Foxygen Seeing Other People

Seeing Other People

Foxygen

Publicado el 26 de abril de 2019 en Jagjaguwar

Artista principal: Foxygen

Género: Pop/Rock > Rock > Alternatif et Indé

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You’d expect nothing less from these two. Sam France and Jonathan Rado, the wacky duo who have come to embody the psychedelic rock scene of the late 2010s with their verbose creativity, have released their fifth record. But is it their best? It certainly is in terms of maturity. The lack-luster …And Star Power (2014) left much to be desired due to its trippy and hallucinogenic sound that appeared to rip off Todd Rundgen. The following album Hang (2017) was a vast improvement and not far off the classic We are the 21st Century Ambassadors of Peace and Magic (2013). Sam and Jonathan will soon be entering their thirties; their faces have matured along with their rock’n’roll sound. “How does it feel to be livin’ a lie” sings Sam on Livin’ a lie before he concludes “We should just be friends” on The Conclusion. The duo has aged, mixed things up, and above all, wizened. Rado has practically become an invaluable and omnipresent member of the world of indie rock: he has worked as a producer for the Lemon Twigs and has been called in for assistance by artists such as Alex Cameron and Father John Misty. He is also responsible for the production of Weyes Blood’s impressive Titanic Rising. With such a résumé Rado is, indeed, indispensable. With Seeing Other People, the duo displays an eighties rock-funk sound, like MGMT had done with Little Dark Age; an arsenal of synths (Face the Facts), a new voice (that of a weathered seducer on Mona) and their own new sense of orchestration (Livin’ a lie). The melodies, while less forceful, are more complex and richer. One wonders what they will achieve in their forties. © Charlotte Saintoin/Qobuz
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Álbum : 1 disco - 9 pistas Duración total : 00:36:57

  1. 1 Work

    Shawn Everett, Mixer - Foxygen, Artist, MainArtist - Sam France, Composer, Lyricist, Producer - Jonathan Rado, Composer, Lyricist, Producer - Breakfast Horse Music (ASCAP), administered by Secretly Canadian Publishing (ASCAP), MusicPublisher Copyright : 2019 Jagjaguwar 2019 Jagjaguwar

  2. 2 Mona

    Shawn Everett, Mixer - Foxygen, Artist, MainArtist - Sam France, Composer, Lyricist, Producer - Jonathan Rado, Composer, Lyricist, Producer - Breakfast Horse Music (ASCAP), administered by Secretly Canadian Publishing (ASCAP), MusicPublisher Copyright : 2019 Jagjaguwar 2019 Jagjaguwar

  3. 3 Seeing Other People

    Shawn Everett, Mixer - Foxygen, Artist, MainArtist - Sam France, Composer, Lyricist, Producer - Jonathan Rado, Composer, Lyricist, Producer - Breakfast Horse Music (ASCAP), administered by Secretly Canadian Publishing (ASCAP), MusicPublisher Copyright : 2019 Jagjaguwar 2019 Jagjaguwar

  4. 4 Face the Facts

    Shawn Everett, Mixer - Foxygen, Artist, MainArtist - Sam France, Composer, Lyricist, Producer - Jonathan Rado, Composer, Lyricist, Producer - Breakfast Horse Music (ASCAP), administered by Secretly Canadian Publishing (ASCAP), MusicPublisher Copyright : 2019 Jagjaguwar 2019 Jagjaguwar

  5. 5 Livin' a Lie

    Shawn Everett, Mixer - Foxygen, Artist, MainArtist - Sam France, Composer, Lyricist, Producer - Jonathan Rado, Composer, Lyricist, Producer - Breakfast Horse Music (ASCAP), administered by Secretly Canadian Publishing (ASCAP), MusicPublisher Copyright : 2019 Jagjaguwar 2019 Jagjaguwar

  6. 6 The Thing Is

    Shawn Everett, Mixer - Foxygen, Artist, MainArtist - Sam France, Composer, Lyricist, Producer - Jonathan Rado, Composer, Lyricist, Producer - Breakfast Horse Music (ASCAP), administered by Secretly Canadian Publishing (ASCAP), MusicPublisher Copyright : 2019 Jagjaguwar 2019 Jagjaguwar

  7. 7 News

    Shawn Everett, Mixer - Foxygen, Artist, MainArtist - Sam France, Composer, Lyricist, Producer - Jonathan Rado, Composer, Lyricist, Producer - Breakfast Horse Music (ASCAP), administered by Secretly Canadian Publishing (ASCAP), MusicPublisher Copyright : 2019 Jagjaguwar 2019 Jagjaguwar

  8. 8 Flag at Half-Mast

    Shawn Everett, Mixer - Foxygen, Artist, MainArtist - Sam France, Composer, Lyricist, Producer - Jonathan Rado, Composer, Lyricist, Producer - Breakfast Horse Music (ASCAP), administered by Secretly Canadian Publishing (ASCAP), MusicPublisher Copyright : 2019 Jagjaguwar 2019 Jagjaguwar

  9. 9 The Conclusion

    Shawn Everett, Mixer - Foxygen, Artist, MainArtist - Sam France, Composer, Lyricist, Producer - Jonathan Rado, Composer, Lyricist, Producer - Breakfast Horse Music (ASCAP), administered by Secretly Canadian Publishing (ASCAP), MusicPublisher Copyright : 2019 Jagjaguwar 2019 Jagjaguwar

  • Descripción del álbum
  • You’d expect nothing less from these two. Sam France and Jonathan Rado, the wacky duo who have come to embody the psychedelic rock scene of the late 2010s with their verbose creativity, have released their fifth record. But is it their best? It certainly is in terms of maturity. The lack-luster …And Star Power (2014) left much to be desired due to its trippy and hallucinogenic sound that appeared to rip off Todd Rundgen. The following album Hang (2017) was a vast improvement and not far off the classic We are the 21st Century Ambassadors of Peace and Magic (2013). Sam and Jonathan will soon be entering their thirties; their faces have matured along with their rock’n’roll sound. “How does it feel to be livin’ a lie” sings Sam on Livin’ a lie before he concludes “We should just be friends” on The Conclusion. The duo has aged, mixed things up, and above all, wizened. Rado has practically become an invaluable and omnipresent member of the world of indie rock: he has worked as a producer for the Lemon Twigs and has been called in for assistance by artists such as Alex Cameron and Father John Misty. He is also responsible for the production of Weyes Blood’s impressive Titanic Rising. With such a résumé Rado is, indeed, indispensable. With Seeing Other People, the duo displays an eighties rock-funk sound, like MGMT had done with Little Dark Age; an arsenal of synths (Face the Facts), a new voice (that of a weathered seducer on Mona) and their own new sense of orchestration (Livin’ a lie). The melodies, while less forceful, are more complex and richer. One wonders what they will achieve in their forties. © Charlotte Saintoin/Qobuz

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