Categorías:
Carrito 0

Su carrito está vacío

Ludwig Goransson - The Mandalorian: Chapter 1

Mes favoris

Cet élément a bien été ajouté / retiré de vos favoris.

The Mandalorian: Chapter 1

Ludwig Goransson

Disponible en
16-Bit CD Quality 44.1 kHz - Stereo

Streaming ilimitado

Escuche este álbum ahora en alta calidad en nuestras apps

Comenzar mi periodo de prueba gratis y escuchar este álbum

Disfrute de este álbum en las apps Qobuz con sususcripción

Suscribir

Disfrute de este álbum en las apps Qobuz con sususcripción

Descarga digital

Seleccionar la calidad de audio

Para poder comprar a este precio, Suscribirme a Studio Sublime

Idioma disponible: inglés

Forging an uncharted pathway in that galaxy far, far away, creator, writer, and show runner Jon Favreau introduced a new character to the Star Wars universe in 2019 with The Mandalorian. Like fan favorite antihero Boba Fett, the streaming television show's protagonist was also a bounty hunter with questionable morals, bound to a professional code that was challenged by a vulnerable target that would change his life forever. Unbound from the restrictions of the decades-long Skywalker film saga and its beloved scores by John Williams, Favreau and composer Ludwig Goransson (Black Panther, Creed) embrace the relative freedom and push the Star Wars limits into fresh visual, sonic, and storytelling territory. For each episode (referred to as "Chapters"), Goransson crafted individual soundtracks that morphed alongside the ever-changing television series format, delving into wildly inventive (for the Star Wars universe) areas that incorporated electronic textures, hip-hop beats, and non-orchestral instrumentation like guitars and synths. In The Mandalorian: Chapter 1, Goransson introduces this new character to the Star Wars canon with an appropriately bombastic theme for the swaggering gunslinger. Both triumphant and instantly memorable, "The Mandalorian" is familiar enough to connect to the rich Williams legacy -- with all the fanfare and strings that entails -- but is just outside-the-box enough to establish a whole crop of future possibilities. Like "Rey's Theme," it's a welcome addition to the 2010s Star Wars era. Elsewhere, "HammerTime" boasts pounding drums and unnerving synth effects, while the tribal "Blurg Attack" harkens back to Goransson's excellent work on Black Panther. The clearest indication of how far the composer is willing to push the limits arrives on the skittering "Bounty Droid," which amplifies the dramatic bombast of the scene's intense shoot-out attack with something akin to '90s electronica mashed with Hans Zimmer's work in the Christopher Nolan movie-verse. This is not your grandfather's John Williams score. Rather, like the show itself, Goransson's work injects a much-needed freshness to the franchise that hints at the possibilities to come once the Skywalker saga ends with Episode IX. Synths, electric guitars, and hip-hop beats are now part of the Star Wars musical canon, bringing these soundtracks into the 21st century with Baby Yoda in tow.
© Neil Z. Yeung /TiVo

Más información

The Mandalorian: Chapter 1

Ludwig Goransson

launch qobuz app Ya he descargado Qobuz para Windows / MacOS Abrir

download qobuz app Todavía no he descargado Qobuz para Windows / MacOS Descargar la app Qobuz

Copie el enlace siguiente para compartirlo

Está escuchando muestras.

Escuche más de 60 millones de pistas con un plan de streaming ilimitado.

Escuche este álbum y más de 60 millones de pistas con los planes de streaming ilimitado.

1
Hey Mando!
00:02:13

Gavin Lurssen, Unknown, Other - Chris Fogel, Mixer, StudioPersonnel - Ludwig Goransson, Composer, Producer, MainArtist

℗ 2019 Lucasfilm Ltd.

2
Face to Face
00:05:12

Gavin Lurssen, Unknown, Other - Chris Fogel, Mixer, StudioPersonnel - Ludwig Goransson, Composer, Producer, MainArtist

℗ 2019 Lucasfilm Ltd.

3
Back for Beskar
00:02:25

Gavin Lurssen, Unknown, Other - Chris Fogel, Mixer, StudioPersonnel - Ludwig Goransson, Composer, Producer, MainArtist

℗ 2019 Lucasfilm Ltd.

4
HammerTime
00:02:16

Gavin Lurssen, Unknown, Other - Chris Fogel, Mixer, StudioPersonnel - Ludwig Goransson, Composer, Producer, MainArtist

℗ 2019 Lucasfilm Ltd.

5
Blurg Attack
00:01:25

Gavin Lurssen, Unknown, Other - Chris Fogel, Mixer, StudioPersonnel - Ludwig Goransson, Composer, Producer, MainArtist

℗ 2019 Lucasfilm Ltd.

6
You Are a Mandalorian
00:03:54

Gavin Lurssen, Unknown, Other - Chris Fogel, Mixer, StudioPersonnel - Ludwig Goransson, Composer, Producer, MainArtist

℗ 2019 Lucasfilm Ltd.

7
Bounty Droid
00:03:01

Gavin Lurssen, Unknown, Other - Chris Fogel, Mixer, StudioPersonnel - Ludwig Goransson, Composer, Producer, MainArtist

℗ 2019 Lucasfilm Ltd.

8
The Asset
00:01:34

Gavin Lurssen, Unknown, Other - Chris Fogel, Mixer, StudioPersonnel - Ludwig Goransson, Composer, Producer, MainArtist

℗ 2019 Lucasfilm Ltd.

9
The Mandalorian
00:03:18

Gavin Lurssen, Unknown, Other - Chris Fogel, Mixer, StudioPersonnel - Ludwig Goransson, Composer, Producer, MainArtist

℗ 2019 Lucasfilm Ltd.

Descripción del álbum

Forging an uncharted pathway in that galaxy far, far away, creator, writer, and show runner Jon Favreau introduced a new character to the Star Wars universe in 2019 with The Mandalorian. Like fan favorite antihero Boba Fett, the streaming television show's protagonist was also a bounty hunter with questionable morals, bound to a professional code that was challenged by a vulnerable target that would change his life forever. Unbound from the restrictions of the decades-long Skywalker film saga and its beloved scores by John Williams, Favreau and composer Ludwig Goransson (Black Panther, Creed) embrace the relative freedom and push the Star Wars limits into fresh visual, sonic, and storytelling territory. For each episode (referred to as "Chapters"), Goransson crafted individual soundtracks that morphed alongside the ever-changing television series format, delving into wildly inventive (for the Star Wars universe) areas that incorporated electronic textures, hip-hop beats, and non-orchestral instrumentation like guitars and synths. In The Mandalorian: Chapter 1, Goransson introduces this new character to the Star Wars canon with an appropriately bombastic theme for the swaggering gunslinger. Both triumphant and instantly memorable, "The Mandalorian" is familiar enough to connect to the rich Williams legacy -- with all the fanfare and strings that entails -- but is just outside-the-box enough to establish a whole crop of future possibilities. Like "Rey's Theme," it's a welcome addition to the 2010s Star Wars era. Elsewhere, "HammerTime" boasts pounding drums and unnerving synth effects, while the tribal "Blurg Attack" harkens back to Goransson's excellent work on Black Panther. The clearest indication of how far the composer is willing to push the limits arrives on the skittering "Bounty Droid," which amplifies the dramatic bombast of the scene's intense shoot-out attack with something akin to '90s electronica mashed with Hans Zimmer's work in the Christopher Nolan movie-verse. This is not your grandfather's John Williams score. Rather, like the show itself, Goransson's work injects a much-needed freshness to the franchise that hints at the possibilities to come once the Skywalker saga ends with Episode IX. Synths, electric guitars, and hip-hop beats are now part of the Star Wars musical canon, bringing these soundtracks into the 21st century with Baby Yoda in tow.
© Neil Z. Yeung /TiVo

Acerca del álbum

Mejorar esta página

Qobuz logo Por qué comprar en Qobuz...

De oferta actualmente...
Más en Qobuz
Por Ludwig Goransson

Playlists

Quizás también le guste...
Los Grandes Angulares...
Pedro Almodóvar, al compás de la música

En el cine de Pedro Almodóvar la música ha tenido siempre una enorme importancia, ya sea en forma de estudiada selección de canciones conocidas o de composiciones originales. De este modo, parece haberse aplicado a sí mismo cierta fórmula extraída de uno de sus primeros trabajos, Entre tinieblas: «La música es la que habla, la que dice la verdad sobre la vida.»

Las historias del Padre Williams

El director Steven Spielberg y el compositor John Williams acaban de firmar una nueva colaboración en Los archivos del Pentágono. La número 29 de los 31 largometrajes realizados por el director de Tiburón.

Cuando Carter Burwell encontró a los Coen

Carter Burwell firma la banda sonora del film El museo de las maravillas de Todd Haynes. Lo cual supone una inmejorable ocasión para revisar un episodio fundamental de su carrera, el relacionado con la obra de los geniales hermanos Coen.

De actualidad...