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Cesária Evora|Rogamar

Rogamar

Cesaria Evora

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Three years after her Grammy-winning Voz d'Amor, Cape Verdean superstar Césaria Évora returned with her tenth album, Rogamar. Recorded in Mindelo, São Vicente, Évora's hometown, and Paris (Caetano Veloso arranger Jacques Morelenbaum added the strings in Rio de Janeiro), Rogamar is a lovely piece of work, with most of the 15 tracks written for her by her talented Cape Verdean songwriting team. The songs, as evidenced by the title of the album (which translates to "pray to the sea"), speak of love, loss, island life, and humankind within the context of the ocean. Water is the recurrent theme; it is present constantly, and is something to which life can be compared: it takes and it brings, it is love and it is separation, it is a friend and it is death. Adding to this is Évora's voice, which constantly alludes to the sea, and can be quick and choppy, or long and smooth, but mostly is clear and fluid and is what controls the album and gives it life. Yes, the instrumentation is wonderful and contributes greatly to the songs (although sometimes Morelenbaum's strings are a little too much, nearly overpowering the rest of the band), accenting the sadness or longing, the celebration, the desire, but it is Évora who decides what and how the songs are really supposed to be. She is willing to create seeming incongruity (like in the up-tempo "Um Pincelada," in which the singer explains her understanding of the world and a lifetime of disappointments, with resignation thick in her voice), to hope for "peace and progress" in "Africa Nossa" (which features Senegalese folksinger Ismaël Lô), or to slyly offer friendship to a woman who trusts no one, in "Rosie." Outside factors contribute, but Évora is the real decision-maker. She has each song mean exactly what she wants it to mean, and listeners are all the better for it, anyway, because at least then they can try to comprehend, just a little bit, the life of this remarkable singer.

© Marisa Brown /TiVo

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Rogamar

Cesária Evora

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1
Sombras Di Distino
00:04:35

Cesaria Evora, Performer - Manuel De Novas, Composer - Manuel De Novas, Lyricist - Jose Da Silva, Producer - Fernando Andrade, Producer

(P) 2006 Lusafica

2
Um Pincelada
00:03:26

Cesaria Evora, Performer - Teofilo Chantre, Composer - Jose Da Silva, Producer - Vitorino Chantre, Lyricist - Fernando Andrade, Producer

(P) 2006 Lusafrica

3
Avenida Marginal
00:02:59

Cesaria Evora, Performer - Manuel De Novas, Composer - Manuel De Novas, Lyricist - Jose Da Silva, Producer - Fernando Andrade, Producer

(P) 2006 Lusafrica

4
Africa Nossa (en duo avec Ismaël Lô)
00:03:52

Cesaria Evora, Performer - Teofilo Chantre, Composer - Nando Da Cruz, Lyricist - Nando Da Cruz, Composer - Lo Ismael, Composer - José Da Silva, Producer - Ismael Lo, Performer - Fernando Andrade, Producer

(P) 2006 Lusafrica

5
Tiche
00:04:14

Cesaria Evora, Performer - Mendes De Carvalho, Composer - Mendes De Carvalho, Lyricist - Jose Da Silva, Producer - Fernando Andrade, Producer

(P) 2006 Lusafrica

6
São Tomé na Equador
00:04:10

Cesaria Evora, Performer - Ray Lema, Composer - Teofilo Chantre, Lyricist - Jose Da Silva, Producer - Fernando Andrade, Producer

(P) 2006 Lusafrica

7
Rogamar
00:03:31

Cesaria Evora, Performer - Teofilo Chantre, Lyricist - Teofilo Chantre, Composer - Jose Da Silva, Producer - Fernando Andrade, Producer

(P) 2006 Lusafrica

8
Amor e Mar
00:04:31

Cesaria Evora, Performer - Jose Da Silva, Producer - Adalberto Silva, Composer - Adalberto Silva, Lyricist - Fernando Andrade, Producer

(P) 2006 Lusafrica

9
Modje Trofel
00:03:27

Cesaria Evora, Performer - Jose Da Silva, Producer - Jon Luz, Composer - Jon Luz, Lyricist - Fernando Andrade, Producer

(P) 2006 Lusafica

10
Rosie
00:04:14

Cesaria Evora, Performer - Manuel De Novas, Composer - Manuel De Novas, Lyricist - Jose Da Silva, Producer - Fernando Andrade, Producer

(P) 2006 Lusafrica

11
Travessa de Peixeira
00:03:21

Cesaria Evora, Performer - Manuel De Novas, Composer - Manuel De Novas, Lyricist - Jose Da Silva, Producer - Fernando Andrade, Producer

(P) 2006 Lusafrica

12
Mas um Sonho
00:03:47

Cesaria Evora, Performer - Jose Da Silva, Producer - Constantino Cardoso, Composer - Constantino Cardoso, Lyricist - Fernando Andrade, Producer

(P) 2006 Lusafrica

13
Mar Nha Confidente
00:05:31

Cesaria Evora, Performer - Jose Da Silva, Producer - Julio Feijão, Lyricist - Julio Feijão, Composer - Fernando Andrade, Producer

(P) 2006 Lusafrica

14
Saiona d'Vinte Ano
00:03:42

Cesaria Evora, Performer - Jose Da Silva, Producer - Luis Rendall, Composer - Luis Rendall, Lyricist - Fernando Andrade, Producer

(P) 2006 Lusafrica

15
Vaga Lenta
00:04:06

Cesaria Evora, Performer - Teofilo Chantre, Lyricist - Teofilo Chantre, Composer - Jose Da Silva, Producer - Fernando Andrade, Producer

(P) 2006 Lusafrica

Presentación del Álbum

Three years after her Grammy-winning Voz d'Amor, Cape Verdean superstar Césaria Évora returned with her tenth album, Rogamar. Recorded in Mindelo, São Vicente, Évora's hometown, and Paris (Caetano Veloso arranger Jacques Morelenbaum added the strings in Rio de Janeiro), Rogamar is a lovely piece of work, with most of the 15 tracks written for her by her talented Cape Verdean songwriting team. The songs, as evidenced by the title of the album (which translates to "pray to the sea"), speak of love, loss, island life, and humankind within the context of the ocean. Water is the recurrent theme; it is present constantly, and is something to which life can be compared: it takes and it brings, it is love and it is separation, it is a friend and it is death. Adding to this is Évora's voice, which constantly alludes to the sea, and can be quick and choppy, or long and smooth, but mostly is clear and fluid and is what controls the album and gives it life. Yes, the instrumentation is wonderful and contributes greatly to the songs (although sometimes Morelenbaum's strings are a little too much, nearly overpowering the rest of the band), accenting the sadness or longing, the celebration, the desire, but it is Évora who decides what and how the songs are really supposed to be. She is willing to create seeming incongruity (like in the up-tempo "Um Pincelada," in which the singer explains her understanding of the world and a lifetime of disappointments, with resignation thick in her voice), to hope for "peace and progress" in "Africa Nossa" (which features Senegalese folksinger Ismaël Lô), or to slyly offer friendship to a woman who trusts no one, in "Rosie." Outside factors contribute, but Évora is the real decision-maker. She has each song mean exactly what she wants it to mean, and listeners are all the better for it, anyway, because at least then they can try to comprehend, just a little bit, the life of this remarkable singer.

© Marisa Brown /TiVo

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