Toots & The Maytals Pressure Drop - The Golden Tracks

Pressure Drop - The Golden Tracks

Toots & The Maytals

Publicado el 1 de mayo de 2011 en Cleopatra Records

Artista principal: Toots and The Maytals

Género: World > Reggae

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Forget the Maytals, this is all Toots Hibbert taking his amazingly soulful and gospel-tinged voice back to revisit and re-record three of the Maytals' finest songs, “Pressure Drop,” ”54-46 Was My Number,” and “Funky Kingston,” combined with Toots' new versions of John Denver's “Take Me Home, Country Roads,” Stevie Wonder's “Higher Ground” and the Police's “Walking on the Moon,” along with assorted ska, instrumental , dance, and dub remixes of each (with the exception of “Walking on the Moon,” which is only featured in a single vocal version). Toots is still Toots, so his vocals are powerful and impassioned here, and while the original Maytals' ska and rocksteady versions of “Pressure Drop” et al have a bit more raw vitality to them, Toots doesn’t drop the ball on these remakes by any means, making this an interesting, if hardly essential, addition to his discography. He always sings like the world is on fire and everything depends on the song. Here’s betting he never changes that. ~ Steve Leggett
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Álbum : 1 disco - 14 pistas Duración total : 01:01:25

  1. 1 Pressure Drop (Re-Recorded / Remastered)

    Toots & The Maytals, MainArtist Copyright : (C) 2011 Cleopatra Records (P) 2011 Cleopatra Records

  2. 2 54-46 Was My Number (Re-Recorded / Remastered)

    Toots & The Maytals, MainArtist Copyright : (C) 2011 Cleopatra Records (P) 2011 Cleopatra Records

  3. 3 Funky Kingston (Re-Recorded / Remastered)

    Toots & The Maytals, MainArtist Copyright : (C) 2011 Cleopatra Records (P) 2011 Cleopatra Records

  4. 4 Take Me Home, Country Roads

    Toots & The Maytals, MainArtist Copyright : (C) 2011 Cleopatra Records (P) 2011 Cleopatra Records

  5. 5 Higher Ground

    Toots & The Maytals, MainArtist Copyright : (C) 2011 Cleopatra Records (P) 2011 Cleopatra Records

  6. 6 Walking On The Moon

    Toots & The Maytals, MainArtist Copyright : (C) 2011 Cleopatra Records (P) 2011 Cleopatra Records

  7. 7 Pressure Drop (Ska Version)

    Toots & The Maytals, MainArtist Copyright : (C) 2011 Cleopatra Records (P) 2011 Cleopatra Records

  8. 8 54-46 Was My Number (The Dub Version)

    Toots & The Maytals, MainArtist Copyright : (C) 2011 Cleopatra Records (P) 2011 Cleopatra Records

  9. 9 Pressure Drop (Pressure House Mix)

    Toots & The Maytals, MainArtist Copyright : (C) 2011 Cleopatra Records (P) 2011 Cleopatra Records

  10. 10 54-46 Was My Number (Erik Gold Dubstep Remix)

    Toots & The Maytals, MainArtist Copyright : (C) 2011 Cleopatra Records (P) 2011 Cleopatra Records

  11. 11 Take Me Home, Country Roads (Dubstep Remix)

    Toots & The Maytals, MainArtist Copyright : (C) 2011 Cleopatra Records (P) 2011 Cleopatra Records

  12. 12 Higher Ground (Dubstep Remix)

    Toots & The Maytals, MainArtist Copyright : (C) 2011 Cleopatra Records (P) 2011 Cleopatra Records

  13. 13 54-46 Was My Number (Instrumental Version)

    Toots & The Maytals, MainArtist Copyright : (C) 2011 Cleopatra Records (P) 2011 Cleopatra Records

  14. 14 Pressure Drop (Instrumental Version)

    Toots & The Maytals, MainArtist Copyright : (C) 2011 Cleopatra Records (P) 2011 Cleopatra Records

  • Descripción del álbum
  • Forget the Maytals, this is all Toots Hibbert taking his amazingly soulful and gospel-tinged voice back to revisit and re-record three of the Maytals' finest songs, “Pressure Drop,” ”54-46 Was My Number,” and “Funky Kingston,” combined with Toots' new versions of John Denver's “Take Me Home, Country Roads,” Stevie Wonder's “Higher Ground” and the Police's “Walking on the Moon,” along with assorted ska, instrumental , dance, and dub remixes of each (with the exception of “Walking on the Moon,” which is only featured in a single vocal version). Toots is still Toots, so his vocals are powerful and impassioned here, and while the original Maytals' ska and rocksteady versions of “Pressure Drop” et al have a bit more raw vitality to them, Toots doesn’t drop the ball on these remakes by any means, making this an interesting, if hardly essential, addition to his discography. He always sings like the world is on fire and everything depends on the song. Here’s betting he never changes that. ~ Steve Leggett

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