Gábor Takács-Nagy, Manchester Camerata, Jean-Efflam Bavouzet Mozart: Piano Concertos, Vol. 4

Mozart: Piano Concertos, Vol. 4

Gábor Takács-Nagy, Manchester Camerata, Jean-Efflam Bavouzet

Publicado el 31 de mayo de 2019 en Chandos

Artista principal: Jean-Efflam Bavouzet

Género: Clásica

Premios: Gramophone Editor's Choice ( julio 2019)

Incluido: 1 Libreto digital

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Jean-Efflam Bavouzet’s first three volumes of Mozart concertos with the Manchester Camerata and Gábor Takács-Nagy have been received with widespread acclaim, and so it is with some excitement that we release the keenly anticipated fourth instalment in the series. Composed within just one month in early 1785, these two concertos by Mozart are among the most popular of all his piano concertos. No. 20, KV 466 was his first concerto in a minor key, and its dark and stormy nature contrasts with the light and sunny atmosphere of Concerto No. 21, KV 467.
Like so many of his piano concertos, both works were composed for the Vienna concert season and were given their premiere performances with Mozart at the keyboard. The two concertos are interspersed on this recording with a vivid performance of the Overture to Don Giovanni, which shares traits with both concertos and further demonstrates the exemplary playing of Manchester Camerata. © Chandos

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Álbum : 1 disco - 7 pistas Duración total : 01:05:05

    Concerto No.21, KV 467 (Wolfgang Amadeus Mozart)
  1. 1 Piano Concerto No. 21 in C Major, K. 467: I. Allegro maestoso

    Wolfgang Amadeus Mozart, Composer - Gábor Takács-Nagy, Conductor - Manchester Camerata, Orchestra - Jean-Efflam Bavouzet, Artist, MainArtist Copyright : (C) 2019 Chandos (P) 2019 Chandos

  2. Andante
  3. 2 Piano Concerto No. 21 in C Major, K. 467: II. Andante

    Wolfgang Amadeus Mozart, Composer - Gábor Takács-Nagy, Conductor - Manchester Camerata, Orchestra - Jean-Efflam Bavouzet, Artist, MainArtist Copyright : (C) 2019 Chandos (P) 2019 Chandos

  4. Allegro vivace assai
  5. 3 Piano Concerto No. 21 in C Major, K. 467: III. Allegro vivace assai

    Wolfgang Amadeus Mozart, Composer - Gábor Takács-Nagy, Conductor - Manchester Camerata, Orchestra - Jean-Efflam Bavouzet, Artist, MainArtist Copyright : (C) 2019 Chandos (P) 2019 Chandos

  6. Overture to 'Don Giovanni', KV 527
  7. 4 Don Giovanni, K. 527: Overture

    Wolfgang Amadeus Mozart, Composer - Gábor Takács-Nagy, Conductor - Manchester Camerata, Orchestra, MainArtist Copyright : (C) 2019 Chandos (P) 2019 Chandos

  8. Concerto No.20, KV 466
  9. 5 Piano Concerto No. 20 in D Minor, K. 466: I. Allegro

    Wolfgang Amadeus Mozart, Composer - Gábor Takács-Nagy, Conductor - Manchester Camerata, Orchestra - Jean-Efflam Bavouzet, Artist, MainArtist Copyright : (C) 2019 Chandos (P) 2019 Chandos

  10. Romance
  11. 6 Piano Concerto No. 20 in D Minor, K. 466: II. Romance

    Wolfgang Amadeus Mozart, Composer - Gábor Takács-Nagy, Conductor - Manchester Camerata, Orchestra - Jean-Efflam Bavouzet, Artist, MainArtist Copyright : (C) 2019 Chandos (P) 2019 Chandos

  12. Allegro assai
  13. 7 Piano Concerto No. 20 in D Minor, K. 466: III. Allegro assai

    Wolfgang Amadeus Mozart, Composer - Gábor Takács-Nagy, Conductor - Manchester Camerata, Orchestra - Jean-Efflam Bavouzet, Artist, MainArtist Copyright : (C) 2019 Chandos (P) 2019 Chandos

  • Descripción del álbum
  • Jean-Efflam Bavouzet’s first three volumes of Mozart concertos with the Manchester Camerata and Gábor Takács-Nagy have been received with widespread acclaim, and so it is with some excitement that we release the keenly anticipated fourth instalment in the series. Composed within just one month in early 1785, these two concertos by Mozart are among the most popular of all his piano concertos. No. 20, KV 466 was his first concerto in a minor key, and its dark and stormy nature contrasts with the light and sunny atmosphere of Concerto No. 21, KV 467.
    Like so many of his piano concertos, both works were composed for the Vienna concert season and were given their premiere performances with Mozart at the keyboard. The two concertos are interspersed on this recording with a vivid performance of the Overture to Don Giovanni, which shares traits with both concertos and further demonstrates the exemplary playing of Manchester Camerata. © Chandos

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