Streaming ilimitado
Escuche este álbum ahora en alta calidad en nuestras apps
Comenzar mi periodo de prueba gratis y escuchar este álbumDisfrute de este álbum en las apps Qobuz con sususcripción
SuscribirDisfrute de este álbum en las apps Qobuz con sususcripción
Descarga digital
Compre y descargue este álbum en múltiples formatos, según sus necesidades.
Jansch's third solo album is perhaps too lightly dismissed by both folk critics and the artist himself. Bowing slightly to commercial pressures, he allowed orchestration to be used on five of the 12 tracks. Actually, the orchestrated cuts aren't that bad at all, and the remainder are pretty much keeping with the character and high standard of his other '60s work. Nine of the 12 cuts are Jansch originals, and ably display his nimble guitar work, incorporation of blues, traditional British Isles folk influences into a contemporary style, and his Donovan-esque vocals. For the first and only time, he played both electric and acoustic guitars on this LP; it's also his first work to feature drumming. Some of the orchestrated numbers, especially "Woe Is Love, My Dear," were actually deemed to have potential as singles. That didn't happen (the cut "Wish My Baby Was Here" would have been a better choice in any event), but that doesn't take away from their fey period charm.
© Richie Unterberger /TiVo
Está escuchando muestras.
Escuche más de 100 millones de pistas con un plan de streaming ilimitado.
Escuche esta playlist y más de 100 millones de pistas con nuestros planes de streaming ilimitado.
Desde 12,49€/mes
Anne Briggs, Composer - Bert Jansch, Composer, MainArtist - Nathan Joseph, Producer
© 2018 Sanctuary Records Group Ltd., a BMG Company ℗ 2015 Sanctuary Records Group Ltd., a BMG Company
Bert Jansch, Composer, MainArtist - Nathan Joseph, Producer
© 2018 Sanctuary Records Group Ltd., a BMG Company ℗ 2015 Sanctuary Records Group Ltd., a BMG Company
Bert Jansch, Composer, MainArtist - Nathan Joseph, Producer
© 2018 Sanctuary Records Group Ltd., a BMG Company ℗ 2015 Sanctuary Records Group Ltd., a BMG Company
Walter Davis, Composer - Bert Jansch, Composer, MainArtist - Nathan Joseph, Producer
© 2018 Sanctuary Records Group Ltd., a BMG Company ℗ 2015 Sanctuary Records Group Ltd., a BMG Company
Bert Jansch, Composer, MainArtist - Nathan Joseph, Producer
© 2018 Sanctuary Records Group Ltd., a BMG Company ℗ 2015 Sanctuary Records Group Ltd., a BMG Company
Bert Jansch, Arranger, MainArtist - Nathan Joseph, Producer
© 2018 Sanctuary Records Group Ltd., a BMG Company ℗ 2015 Sanctuary Records Group Ltd., a BMG Company
Bert Jansch, Composer, MainArtist - Nathan Joseph, Producer
© 2018 Sanctuary Records Group Ltd., a BMG Company ℗ 2015 Sanctuary Records Group Ltd., a BMG Company
Bert Jansch, Composer, MainArtist - Nathan Joseph, Producer
© 2018 Sanctuary Records Group Ltd., a BMG Company ℗ 2015 Sanctuary Records Group Ltd., a BMG Company
Bert Jansch, Arranger, MainArtist - Nathan Joseph, Producer
© 2018 Sanctuary Records Group Ltd., a BMG Company ℗ 2015 Sanctuary Records Group Ltd., a BMG Company
Bert Jansch, Composer, MainArtist - Nathan Joseph, Producer
© 2018 Sanctuary Records Group Ltd., a BMG Company ℗ 2015 Sanctuary Records Group Ltd., a BMG Company
Bert Jansch, Composer, MainArtist - Nathan Joseph, Producer
© 2018 Sanctuary Records Group Ltd., a BMG Company ℗ 2015 Sanctuary Records Group Ltd., a BMG Company
Bert Jansch, Composer, MainArtist - Nathan Joseph, Producer
© 2018 Sanctuary Records Group Ltd., a BMG Company ℗ 2015 Sanctuary Records Group Ltd., a BMG Company
Presentación del Álbum
Jansch's third solo album is perhaps too lightly dismissed by both folk critics and the artist himself. Bowing slightly to commercial pressures, he allowed orchestration to be used on five of the 12 tracks. Actually, the orchestrated cuts aren't that bad at all, and the remainder are pretty much keeping with the character and high standard of his other '60s work. Nine of the 12 cuts are Jansch originals, and ably display his nimble guitar work, incorporation of blues, traditional British Isles folk influences into a contemporary style, and his Donovan-esque vocals. For the first and only time, he played both electric and acoustic guitars on this LP; it's also his first work to feature drumming. Some of the orchestrated numbers, especially "Woe Is Love, My Dear," were actually deemed to have potential as singles. That didn't happen (the cut "Wish My Baby Was Here" would have been a better choice in any event), but that doesn't take away from their fey period charm.
© Richie Unterberger /TiVo
Acerca del álbum
- 1 disco(s) - 12 pista(s)
- Duración total: 00:32:14
- Artistas principales: Bert Jansch
- Compositor: Various Composers
- Sello: Sanctuary Records
- Género Pop/Rock Pop
© 2018 Sanctuary Records Group Ltd., a BMG Company ℗ 2018 Sanctuary Records Group Ltd., a BMG Company
Mejorar la información del álbum
Por qué comprar en Qobuz...
-
Escuche su música en streaming o descárguela
Compre un álbum o una pista individual. O escuche nuestro catálogo completo con nuestras suscripciones ilimitadas de streaming en alta calidad.
-
Sin DRM
Las pistas descargadas le pertenecen, sin límite de utilización. Y además las puede descargar todas las veces que lo necesite.
-
Elija el formato que más le convenga
Descargue sus compras en una amplia variedad de formatos (FLAC, ALAC, WAV, AIFF...) dependiendo de sus necesidades.
-
Escuche sus compras en nuestras apps
Descargue las aplicaciones Qobuz para smartphones, tabletas u ordenadores, y escuche sus compras en cualquier lugar.
Playlists