Qobuz Store wallpaper
Categorías:
Carrito 0

Su carrito está vacío

Paul McCartney|Off The Ground

Off The Ground

Paul McCartney

Disponible en
16-Bit CD Quality 44.1 kHz - Stereo

Streaming ilimitado

Escuche este álbum ahora en alta calidad en nuestras apps

Comenzar mi periodo de prueba gratis y escuchar este álbum

Disfrute de este álbum en las apps Qobuz con sususcripción

Suscribir

Disfrute de este álbum en las apps Qobuz con sususcripción

Descarga digital

Compre y descargue este álbum en múltiples formatos, según sus necesidades.

Idioma disponible: inglés

Flowers in the Dirt did earn good reviews but perhaps more important was its accompanying tour, McCartney's first full-fledged world tour in years. Given the tour's enthusiastic reception, McCartney could wait until 1993 to deliver the album's proper sequel, Off the Ground. Though it isn't as consciously ambitious, Off the Ground certainly picks up where Flowers left off, as McCartney feels no shame in making an album that doesn't aim for the charts (though success would certainly be welcomed), yet is still classy, professional, and ambitious. Two key differences appear: it's a leaner production (making the midtempo numbers seem less cloying and giving the rockers real kick), and McCartney's social conscience dominates the record (which is easily his most politically active, as he rails against animal testing and pleads for world peace several times). He doesn't leave love or whimsy behind ("Biker Like an Icon" is easily his worst, most studied stab at whimsy), and he still has a pair of fine McCartney/MacManuss songs ("Mistress and Maid," "The Lovers That Never Were") to pull out. This all results in a record that has its virtues -- it's clean and direct, where many of his solo albums are diffuse and meandering, and it's serious-minded where many rely on cutesiness -- but, overall, Off the Ground feels like less than the sum of its parts, possibly because the seriousness is too studied, perhaps because the approach is a bit too stodgy. Nevertheless, this has nearly as many successful moments as Flowers in the Dirt, standing as a deliberately serious comeback record by an artist who spent too much time relying on his natural charm, and who feels no shame in overcompensating at this stage of the game.
© Stephen Thomas Erlewine /TiVo

Más información

Off The Ground

Paul McCartney

launch qobuz app Ya he descargado Qobuz para Windows / MacOS Abrir

download qobuz app Todavía no he descargado Qobuz para Windows / MacOS Descargar la app Qobuz

Está escuchando muestras.

Escuche más de 70 millones de pistas con un plan de streaming ilimitado.

Escuche este álbum y más de 70 millones de pistas con los planes de streaming ilimitado.

1
Off The Ground
00:03:39

Paul Mccartney, MainArtist, ComposerLyricist

℗ 1993 MPL Communications Inc/Ltd

2
Looking For Changes
00:02:46

Paul Mccartney, MainArtist, ComposerLyricist

℗ 1993 MPL Communications Inc/Ltd

3
Hope Of Deliverance
00:03:21

Robbie McIntosh, Guitar, AssociatedPerformer - Hamish Stuart, Background Vocalist, AssociatedPerformer - Paul Mccartney, Producer, Guitar, Bass Guitar, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist - Linda Mccartney, Harp, Background Vocalist, AssociatedPerformer - Julian Mendelsohn, Producer - Blair Cunningham, Percussion, Background Vocalist, AssociatedPerformer - Davide Giovannini, Percussion, AssociatedPerformer - Dave Pattman, Percussion, AssociatedPerformer - Paul "Wix" Wickens, Percussion, Piano, Drum Programmer, Background Vocalist, AssociatedPerformer - Maurizio Ravalico, Percussion, AssociatedPerformer

℗ 1992 MPL Communications Inc/Ltd

4
Mistress And Maid
00:02:59

Declan MacManus, ComposerLyricist - Paul Mccartney, MainArtist, ComposerLyricist

℗ 1993 The copyright in this sound recording is owned by MPL Communications

5
I Owe It All To You
00:04:51

Paul Mccartney, MainArtist, ComposerLyricist

℗ 1993 The copyright in this sound recording is owned by MPL Communications

6
Biker Like An Icon
00:03:25

Paul Mccartney, MainArtist, ComposerLyricist

℗ 1993 The copyright in this sound recording is owned by MPL Communications

7
Peace In The Neighbourhood
00:05:06

Paul Mccartney, MainArtist, ComposerLyricist

℗ 1993 The copyright in this sound recording is owned by MPL Communications

8
Golden Earth Girl
00:03:44

Paul Mccartney, MainArtist, ComposerLyricist

℗ 1993 The copyright in this sound recording is owned by MPL Communications

9
The Lovers That Never Were
00:03:42

Declan MacManus, ComposerLyricist - Paul Mccartney, MainArtist, ComposerLyricist

℗ 1993 MPL Communications Inc/Ltd

10
Get Out Of My Way
00:03:31

Paul Mccartney, MainArtist, ComposerLyricist

℗ 1993 MPL Communications Inc/Ltd

11
Winedark Open Sea
00:05:26

Paul Mccartney, MainArtist, ComposerLyricist

℗ 1993 MPL Communications Inc/Ltd

12
C'Mon People
00:07:41

Paul Mccartney, MainArtist, ComposerLyricist

℗ 1993 MPL Communications Inc/Ltd

Descripción del álbum

Flowers in the Dirt did earn good reviews but perhaps more important was its accompanying tour, McCartney's first full-fledged world tour in years. Given the tour's enthusiastic reception, McCartney could wait until 1993 to deliver the album's proper sequel, Off the Ground. Though it isn't as consciously ambitious, Off the Ground certainly picks up where Flowers left off, as McCartney feels no shame in making an album that doesn't aim for the charts (though success would certainly be welcomed), yet is still classy, professional, and ambitious. Two key differences appear: it's a leaner production (making the midtempo numbers seem less cloying and giving the rockers real kick), and McCartney's social conscience dominates the record (which is easily his most politically active, as he rails against animal testing and pleads for world peace several times). He doesn't leave love or whimsy behind ("Biker Like an Icon" is easily his worst, most studied stab at whimsy), and he still has a pair of fine McCartney/MacManuss songs ("Mistress and Maid," "The Lovers That Never Were") to pull out. This all results in a record that has its virtues -- it's clean and direct, where many of his solo albums are diffuse and meandering, and it's serious-minded where many rely on cutesiness -- but, overall, Off the Ground feels like less than the sum of its parts, possibly because the seriousness is too studied, perhaps because the approach is a bit too stodgy. Nevertheless, this has nearly as many successful moments as Flowers in the Dirt, standing as a deliberately serious comeback record by an artist who spent too much time relying on his natural charm, and who feels no shame in overcompensating at this stage of the game.
© Stephen Thomas Erlewine /TiVo

Acerca del álbum

Mejorar esta página

Qobuz logo Por qué comprar en Qobuz...

De oferta actualmente...

Ghost Stories

Coldplay

Ghost Stories Coldplay

A Rush of Blood to the Head

Coldplay

Viva La Vida or Death and All His Friends

Coldplay

Everyday Life

Coldplay

Everyday Life Coldplay
Más en Qobuz
Por Paul McCartney

Long Tailed Winter Bird

Paul McCartney

Long Tailed Winter Bird Paul McCartney

McCartney III

Paul McCartney

McCartney III Paul McCartney

McCartney III Imagined

Paul McCartney

McCartney III Imagined Paul McCartney

Band On The Run

Paul McCartney

Band On The Run Paul McCartney

Pure McCartney (Deluxe Edition)

Paul McCartney

Playlists

Quizás también le guste...

Let It Be

The Beatles

Let It Be The Beatles

Delicate Sound Of Thunder

Pink Floyd

Power Up

AC/DC

Power Up AC/DC

Rumours

Fleetwood Mac

Rumours Fleetwood Mac

Abbey Road

The Beatles

Abbey Road The Beatles
Los Grandes Angulares...
El White Album, génesis de un mito

El único disco doble de los Beatles, comúnmente conocido como “The White Album”, ha cumplido cincuenta años, y para celebrarlo se edita una versión generosamente extendida que incluye numerosos inéditos. Repasamos el complicado proceso de confección de un disco no menos complejo.

Y Nirvana se cargó el rock…

Hace 34 años irrumpía Nirvana, una inesperada sacudida punk a finales del siglo XX. Carrera relámpago, éxito mundial, hordas de fans y epílogo trágico para un fenómeno planetario. El caso es que tal vez la banda de Kurt Cobain haya sido la última de la historia del rock. El último fenómeno dentro de ese género musical capaz de unir a una generación, y eso por no decir su último gran mito.

Los Beatles en 12 álbumes

No dedicaron más que siete años a los estudios de grabación. Pero su extraordinaria herencia permanece inalterable. Los Beatles son un caso único dentro de la historia de la música pop(ular). Un reflejo sonoro de los sesenta, era de grandes cambios. Con los Fab Four –ayudados por Bob Dylan al otro lado del Atlántico– el rock abandona su adolescencia e insustancialidad para entrar en la edad adulta. Esos cuatro ingenuos melenudos, salidos de un Liverpool gris pero efervescente, se transformarían en artistas sin igual. Sus vidas transcurren en paralelo a su discografía.

De actualidad...