Natalie Prass The Future and the Past

The Future and the Past

Natalie Prass

Hi-Res 24 bits – 44.10 kHz

Publicado el 1 de junio de 2018 en ATO Records

Artista principal: Natalie Prass

Género: Soul/Funk/R&B

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1.45

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Álbum : 1 disco - 12 pistas Duración total : 00:45:25

  1. 1 Oh My

    BMI, Composer - Matthew E. White, Producer - Domino Publishing Company, MusicPublisher - Downtown Music Publishing, MusicPublisher - Natalie Prass, Composer, Lyricist, Artist, MainArtist - ASCAP Matthew E. White, Composer Copyright : 2018 ATO Records, under exclusive license to [PIAS] 2018 ATO Records, under exclusive license to [PIAS]

  2. 2 Short Court Style

    ASCAP, Composer - Matthew E. White, Producer - Downtown Music Publishing, MusicPublisher - Natalie Prass, Composer, Lyricist, Artist, MainArtist - Happy The Kid, MusicPublisher - ASCAP Kyle Ryan, Composer Copyright : 2018 ATO Records, under exclusive license to [PIAS] 2018 ATO Records, under exclusive license to [PIAS]

  3. 3 Interlude: Your Fire

    BMI, Composer - Matthew E. White, Producer - Downtown Music Publishing, MusicPublisher - Natalie Prass, Composer, Lyricist, Artist, MainArtist - Spacebomb Publishing, MusicPublisher - ASCAP Trey Pollard, Composer Copyright : 2018 ATO Records, under exclusive license to [PIAS] 2018 ATO Records, under exclusive license to [PIAS]

  4. 4 The Fire

    BMI, Composer - Sony ATV Publishing, MusicPublisher - Matthew E. White, Producer - Downtown Music Publishing, MusicPublisher - Natalie Prass, Composer, Lyricist, Artist, MainArtist - ASCAP Mikky Ekko, Composer Copyright : 2018 ATO Records, under exclusive license to [PIAS] 2018 ATO Records, under exclusive license to [PIAS]

  5. 5 Hot for the Mountain

    BMI, Composer - Matthew E. White, Producer - Domino Publishing Company, MusicPublisher - Downtown Music Publishing, MusicPublisher - Natalie Prass, Composer, Lyricist, Artist, MainArtist - ASCAP Matthew E. White, Composer Copyright : 2018 ATO Records, under exclusive license to [PIAS] 2018 ATO Records, under exclusive license to [PIAS]

  6. 6 Lost

    Downtown Music Publishing, MusicPublisher - Natalie Prass, Composer, Lyricist, Producer, Artist, MainArtist - BDI Music Limited, MusicPublisher - ASCAP Adj Buffone, Composer - ASCAP Amy Wadge, Composer Copyright : 2018 ATO Records, under exclusive license to [PIAS] 2018 ATO Records, under exclusive license to [PIAS]

  7. 7 Sisters

    BMI, Composer - Matthew E. White, Producer - Domino Publishing Company, MusicPublisher - Downtown Music Publishing, MusicPublisher - Natalie Prass, Composer, Lyricist, Artist, MainArtist - ASCAP Matthew E. White, Composer Copyright : 2018 ATO Records, under exclusive license to [PIAS] 2018 ATO Records, under exclusive license to [PIAS]

  8. 8 Never Too Late

    BMI, Composer - Matthew E. White, Producer - Downtown Music Publishing, MusicPublisher - Natalie Prass, Composer, Lyricist, Artist, MainArtist - ASCAP Dillon O'Brian, Composer - ASCAP Steve Lindsey, Composer - Warner Chappell/33.3 Wixen Music Publishing, MusicPublisher Copyright : 2018 ATO Records, under exclusive license to [PIAS] 2018 ATO Records, under exclusive license to [PIAS]

  9. 9 Ship Go Down

    BMI, Composer - Matthew E. White, Producer - Domino Publishing Company, MusicPublisher - Downtown Music Publishing, MusicPublisher - Natalie Prass, Composer, Lyricist, Artist, MainArtist - ASCAP Matthew E. White, Composer Copyright : 2018 ATO Records, under exclusive license to [PIAS] 2018 ATO Records, under exclusive license to [PIAS]

  10. 10 Nothing to Say

    BMI, Composer - Matthew E. White, Producer - Downtown Music Publishing, MusicPublisher - Natalie Prass, Composer, Lyricist, Artist, MainArtist - ASCAP Kyle Ryan, Composer - ASCAP Peter Barbee, Composer - Happy The Kid/33.3 Young Jackal Music, MusicPublisher Copyright : 2018 ATO Records, under exclusive license to [PIAS] 2018 ATO Records, under exclusive license to [PIAS]

  11. 11 Far From You

    Matthew E. White, Producer - Downtown Music Publishing, MusicPublisher - Natalie Prass, Composer, Lyricist, Artist, MainArtist - ASCAP Fiona Bevan, Composer - Concord Music Publishing, MusicPublisher Copyright : 2018 ATO Records, under exclusive license to [PIAS] 2018 ATO Records, under exclusive license to [PIAS]

  12. 12 Ain't Nobody

    BMI, Composer - Matthew E. White, Producer - Domino Publishing Company, MusicPublisher - Downtown Music Publishing, MusicPublisher - Natalie Prass, Composer, Lyricist, Artist, MainArtist - ASCAP Matthew E. White, Composer Copyright : 2018 ATO Records, under exclusive license to [PIAS] 2018 ATO Records, under exclusive license to [PIAS]

Acerca del álbum

El primer álbum de Natalie Prass la puso en 2015 en la pole position de la soul music de qualité. Apadrinada por el melenudo y siempre inspirado productor Matthew E. White y reclutada para su sello Spacebomb, esta nativa de Cleveland residente en Virginia anunciaba que su voz, bella y provocativa, entroncaba con las de aquellas vocalistas de antaño formadas en el soul pero también en el country y el pop, delicadamente arropadas por unos lujosos arreglos de cuerdas y metales. Una voz que recordaba a Diana Ross y, en cierta forma, a Minnie Riperton, e incluso a Mariah Carey (en sus comienzos), portadora de tonos melancólicos tan conmovedores como exquisitos… La dulzura de su agudo timbre casaba a la perfección con esos arreglos tan sofisticados, cuyos secretos parecían perdidos. Y aunque parecía apuntar al pasado, aquel primer álbum de título epónimo no abusaba de ese elemento retro muchas veces fastidioso… Tres años después Natalie Prass vuelve con su soul de sonoridades afelpadas, ahora acompasado por un potente latido groove. Matthew E. White sigue a los controles de The Future & The Past y lleva a nuestra sensible soul sister por senderos más rítmicos, que firma así un segundo disco sin duda más funky que el anterior, de acentos R&B e incluso disco music. Y sigue evocando a Diana Ross, aunque igualmente a Janet Jackson y Chaka Khan. Tanto en las baladas de amor como en los temas de tempo más vivo la norteamericana ofrece estupendas prestaciones, que se benefician además de la detallada y sedosa producción de White. Resulta, pues, muy difícil permanecer sentado durante la audición de semejante maravilla: ¡nuestros cuerpos piden guerra!. © Marc Zisman/Qobuz

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