Categorías:
Carrito 0

Su carrito está vacío

Riccardo Chailly - Richard Strauss: Also sprach Zarathustra; Tod und Verklärung; Till Eulenspiegel; Salome's Dance

Mes favoris

Cet élément a bien été ajouté / retiré de vos favoris.

Richard Strauss: Also sprach Zarathustra; Tod und Verklärung; Till Eulenspiegel; Salome's Dance

Riccardo Chailly, Lucerne Festival Orchestra

Disponible en
logo Hi-Res
24-Bit 96.0 kHz - Stereo

Streaming ilimitado

Escuche este álbum ahora en alta calidad en nuestras apps

Disfrute de este álbum en las apps Qobuz con sususcripción

Descarga digital

Seleccionar la calidad de audio

Para poder comprar a este precio, suscripción a Sublime+

Idioma disponible: inglés

Leading the Lucerne Festival for two summers running, conductor Richardo Chailly has honoured composers that the musicians had never yet recorded: Igor Stravinsky in 2018, and Richard Strauss in 2019. The sumptuousness of the orchestration of the latter here affords a glittering clarity, just as much in the concertante parts as in the tutti. The writing conjures a Straussian atmosphere: a marvellously apt terrain for the Lucerne orchestra. In Zarathustra, the strings, in particular the double-basses, rumble away as under one bow, with gobsmacking precision in Von der großen Sehnsucht ("Of the Great Yearning") and Genesende ("the Convalescent"). Richard Strauss deploys a romantic counterpoint in his writing – in particular in Von den Hinterweltlern ("Of the Backworldsmen") – and the strings of Lucerne brilliantly bring his limitless lyricism to life. The following works, (Tod und Verklärung, Till Eulenspiegel and finally The Dance of the Seven Veils) bring to mind other epithets that we might apply to this perfect recording: epic majesty, burlesque humour, serpentine voluptuousness: all ingredients of Strauss's symphonic poems.
The sound quality does justice to the beauty of the orchestra, and the mix doesn't leave anyone out: every counterpoint is defined, every pizzicato twangs appropriately and we hear even the softest touch of the timbal. Demanding in their extremity (in both nuance and difficulty), these scores make a perfect fit for the Lucerne orchestra, a meeting of the greatest soloists of the international stage, brought together by the festival. The only drawback comes from precisely this concentration of quality. While we are gripped by Salome's Dance of the Seven Veils, we are perhaps more impressed than moved by a piece that has been stripped of some of its finest orchestral ornamentation. © Elsa Siffert/Qobuz

Más información

Richard Strauss: Also sprach Zarathustra; Tod und Verklärung; Till Eulenspiegel; Salome's Dance

Riccardo Chailly

launch qobuz app Ya he descargado Qobuz para Windows / MacOS Abrir

download qobuz app Todavía no he descargado Qobuz para Windows / MacOS Descargar la app Qobuz
Escuchar en el Web Player

Copie el enlace siguiente para compartirlo

Está escuchando muestras.

Escuche más de 40 millones de pistas con un plan de streaming ilimitado.

Escuche este álbum y más de 40 millones de pistas con los planes de streaming ilimitado.

Also sprach Zarathustra, Op. 30, TrV 176 (Richard Strauss)

1
1. Einleitung (Sonnenaufgang) (Live) 00:01:50

John Fraser, Producer - Richard Strauss, Composer - Riccardo Chailly, Conductor, MainArtist - Lucerne Festival Orchestra, Orchestra, MainArtist - Philip Siney, Recording Engineer, StudioPersonnel

℗ 2019 Decca Music Group Limited

2
2. Von den Hinterweltlern (Live) 00:03:43

John Fraser, Producer - Richard Strauss, Composer - Riccardo Chailly, Conductor, MainArtist - Lucerne Festival Orchestra, Orchestra, MainArtist - Philip Siney, Recording Engineer, StudioPersonnel

℗ 2019 Decca Music Group Limited

3
3. Von der großen Sehnsucht (Live) 00:02:08

John Fraser, Producer - Richard Strauss, Composer - Riccardo Chailly, Conductor, MainArtist - Lucerne Festival Orchestra, Orchestra, MainArtist - Philip Siney, Recording Engineer, StudioPersonnel

℗ 2019 Decca Music Group Limited

4
4. Von den Freuden und Leidenschaften (Live) 00:02:11

John Fraser, Producer - Richard Strauss, Composer - Riccardo Chailly, Conductor, MainArtist - Lucerne Festival Orchestra, Orchestra, MainArtist - Philip Siney, Recording Engineer, StudioPersonnel

℗ 2019 Decca Music Group Limited

5
5. Das Grablied (Live) 00:02:20

John Fraser, Producer - Richard Strauss, Composer - Riccardo Chailly, Conductor, MainArtist - Lucerne Festival Orchestra, Orchestra, MainArtist - Philip Siney, Recording Engineer, StudioPersonnel

℗ 2019 Decca Music Group Limited

6
6. Von der Wissenschaft (Live) 00:04:18

John Fraser, Producer - Richard Strauss, Composer - Riccardo Chailly, Conductor, MainArtist - Lucerne Festival Orchestra, Orchestra, MainArtist - Philip Siney, Recording Engineer, StudioPersonnel

℗ 2019 Decca Music Group Limited

7
7. Der Genesende (Live) 00:05:15

John Fraser, Producer - Richard Strauss, Composer - Riccardo Chailly, Conductor, MainArtist - Lucerne Festival Orchestra, Orchestra, MainArtist - Philip Siney, Recording Engineer, StudioPersonnel

℗ 2019 Decca Music Group Limited

8
8. Das Tanzlied (Live) 00:07:37

John Fraser, Producer - Richard Strauss, Composer - Riccardo Chailly, Conductor, MainArtist - Lucerne Festival Orchestra, Orchestra, MainArtist - Philip Siney, Recording Engineer, StudioPersonnel

℗ 2019 Decca Music Group Limited

9
9. Das Nachtwandlerlied (Live) 00:04:41

John Fraser, Producer - Richard Strauss, Composer - Riccardo Chailly, Conductor, MainArtist - Lucerne Festival Orchestra, Orchestra, MainArtist - Philip Siney, Recording Engineer, StudioPersonnel

℗ 2019 Decca Music Group Limited

Tod und Verklarung, Op. 24, TrV 158 (Richard Strauss)

10
1. Largo (Live) 00:05:23

John Fraser, Producer - Richard Strauss, Composer - Riccardo Chailly, Conductor, MainArtist - Lucerne Festival Orchestra, Orchestra, MainArtist - Philip Siney, Recording Engineer, StudioPersonnel

℗ 2019 Decca Music Group Limited

11
2. Allegro molto agitato (Live) 00:03:52

John Fraser, Producer - Richard Strauss, Composer - Riccardo Chailly, Conductor, MainArtist - Lucerne Festival Orchestra, Orchestra, MainArtist - Philip Siney, Recording Engineer, StudioPersonnel

℗ 2019 Decca Music Group Limited

12
3. Meno mosso (Live) 00:08:04

John Fraser, Producer - Richard Strauss, Composer - Riccardo Chailly, Conductor, MainArtist - Lucerne Festival Orchestra, Orchestra, MainArtist - Philip Siney, Recording Engineer, StudioPersonnel

℗ 2019 Decca Music Group Limited

13
4. Moderato (Live) 00:08:08

John Fraser, Producer - Richard Strauss, Composer - Riccardo Chailly, Conductor, MainArtist - Lucerne Festival Orchestra, Orchestra, MainArtist - Philip Siney, Recording Engineer, StudioPersonnel

℗ 2019 Decca Music Group Limited

14
R. Strauss: Till Eulenspiegels lustige Streiche, Op. 28, TrV 171 (Live) 00:15:35

John Fraser, Producer - Richard Strauss, Composer - Riccardo Chailly, Conductor, MainArtist - Lucerne Festival Orchestra, Orchestra, MainArtist - Philip Siney, Recording Engineer, StudioPersonnel

℗ 2019 Decca Music Group Limited

Salome, Op. 54, TrV 215 (Richard Strauss)

15
Dance of the Seven Veils (Live) 00:10:02

John Fraser, Producer - Richard Strauss, Composer - Riccardo Chailly, Conductor, MainArtist - Hedwig Lachmann, Author - Lucerne Festival Orchestra, Orchestra, MainArtist - Philip Siney, Recording Engineer, StudioPersonnel

℗ 2019 Decca Music Group Limited

Descripción del álbum

Leading the Lucerne Festival for two summers running, conductor Richardo Chailly has honoured composers that the musicians had never yet recorded: Igor Stravinsky in 2018, and Richard Strauss in 2019. The sumptuousness of the orchestration of the latter here affords a glittering clarity, just as much in the concertante parts as in the tutti. The writing conjures a Straussian atmosphere: a marvellously apt terrain for the Lucerne orchestra. In Zarathustra, the strings, in particular the double-basses, rumble away as under one bow, with gobsmacking precision in Von der großen Sehnsucht ("Of the Great Yearning") and Genesende ("the Convalescent"). Richard Strauss deploys a romantic counterpoint in his writing – in particular in Von den Hinterweltlern ("Of the Backworldsmen") – and the strings of Lucerne brilliantly bring his limitless lyricism to life. The following works, (Tod und Verklärung, Till Eulenspiegel and finally The Dance of the Seven Veils) bring to mind other epithets that we might apply to this perfect recording: epic majesty, burlesque humour, serpentine voluptuousness: all ingredients of Strauss's symphonic poems.
The sound quality does justice to the beauty of the orchestra, and the mix doesn't leave anyone out: every counterpoint is defined, every pizzicato twangs appropriately and we hear even the softest touch of the timbal. Demanding in their extremity (in both nuance and difficulty), these scores make a perfect fit for the Lucerne orchestra, a meeting of the greatest soloists of the international stage, brought together by the festival. The only drawback comes from precisely this concentration of quality. While we are gripped by Salome's Dance of the Seven Veils, we are perhaps more impressed than moved by a piece that has been stripped of some of its finest orchestral ornamentation. © Elsa Siffert/Qobuz

Acerca del álbum

Mejorar esta página

Qobuz logo Por qué comprar en Qobuz...

De oferta actualmente...
Más en Qobuz
Por Riccardo Chailly

Playlists

Quizás también le guste...
Los Grandes Angulares...
El boom del blues británico, crónica de una revolución

Si Joe Bonamassa regresó con British Blues Explosion, un año después del Blue And Lonesome de los Rolling Stones fue porque el boom del blues británico resultó algo más que una simple tendencia… Más que una simple tendencia musical, el interés de una joven generación por los grandes iconos americanos del blues ignorados en su tierra, generó una auténtica revolución dirigida por tres principales agitadores, Eric Clapton, Jeff Beck y Jimmy Page, considerados más allá del Canal de la Mancha nada menos que como la «Santísima Trinidad» de la historia del rock o de la guitarra. Aunque no fueron los únicos músicos involucrados, fue a través de sus respectivas carreras desde las que se descubrió que el blues, lejos de ser una música que había pasado su fecha de caducidad desde hacía mucho tiempo, era como un salto hacia otras dimensiones musicales que permitía múltiples innovaciones.

John Barry, en la variedad está el gusto

La música para el cine precisa una sensibilidad y destreza especial a fin de desenvolverse con dignidad en todos los estilos: del sonido discotequero para una escena de night-club a un madrigal para un film de época, el compositor cinematográfico debe saber desempeñarse en cualquier campo. Y John Barry no dejó de demostrarnos, una y otra vez, que fue uno de los mejores autores de bandas sonoras, capaz de abarcar todos los géneros cinematográficos y musicales.

Tim Burton en 10 álbumes

Ya sea con sus films en imagen real o de animación, recurriendo a la técnica de stop-motion, Tim Burton ha ido construyendo a lo largo de más de tres décadas un universo cinematográfico donde lo maravilloso y la poesía se amalgaman con lo gótico y el humor negro. Y, mayormente, ha sido el compositor Danny Elfman el encargado de acompañarle en esta aventura. Sin las imágenes de Burton, la música de Elfman no habría sido la misma, y lo mismo podría decirse al contrario. Como se sigue comprobando este 2019 gracias a la conmovedora Dumbo.

De actualidad...