineer - Demacio "Demo" Castellon, Assistant Engineer - Marc Lee, Assistant Engineer Copyright : 2002 Elektra Entertaiment for the United States and WEA International Inc. for the world outside of the United States 2002 Elektra Entertainment for the United States and WEA International Inc. for the world outside of the United States.

  2. 2 Bring the Pain (feat. Method Man)

    C. Smith, Writer - Jimmy Douglass, Mixing Engineer - Steamy, Assistant Engineer - Missy Elliott, Vocals, MainArtist - Senator Jimmy D, Recording Engineer - T Mosley, Writer - Missy Elliot, Co-Producer, Vocals, Writer - Timbaland, Producer, Mixing Engineer - Carlos "El Loco" Bedoya, Recording Engineer - Demacio "Demo" Castellon, Assistant Engineer - Marc Lee, Assistant Engineer - Method Man, Rapper Vocals, FeaturedArtist Copyright : 2002 Elektra Entertaiment for the United States and WEA International Inc. for the world outside of the United States 2002 Elektra Entertainment for the United States and WEA International Inc. for the world outside of the United States.

  3. 3 Gossip Folks (feat. Ludacris)

    Tim Mosley, Writer - Jimmy Douglass, Mixing Engineer - Chris Bridges, Writer - C. Bridges, Composer, Writer - Cory Williams, Assistant Engineer - Sean Carter, Writer - Steamy, Assistant Engineer - Missy Elliott, Composer, Lyricist, Co-Producer, Vocals, MainArtist - Senator Jimmy D, Recording Engineer - T Mosley, Writer - Missy Elliot, Writer - Timbaland, Producer, Mixing Engineer - Carlos "El Loco" Bedoya, Recording Engineer - Demacio "Demo" Castellon, Assistant Engineer - Josh Butler, Recording Engineer - Ludacris, FeaturedArtist - T. Mosley, Composer, Lyricist Copyright : 2002 Elektra Entertaiment for the United States and WEA International Inc. for the world outside of the United States 2002 Elektra Entertainment for the United States and WEA International Inc. for the world outside of the United States.

  4. 4 Work It (Promo LP Version)

    C. Jackson, Composer - M. Elliott, Composer - Missy Elliott, Vocals, MainArtist - Bernie Grundman, Masterer - T Mosley, Composer - Missy Elliot, Composer, Producer - Timbaland, Producer Copyright : 2002 Elektra Entertaiment for the United States and WEA International Inc. for the world outside of the United States 2002 Elektra Entertainment for the United States and WEA International Inc. for the world outside of the United States.

  5. 5 Back in the Day (feat. Jay-Z)

    Shawn Carter, Writer - Tim Mosley, Writer - Jimmy Douglass, Mixing Engineer - S. Carter, Writer - Tweet, Additional Vocals - Sean Carter, Writer - Steamy, Assistant Engineer - Missy Elliott, Vocals, MainArtist - Senator Jimmy D, Recording Engineer - T Mosley, Writer - Missy Elliot, Co-Producer, Vocals, Writer - Timbaland, Producer, Mixing Engineer - Carlos "El Loco" Bedoya, Recording Engineer - Demacio "Demo" Castellon, Assistant Engineer - Jay-Z, Rapper Vocals, FeaturedArtist - Marc Lee, Assistant Engineer - Guru, Recording Engineer Copyright : 2002 Elektra Entertaiment for the United States and WEA International Inc. for the world outside of the United States 2002 Elektra Entertainment for the United States and WEA International Inc. for the world outside of the United States.

  6. 6 Funky Fresh Dressed (feat. Ms. Jade)

    Jimmy Douglass, Mixing Engineer - Steamy, Assistant Engineer - Missy Elliott, Vocals, MainArtist - Senator Jimmy D, Recording Engineer - T Mosley, Writer - Missy Elliot, Co-Producer, Vocals, Writer - Timbaland, Producer, Mixing Engineer - Carlos "El Loco" Bedoya, Recording Engineer - Demacio "Demo" Castellon, Assistant Engineer - Ms. Jade, Vocals, FeaturedArtist Copyright : 2002 Elektra Entertaiment for the United States and WEA International Inc. for the world outside of the United States 2002 Elektra Entertainment for the United States and WEA International Inc. for the world outside of the United States.

  7. 7 Pussycat (Explicit LP Version)

    Shawn Carter, Writer - Tim Mosley, Writer - Jimmy Douglass, Mixing Engineer - M. Elliott, Writer - Tweet, Additional Vocals - Steamy, Assistant Engineer - Missy Elliott, Vocals, MainArtist - Senator Jimmy D, Recording Engineer - Missy Elliot, Executive Producer, Vocals, Writer - Timbaland, Executive Producer - Carlos "El Loco" Bedoya, Recording Engineer - Demacio "Demo" Castellon, Assistant Engineer - Marc Lee, Assistant Engineer - E. McCalla Jr., Writer - Erroll "Poppi" McCalla Jr., Producer Copyright : 2002 Elektra Entertaiment for the United States and WEA International Inc. for the world outside of the United States 2002 Elektra Entertainment for the United States and WEA International Inc. for the world outside of the United States.

  8. 8 Nothing out There for Me (feat. Beyonce Knowles)

    Jimmy Douglass, Mixing Engineer - Beyoncé Knowles, FeaturedArtist - Craig Brockman, Producer, Writer - Tweet, Additional Vocals - N. Stewart, Writer - Cory Williams, Assistant Engineer - Steamy, Assistant Engineer - Missy Elliott, Vocals, MainArtist - Senator Jimmy D, Recording Engineer - Missy Elliot, Producer, Vocals, Writer - Carlos "El Loco" Bedoya, Recording Engineer - Demacio "Demo" Castellon, Assistant Engineer - Josh Butler, Recording Engineer - Marc Lee, Assistant Engineer - Mike Wilson, Recording Engineer - Justin Phillips, Assistant Engineer Copyright : 2002 Elektra Entertaiment for the United States and WEA International Inc. for the world outside of the United States 2002 Elektra Entertainment for the United States and WEA International Inc. for the world outside of the United States.

  9. 9 Slide (Explicit LP Version)

    Jimmy Douglass, Mixing Engineer - Steamy, Assistant Engineer - Missy Elliott, Vocals, MainArtist - Senator Jimmy D, Recording Engineer - T Mosley, Writer - Missy Elliot, Co-Producer, Vocals, Writer - Timbaland, Producer, Mixing Engineer - Carlos "El Loco" Bedoya, Recording Engineer - Demacio "Demo" Castellon, Assistant Engineer - Marc Lee, Assistant Engineer Copyright : 2002 Elektra Entertaiment for the United States and WEA International Inc. for the world outside of the United States 2002 Elektra Entertainment for the United States and WEA International Inc. for the world outside of the United States.

  10. 10 Play That Beat (Explicit LP Version)

    Jimmy Douglass, Mixing Engineer - Steamy, Assistant Engineer - Missy Elliott, Vocals, MainArtist - Senator Jimmy D, Recording Engineer - T Mosley, Writer - Missy Elliot, Co-Producer, Vocals, Writer - Timbaland, Producer, Mixing Engineer - Carlos "El Loco" Bedoya, Recording Engineer - Demacio "Demo" Castellon, Assistant Engineer - Marc Lee, Assistant Engineer - Lisa Crawford, Background Vocals Copyright : 2002 Elektra Entertaiment for the United States and WEA International Inc. for the world outside of the United States 2002 Elektra Entertainment for the United States and WEA International Inc. for the world outside of the United States.

  11. 11 Ain't That Funny (Explicit LP Version)

    Jimmy Douglass, Mixing Engineer - Steamy, Assistant Engineer - Missy Elliott, Vocals, MainArtist - Senator Jimmy D, Recording Engineer - T Mosley, Writer - Missy Elliot, Co-Producer, Writer - Timbaland, Producer, Mixing Engineer - Carlos "El Loco" Bedoya, Recording Engineer - Demacio "Demo" Castellon, Assistant Engineer - Marc Lee, Assistant Engineer - Lisa Crawford, Background Vocals Copyright : 2002 Elektra Entertaiment for the United States and WEA International Inc. for the world outside of the United States 2002 Elektra Entertainment for the United States and WEA International Inc. for the world outside of the United States.

  12. 12 Hot (Explicit LP Version)

    Jimmy Douglass, Mixing Engineer - Steve Penny, Assistant Engineer - Missy Elliott, Vocals, MainArtist - T Mosley, Writer - Missy Elliot, Co-Producer, Vocals, Writer - Timbaland, Producer, Mixing Engineer - David Snyder, Assistant Engineer - Jeff Allen, Recording Engineer Copyright : 2002 Elektra Entertaiment for the United States and WEA International Inc. for the world outside of the United States 2002 Elektra Entertainment for the United States and WEA International Inc. for the world outside of the United States.

  13. 13 Can You Hear Me (feat. TLC) (Edit)

    TLC, FeaturedArtist - Jimmy Douglass, Mixing Engineer - Craig Brockman, Producer - C. Brockman, Writer - Tweet, Additional Vocals - N. Stewart, Writer - Steamy, Assistant Engineer - Missy Elliott, Vocals, MainArtist - Senator Jimmy D, Recording Engineer - Missy Elliot, Producer, Vocals, Writer - Nisan, Producer - Carlos "El Loco" Bedoya, Recording Engineer - Demacio "Demo" Castellon, Assistant Engineer - Marc Lee, Assistant Engineer Copyright : 2002 Elektra Entertaiment for the United States and WEA International Inc. for the world outside of the United States 2002 Elektra Entertainment for the United States and WEA International Inc. for the world outside of the United States.

  14. 14 Work It (feat. 50 Cent) (Explicit Remix Featuring 50 Cent)

    Jimmy Douglass, Mixing Engineer - C. Jackson, Composer - M. Elliott, Composer - Missy Elliott, Vocals, MainArtist - Bernie Grundman, Masterer - Senator Jimmy D, Recording Engineer - T Mosley, Composer - Missy Elliot, Composer, Co-Producer, Lead Vocals - Timbaland, Producer, Mixing Engineer - Carlos "El Loco" Bedoya, Recording Engineer - Demacio "Demo" Castellon, Assistant Engineer - Marc Lee, Assistant Engineer - 50 Cent, Rapper Vocals, FeaturedArtist Copyright : 2002 Elektra Entertaiment for the United States and WEA International Inc. for the world outside of the United States 2002 Elektra Entertainment for the United States and WEA International Inc. for the world outside of the United States.

  • Descripción del álbum
  • The fact that Missy Elliott still considers her work to be "under construction" should, justifiably, send everyone else in the rap world scurrying back to the drawing board. No other commercial rapper sounded more in command of her production and flow than Elliott during 2002, and it's no surprise that Under Construction ranks as one of the best rap LPs of the year (granted, it came against relatively weak competition). While Timbaland's stark digital soul girds these tracks, Missy herself continues her artistic progression, trying to push hip-hop forward with an almost pleading intro and neatly emphasizing her differences from other rappers by writing tracks for nearly every facet of the female side of relationships. The hit single "Work It" turns the tables on male rappers, taking charge of the sex game, matching their lewdest, rudest rhymes, and also featuring the most notorious backmasked vocal of the year. Elliott more than keeps up with a dirty-minded Method Man as well on "Bring the Pain," strikes back at haters on the self-explanatory "Gossip Folks," and produced her own duet with Beyoncé Knowles, "Nothing Out There for Me," a track that finds her trying to lure Knowles out to a party (using her best Timbaland impression) over the wishes of the diva's home-bound man. She also recognizes the constantly changing aspects of sexuality, admitting how dependent she is on a man during "Play That Beat" but ruminating on the curious power of the female persuasion on "P***ycat." Elliott goes on a refreshing old-school tear with "Back in the Day," featuring Jay-Z having more fun than he's had in a while and Missy crooning, "What happened to those good old days, when hip-hop was so much fun/those parties in the summer y'all, and no one came through with a gun." The disc closes with the TLC duet "Can You Hear Me," a tribute to Aaliyah and Lisa "Left Eye" Lopes. Missy Elliott obviously understands how important hip-hop can be when rappers concentrate on the music instead of the violent lifestyle; fortunately, her talents are just as strong as her vision. ~ John Bush

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