Categorías:
Carrito 0

Su carrito está vacío

The Comet Is Coming - The Afterlife

Mes favoris

Cet élément a bien été ajouté / retiré de vos favoris.

The Afterlife

The Comet Is Coming

Streaming ilimitado

Escuche este álbum ahora en alta calidad en nuestras apps

Comenzar mi periodo de prueba gratis y escuchar este álbum

Disfrute de este álbum en las apps Qobuz con sususcripción

Suscribir

Disfrute de este álbum en las apps Qobuz con sususcripción

Descarga digital

Seleccionar la calidad de audio

Para poder comprar a este precio, suscripción a Sublime+

Idioma disponible: inglés

For the second time in 2019, England's spiritual sci-fi jazz trio the Comet Is Coming lay out their dystopian vision of earth with a provocative, hybrid evolutionary "new thing" music that melds electronica, soulful out-jazz, spidery funk, swampy dub, and prophetic poetry. Cut during the same sessions as Trust in the Lifeforce of the Deep Mystery, it's not a collection of outtakes or even a sequel, but a holistic mirror image that comes from the same sphere of aesthetic investigation and font of inspiration. According to the band, "…These two records can be seen as companions that cannot exist without each other, like day and night, light and dark, creation and destruction. They were made together, at the same time, and have always been intended to be experienced together." At nearly eight minutes, "All That Matters Is the Moments" is one of the set's longest cuts. It's introduced by sweeping outer space electronics and Shabaka Hutchings' spiraling tenor sax playing a cosmic, spiritual blues solo before guest poet Joshua Idehen begins his prophetic dissemblage above Dan "Danalogue" Leavers' low-tuned, fuzzed-out, dubwise bassline and Max "Betamax” Hallett's Nyabinghi-style tom-tom and cymbal drumming. After Idehen delivers a spiky prediction amid the notion that what he's doing is "daydreaming of a world I won't live to see," he offers a glimmer of hope as he speaks of holding onto cherished memories of the friendships that came during times of loss and destruction. King Shabaka's tenor horn slices in and wails the blues amid phase-shifted atmospherics and layered electronic textures fusing future jazz and reggae. "The Softness of the Present" stands in pillowy contrast as its interlocking grooves of layered keyboards and rolling snare frame Hutchings' hypnotic, melodic, Nigerian-inspired melody. The set shifts again in the title track's amorphous darkness informed by atmospheric and dynamic hints of menace via a minimalist, hypnotic four-note sax line, sine-wave oscillations, synth and organ ostinatos, and doomy drumming (reminiscent of Martin Hannett's production on Joy Division's Closer). The two-part "Lifeforce" is introduced by beeps and space blips, wafting keyboard chord voicings, and rolling cymbals and snares. Hutchings practices circular breathing in a seemingly unending flurry of insistent yet melancholy notes that crisscross Albert Ayler, Roland Kirk, and John Coltrane during the first half. Its latter part is an insistent, funky, pulsing rhythmic stomp using all the same elements. Closer "The Seven Planetary Heavens" is a processional, its slow march punctuated by slow, sweeping lyricism in a pronounced series of changes that highlight tension and release via the rhythm section's canny interplay and wonky Danalogue electronics. It eventually breaks wide open, signaling that the end of one thing -- cultures, planets, stars, galaxies -- always gives birth to another through disruption and evolution. Suffice to say, it, like Afterlife as a whole, ends in a very different place from where it began, leaving the listener to wonder if it's the introduction to Trust in the Lifeforce of the Deep Mystery, or a provocative new beginning altogether. ~ Thom Jurek

Más información

The Afterlife

The Comet Is Coming

launch qobuz app Ya he descargado Qobuz para Windows / MacOS Abrir

download qobuz app Todavía no he descargado Qobuz para Windows / MacOS Descargar la app Qobuz
Escuchar en el Web Player

Copie el enlace siguiente para compartirlo

Está escuchando muestras.

Escuche más de 40 millones de pistas con un plan de streaming ilimitado.

Escuche este álbum y más de 40 millones de pistas con los planes de streaming ilimitado.

1
All That Matters Is The Moments 00:07:43

Kristian Craig Robinson, Recording Arranger, AssociatedPerformer - Betamax, Producer, Mixer, Recording Arranger, AssociatedPerformer, StudioPersonnel, ComposerLyricist - Daddy Kev, Mastering Engineer, StudioPersonnel - Shabaka Hutchings, Tenor Saxophone, AssociatedPerformer - Joshua Idehen, Vocals, FeaturedArtist, AssociatedPerformer, ComposerLyricist - The Comet Is Coming, MainArtist - Max Hallett, Drums, AssociatedPerformer - Jack Eveleigh, Engineer, StudioPersonnel - Danalogue, Producer, Mixer, Synthesizer, Recording Arranger, AssociatedPerformer, StudioPersonnel, ComposerLyricist - King Shabaka, ComposerLyricist

An Impulse! Records release; ℗ 2019 UMG Recordings, Inc.

2
The Softness Of The Present 00:03:03

Kristian Craig Robinson, Recording Arranger, AssociatedPerformer - Betamax, Composer, Producer, Mixer, Recording Arranger, AssociatedPerformer, StudioPersonnel - Daddy Kev, Mastering Engineer, StudioPersonnel - Shabaka Hutchings, Tenor Saxophone, AssociatedPerformer - The Comet Is Coming, MainArtist - Max Hallett, Drums, Percussion, Drum Machine, Rhythm Programming, AssociatedPerformer - Danalogue, Composer, Producer, Mixer, Synthesizer, Recording Arranger, AssociatedPerformer, StudioPersonnel - King Shabaka, Composer

An Impulse! Records release; ℗ 2019 UMG Recordings, Inc.

3
The Afterlife 00:06:33

Kristian Craig Robinson, Recording Arranger, AssociatedPerformer - Betamax, Composer, Producer, Mixer, Recording Arranger, AssociatedPerformer, StudioPersonnel - Daddy Kev, Mastering Engineer, StudioPersonnel - Shabaka Hutchings, Tenor Saxophone, AssociatedPerformer - The Comet Is Coming, MainArtist - Max Hallett, Drums, Percussion, Drum Machine, Rhythm Programming, AssociatedPerformer - Sylvia Hallett, Viola, Violin, AssociatedPerformer - Danalogue, Composer, Producer, Mixer, String Arranger, Synthesizer, Recording Arranger, AssociatedPerformer, StudioPersonnel - King Shabaka, Composer

An Impulse! Records release; ℗ 2019 UMG Recordings, Inc.

4
Lifeforce Part I 00:03:52

Kristian Craig Robinson, Recording Arranger, AssociatedPerformer - Betamax, Composer, Producer, Mixer, Recording Arranger, AssociatedPerformer, StudioPersonnel - Daddy Kev, Mastering Engineer, StudioPersonnel - Shabaka Hutchings, Tenor Saxophone, AssociatedPerformer - The Comet Is Coming, MainArtist - Max Hallett, Drums, Drum Machine, AssociatedPerformer - Danalogue, Composer, Producer, Mixer, Synthesizer, Recording Arranger, AssociatedPerformer, StudioPersonnel - King Shabaka, Composer

An Impulse! Records release; ℗ 2019 UMG Recordings, Inc.

5
Lifeforce Part II 00:04:35

Kristian Craig Robinson, Recording Arranger, AssociatedPerformer - Betamax, Composer, Producer, Mixer, Recording Arranger, AssociatedPerformer, StudioPersonnel - Daddy Kev, Mastering Engineer, StudioPersonnel - Shabaka Hutchings, Tenor Saxophone, AssociatedPerformer - The Comet Is Coming, Clapping, MainArtist, AssociatedPerformer - Max Hallett, Drums, Percussion, Drum Machine, Rhythm Programming, AssociatedPerformer - Vels Trio, Clapping, AssociatedPerformer - Danalogue, Composer, Producer, Mixer, Synthesizer, Recording Arranger, AssociatedPerformer, StudioPersonnel - King Shabaka, Composer

An Impulse! Records release; ℗ 2019 UMG Recordings, Inc.

6
The Seven Planetary Heavens 00:06:31

Kristian Craig Robinson, Recording Arranger, AssociatedPerformer - Betamax, Composer, Producer, Mixer, Recording Arranger, AssociatedPerformer, StudioPersonnel - Daddy Kev, Mastering Engineer, StudioPersonnel - Shabaka Hutchings, Tenor Saxophone, AssociatedPerformer - The Comet Is Coming, MainArtist - Max Hallett, Drums, Percussion, Drum Machine, Rhythm Programming, AssociatedPerformer - Danalogue, Composer, Producer, Mixer, Synthesizer, Recording Arranger, AssociatedPerformer, StudioPersonnel - King Shabaka, Composer

An Impulse! Records release; ℗ 2019 UMG Recordings, Inc.

Descripción del álbum

For the second time in 2019, England's spiritual sci-fi jazz trio the Comet Is Coming lay out their dystopian vision of earth with a provocative, hybrid evolutionary "new thing" music that melds electronica, soulful out-jazz, spidery funk, swampy dub, and prophetic poetry. Cut during the same sessions as Trust in the Lifeforce of the Deep Mystery, it's not a collection of outtakes or even a sequel, but a holistic mirror image that comes from the same sphere of aesthetic investigation and font of inspiration. According to the band, "…These two records can be seen as companions that cannot exist without each other, like day and night, light and dark, creation and destruction. They were made together, at the same time, and have always been intended to be experienced together." At nearly eight minutes, "All That Matters Is the Moments" is one of the set's longest cuts. It's introduced by sweeping outer space electronics and Shabaka Hutchings' spiraling tenor sax playing a cosmic, spiritual blues solo before guest poet Joshua Idehen begins his prophetic dissemblage above Dan "Danalogue" Leavers' low-tuned, fuzzed-out, dubwise bassline and Max "Betamax” Hallett's Nyabinghi-style tom-tom and cymbal drumming. After Idehen delivers a spiky prediction amid the notion that what he's doing is "daydreaming of a world I won't live to see," he offers a glimmer of hope as he speaks of holding onto cherished memories of the friendships that came during times of loss and destruction. King Shabaka's tenor horn slices in and wails the blues amid phase-shifted atmospherics and layered electronic textures fusing future jazz and reggae. "The Softness of the Present" stands in pillowy contrast as its interlocking grooves of layered keyboards and rolling snare frame Hutchings' hypnotic, melodic, Nigerian-inspired melody. The set shifts again in the title track's amorphous darkness informed by atmospheric and dynamic hints of menace via a minimalist, hypnotic four-note sax line, sine-wave oscillations, synth and organ ostinatos, and doomy drumming (reminiscent of Martin Hannett's production on Joy Division's Closer). The two-part "Lifeforce" is introduced by beeps and space blips, wafting keyboard chord voicings, and rolling cymbals and snares. Hutchings practices circular breathing in a seemingly unending flurry of insistent yet melancholy notes that crisscross Albert Ayler, Roland Kirk, and John Coltrane during the first half. Its latter part is an insistent, funky, pulsing rhythmic stomp using all the same elements. Closer "The Seven Planetary Heavens" is a processional, its slow march punctuated by slow, sweeping lyricism in a pronounced series of changes that highlight tension and release via the rhythm section's canny interplay and wonky Danalogue electronics. It eventually breaks wide open, signaling that the end of one thing -- cultures, planets, stars, galaxies -- always gives birth to another through disruption and evolution. Suffice to say, it, like Afterlife as a whole, ends in a very different place from where it began, leaving the listener to wonder if it's the introduction to Trust in the Lifeforce of the Deep Mystery, or a provocative new beginning altogether. ~ Thom Jurek

Acerca del álbum

Mejorar esta página

Qobuz logo Por qué comprar en Qobuz...

De oferta actualmente...
Munich 2016 Keith Jarrett
Playing the Room Avishai Cohen (tp)
Más en Qobuz
Por The Comet Is Coming
The Afterlife The Comet Is Coming
Summon The Fire The Comet Is Coming
Lifeforce Part II The Comet Is Coming

Playlists

Quizás también le guste...
Live In Europe Melody Gardot
Kind Of Blue Miles Davis
Blue World John Coltrane
Beautiful Vinyl Hunter Ashley Henry
Los Grandes Angulares...
ECM en 10 álbumes

«El sonido más bello después del silencio». Es la coletilla aparejada al sello ECM desde hace cincuenta años. Pero Manfred Eicher, el carismático fundador de la discográfica muniquesa, no vive «al margen del tiempo» sino, en realidad, en «un tiempo paralelo» al de la sociedad, lo que convierte a ECM en un universo tan insólito como bello donde el jazz adopta otras formas. Y es que en ECM, precisamente, Keith Jarrett, Charles Lloyd, Jan Garbarek, Chick Corea y tantos otros han grabado algunos de sus discos más intensos. Más aún que en los casos de Blue Note o Impulse!, limitarse a 10 álbumes para narrar la historia de esta escudería sin parangón se hace misión imposible. Por eso, estos diez discos seleccionados explicarán tan solo «una» de las historias posibles de ECM.

Impulse! Orange was the new Black

Con Blue Note y Verve, Impulse! es sin duda el sello norteamericano de jazz más famoso. Asociada al naranja y negro la marca albergará por supuesto a John Coltrane, pero también a los músicos más aventureros de los años 60.

John Coltrane, el hálito continuo, el hálito que continúa

Hace exactamente medio siglo, el saxofonista norteamericano desaparecía con tan solo 40 años, dejando como testimonio numerosas grabaciones que transformaron la historia de su instrumento, la del jazz y también la de la música del siglo XX.

De actualidad...