Categorías:
Carrito 0

Su carrito está vacío

Twin Peaks: Fire Walk With Me|Twin Peaks: Fire Walk With Me - Soundtrack

Twin Peaks: Fire Walk With Me - Soundtrack

Twin Peaks: Fire Walk With Me

Disponible en
16-Bit/44.1 kHz Estéreo

Streaming ilimitado

Escuche este álbum ahora en alta calidad en nuestras apps

Comenzar mi periodo de prueba gratis y escuchar este álbum

Disfrute de este álbum en las apps Qobuz con sususcripción

Suscribir

Disfrute de este álbum en las apps Qobuz con sususcripción

Descarga digital

Compre y descargue este álbum en múltiples formatos, según sus necesidades.

Idioma disponible: inglés

Angelo Badalamenti's score for David Lynch's television series Twin Peaks is a model of film music ideally matched to the images and actions it underscores. Lynch's world, in which almost nothing was what it seemed to be, was so devastatingly chilling, mysteriously sinister, and fall-down funny -- so surreal -- that audiences were kept in a state of emotional upheaval that tended to either make them flee or turn them into avid followers. The sometimes overtly and sometimes subliminally creepy music Badalamenti created contributed immeasurably to the deeply unsettling textures of the series. That was largely because of his skill at creating such complexly layered music that, like the drama itself, stirred up such a flurry of powerful, simultaneously conflicting emotions.
The theme song "Falling" is a perfect example of the emotional layering Badalamenti used throughout the series. Its words, and even its melody, make it seem like a traditional love ballad, but the accompaniment is so deeply menacing that anyone to whom it might actually be sung as a love song would be hard pressed to keep from jumping up and running like hell. That threatening undercurrent, created by throbbing electric guitars, synthesizers with a vibrato that's off the charts, and a weirdly, relentlessly chugging percussion, subverts whatever style of music it underlies, whether it's the cool jazz of Audrey's Dance or the surging romantic passion of Laura Palmer's Theme. (The spookiest thing about Laura Palmer's Theme is that its soaring lyricism evolves out of, and then recedes back into, music that evokes a chillingly dark perversity, an aural analog for Lynch's twisted narrative and visual imagery.) The composer and his ensemble deliver vivid performances of this eccentric music, and Julee Cruise's vocals are hauntingly ethereal. The sound is immaculate: clean, present, and atmospheric.

© TiVo

Más información

Twin Peaks: Fire Walk With Me - Soundtrack

Twin Peaks: Fire Walk With Me

launch qobuz app Ya he descargado Qobuz para Windows / MacOS Abrir

download qobuz app Todavía no he descargado Qobuz para Windows / MacOS Descargar la app Qobuz

Está escuchando muestras.

Escuche más de 100 millones de pistas con un plan de streaming ilimitado.

Escuche esta playlist y más de 100 millones de pistas con nuestros planes de streaming ilimitado.

Desde 12,49€/mes

1
Theme from Twin Peaks - Fire Walk with Me (Album Version)
Angelo Badalamenti
00:06:45

Angelo Badalamenti, Composer, Producer, Arranger, Keyboards, Orchestration, MainArtist - Art Pohlemus, RecordingEngineer - Badalamenti, Composer - David Lynch, Producer - Kinny Landrum, Keyboards - Grady Tate, Drums - Ted Jensen, Masterer - Vinnie Bell, Bass Guitar, Electric Guitar - Buster Williams, Extra Bass - Jim Hynes, Trumpet

© 1992 New Line Cinema Corporation; 1992 Warner Records Inc. ℗ 1992 Warner Records Inc.

2
The Pine Float (Album Version)
Twin Peaks: Fire Walk With Me - Soundtrack
00:04:03

Angelo Badalamenti, Composer, Producer, Arranger, Keyboards, Orchestration, MainArtist - Art Pohlemus, RecordingEngineer - David Lynch, Producer - Kinny Landrum, Keyboards - Grady Tate, Drums - Al Regni, Tenor Saxophone - Vinnie Bell, Bass Guitar, Electric Guitar - Ted Jenson, Masterer - Buster Williams, Extra Bass

© 1992 New Line Cinema Corporation; 1992 Warner Records Inc. ℗ 1992 Warner Records Inc.

3
Sycamore Trees (Album Version)
Jimmy Scott
00:03:53

Angelo Badalamenti, Producer, Arranger, Keyboards, Orchestration - Art Pohlemus, RecordingEngineer - Badalamenti, Writer - David Lynch, Producer, Writer - Kinny Landrum, Keyboards - Ron Carter, Bass - JIMMY SCOTT, Vocals, MainArtist - Vinnie Bell, Bass Guitar, Electric Guitar - Ted Jenson, Masterer - Alvin Flythe, Jr., Saxophone - Brian Kirk, Drums - Ken-Ichi Shimazu, Piano

© 1992 New Line Cinema Corporation; 1992 Warner Records Inc. ℗ 1990 Warner Records Inc.

4
Don't Do Anything (I Wouldn't Do) (Album Version)
Angelo Badalamenti
00:07:21

Angelo Badalamenti, Composer, Producer, Arranger, Orchestration, MainArtist - Art Pohlemus, RecordingEngineer - David Lynch, Producer - Grady Tate, Drums - Rufus Reid, Bass - Vinnie Bell, Acoustic Guitar, Electric Guitar - Ted Jenson, Masterer - Bill Mays, Piano - Jay Hoggard, Vibes

© 1992 New Line Cinema Corporation; 1992 Warner Records Inc. ℗ 1992 Warner Records Inc.

5
A Real Indication (Album Version)
Angelo Badalamenti
00:05:37

Angelo Badalamenti, Composer, Producer, Arranger, Piano, Vocals, Orchestration, Synthesizer, MainArtist - Art Pohlemus, RecordingEngineer - David Lynch, Lyricist, Producer, Arranger, Percussion, Orchestration - Grady Tate, Drums - Vinnie Bell, Guitar - Ted Jenson, Masterer - Buster Williams, Bass

© 1992 New Line Cinema Corporation; 1992 Warner Records Inc. ℗ 1992 Warner Records Inc.

6
Questions in a World of Blue (Album Version)
Julee Cruise
00:04:53

Julee Cruise, Vocals, MainArtist - Angelo Badalamenti, Composer, Producer, Arranger, Keyboards, Orchestration - Art Pohlemus, RecordingEngineer - David Lynch, Lyricist, Producer - Kinny Landrum, Keyboards - Grady Tate, Drums - Al Regni, Tenor Saxophone - Vinnie Bell, Bass Guitar, Electric Guitar - Ted Jenson, Masterer - Buster Williams, Bass

© 1992 New Line Cinema Corporation; 1992 Warner Records Inc. ℗ 1990 Warner Records Inc.

7
The Pink Room (Album Version)
Angelo Badalamenti
00:04:05

David Bianco, RecordingEngineer - Andy Armer, Keyboards - Angelo Badalamenti, Producer, MainArtist - David Lynch, Composer, Producer, Arranger, Orchestration - Ted Jenson, Masterer - David Jaurequi, Guitar - Don Falzone, Bass - Steven Hodges, Drums

© 1992 New Line Cinema Corporation; 1992 Warner Records Inc. ℗ 1992 Warner Records Inc.

8
The Black Dog Runs at Night (Album Version)
Angelo Badalamenti
00:01:49

Angelo Badalamenti, Composer, Producer, Arranger, Piano, Vocals, Orchestration, Synthesizer, MainArtist - Art Pohlemus, RecordingEngineer - David Lynch, Lyricist, Producer, Arranger, Percussion, Orchestration - Ted Jenson, Masterer

© 1992 New Line Cinema Corporation; 1992 Warner Records Inc. ℗ 1992 Warner Records Inc.

9
Best Friends (Album Version)
Angelo Badalamenti
00:02:17

Angelo Badalamenti, Producer, MainArtist - David Lynch, Composer, Producer, Arranger, Orchestration - Michael Semanick, RecordingEngineer - Ted Jenson, Masterer - Donald Bailey, Drums - David Cooper, Vibraphone - Myles Boisen, Guitar - David Slusser, Composer, Arranger, Keyboards, Orchestration - William Fairbanks, Bass

© 1992 New Line Cinema Corporation; 1992 Warner Records Inc. ℗ 1992 Warner Records Inc.

10
Moving Through Time (Album Version)
Angelo Badalamenti
00:06:45

Angelo Badalamenti, Composer, Producer, Arranger, Keyboards, Orchestration, MainArtist - Art Pohlemus, RecordingEngineer - David Lynch, Producer - Grady Tate, Drums - Rufus Reid, Bass - Vinnie Bell, Acoustic Guitar, Electric Guitar - Ted Jenson, Masterer - Bill Mays, Keyboards - Jay Hoggard, Vibes

© 1992 New Line Cinema Corporation; 1992 Warner Records Inc. ℗ 1992 Warner Records Inc.

11
Montage from Twin Peaks (Girl Talk / Birds in Hell / Laura Palmer's Theme / Falling) (: Girl Talk/Birds In Hell/Laura Palmer's Theme/Falling Album Version)
Angelo Badalamenti
00:05:30

Angelo Badalamenti, Composer, Producer, Arranger, Keyboards, Orchestration, MainArtist - Art Pohlemus, RecordingEngineer - David Lynch, Composer, Producer - Kinny Landrum, Keyboards - Grady Tate, Drums - Bob Rose, Guitar - Vinnie Bell, Guitar - Ted Jenson, Masterer - Buster Williams, Bass

© 1992 New Line Cinema Corporation; 1992 Warner Records Inc. ℗ 1989, 1992 Warner Records Inc.

12
The Voice of Love (Album Version)
Angelo Badalamenti
00:03:52

Angelo Badalamenti, Composer, Producer, Arranger, Keyboards, Orchestration, MainArtist - Art Pohlemus, RecordingEngineer - David Lynch, Producer - Kinny Landrum, Keyboards - Ted Jenson, Masterer

© 1992 New Line Cinema Corporation; 1992 Warner Records Inc. ℗ 1992 Warner Records Inc.

Presentación del Álbum

Angelo Badalamenti's score for David Lynch's television series Twin Peaks is a model of film music ideally matched to the images and actions it underscores. Lynch's world, in which almost nothing was what it seemed to be, was so devastatingly chilling, mysteriously sinister, and fall-down funny -- so surreal -- that audiences were kept in a state of emotional upheaval that tended to either make them flee or turn them into avid followers. The sometimes overtly and sometimes subliminally creepy music Badalamenti created contributed immeasurably to the deeply unsettling textures of the series. That was largely because of his skill at creating such complexly layered music that, like the drama itself, stirred up such a flurry of powerful, simultaneously conflicting emotions.
The theme song "Falling" is a perfect example of the emotional layering Badalamenti used throughout the series. Its words, and even its melody, make it seem like a traditional love ballad, but the accompaniment is so deeply menacing that anyone to whom it might actually be sung as a love song would be hard pressed to keep from jumping up and running like hell. That threatening undercurrent, created by throbbing electric guitars, synthesizers with a vibrato that's off the charts, and a weirdly, relentlessly chugging percussion, subverts whatever style of music it underlies, whether it's the cool jazz of Audrey's Dance or the surging romantic passion of Laura Palmer's Theme. (The spookiest thing about Laura Palmer's Theme is that its soaring lyricism evolves out of, and then recedes back into, music that evokes a chillingly dark perversity, an aural analog for Lynch's twisted narrative and visual imagery.) The composer and his ensemble deliver vivid performances of this eccentric music, and Julee Cruise's vocals are hauntingly ethereal. The sound is immaculate: clean, present, and atmospheric.

© TiVo

Acerca del álbum

Mejorar la información del álbum

Qobuz logo Por qué comprar en Qobuz...

De oferta actualmente...

Keep Your Courage

Natalie Merchant

Keep Your Courage Natalie Merchant

The Köln Concert (Live at the Opera, Köln, 1975)

Keith Jarrett

You're the One

Rhiannon Giddens

You're the One Rhiannon Giddens

Owl Song

Ambrose Akinmusire

Owl Song Ambrose Akinmusire
Quizás también le guste...

Indiana Jones and the Dial of Destiny

John Williams

Oppenheimer (Original Motion Picture Soundtrack)

Ludwig Goransson

Dune: Part Two (Original Motion Picture Soundtrack)

Hans Zimmer

Interstellar (Original Motion Picture Soundtrack)

Hans Zimmer

A Star Is Born Soundtrack

Lady Gaga