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Michel Delpech|Michel Delpech 1969

Michel Delpech 1969

Michel Delpech

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Not all of the best French singers of the late '60s were looking across the Channel (or the sea) for their influences. Michel Delpech, for instance, was a man far more influenced by Jacques Brel than Jimi Hendrix. His rich tenor and the swirling strings heard behind him often recall Scott Walker, an Englishman (by way of America), but of course, Walker was as much a Brel fan as anyone. (He even covered enough songs to merit a full compilation, Sings Jacques Brel.) Michel Delpech deserves to be heard by as many as have heard Walker's masterpieces, with a sound and feeling that's the epitome of '60s cool -- it's possible to envision him not only appearing at the Olympia in Paris, but with simultaneous airplay on Britain's Radio 1 and inclusion on a James Bond soundtrack (that year's choice would have been On Her Majesty's Secret Service). The arrangements are sympathetic and wide-ranging, usually with piano, harpsichord or marimba stating the melody while strings saw richly in the background. Most of the songs are Delpech's himself, and they revealed the birth of a solid songwriter in French pop.

© John Bush /TiVo

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Michel Delpech 1969

Michel Delpech

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1
Le mauvais jardinier
00:02:41

Michel Delpech, Author, MainArtist - Jacques Jean Marie Datin, Composer

℗ 1969 Capitol Music France

2
On ne meurt qu'une fois
00:02:46

Michel Delpech, Author, Interprète Vocal, MainArtist, AssociatedPerformer - Alain Goraguer, Conductor, Recording Arranger, AssociatedPerformer - Jacques Jean Marie Datin, Composer

℗ 1969 Capitol Music France

3
T'es belle comme une locomotive
00:02:32

G Bourgeois, Composer - Michel Delpech, Interprète Vocal, MainArtist, AssociatedPerformer - Alain Goraguer, Recording Arranger, AssociatedPerformer - J M Riviere, Author

℗ 1969 Capitol Music France

4
Les hirondelles sont parties
00:02:35

Michel Delpech, Author, MainArtist - Jacques Jean Marie Datin, Composer

℗ 1968 Capitol Music France

5
Il y a des jours ou l'on ferait mieux de rester au lit
00:02:12

Michel Delpech, Author, MainArtist - Jacques Jean Marie Datin, Composer

℗ 1969 Capitol Music France

6
Le voyage
00:03:06

Michel Delpech, Interprète Vocal, MainArtist, AssociatedPerformer - Alain Goraguer, Conductor, Recording Arranger, AssociatedPerformer - Jacques Jean Marie Datin, Composer - Maurice Alfred Vidalin, Author

℗ 1968 Capitol Music France

7
L'échelle
00:02:29

Michel Delpech, Author, Interprète Vocal, MainArtist, AssociatedPerformer - Alain Goraguer, Composer, Conductor, Recording Arranger, AssociatedPerformer - Jacques Jean Marie Datin, Composer

℗ 1969 Capitol Music France

8
Paris à marée basse
00:02:40

Michel Delpech, Author, Interprète Vocal, MainArtist, AssociatedPerformer - Alain Goraguer, Recording Arranger, AssociatedPerformer - Jacques Jean Marie Datin, Composer

℗ 1969 Capitol Music France

9
Les pies
00:01:57

Michel Delpech, Author, Interprète Vocal, MainArtist, AssociatedPerformer - Alain Goraguer, Recording Arranger, AssociatedPerformer - Jacques Jean Marie Datin, Composer

℗ 1969 Capitol Music France

10
Elisabeth de quelque chose (Album Version)
00:02:43

Gerard Bourgeois, Composer - Louis Amade, Author - Michel Delpech, MainArtist - Jean-Max Rivière, Composer - Alain Goraguer, Recording Arranger, AssociatedPerformer

℗ 1969 Capitol Music France

11
Poupée cassée (Album Version)
00:02:00

ROGER DUMAS, Author - Michel Delpech, Vocals, MainArtist, AssociatedPerformer - Jean-Jacques Debout, Composer - Alain Goraguer, Musical Director, Recording Arranger, AssociatedPerformer

℗ 1968 Capitol Music France

12
L'amitié n'existe plus
00:02:21

Gerard Bourgeois, Composer - Michel Delpech, Interprète Vocal, MainArtist, AssociatedPerformer - Jean-Max Rivière, Author - Alain Goraguer, Conductor, Recording Arranger, AssociatedPerformer

℗ 1968 Capitol Music France

Presentación del Álbum

Not all of the best French singers of the late '60s were looking across the Channel (or the sea) for their influences. Michel Delpech, for instance, was a man far more influenced by Jacques Brel than Jimi Hendrix. His rich tenor and the swirling strings heard behind him often recall Scott Walker, an Englishman (by way of America), but of course, Walker was as much a Brel fan as anyone. (He even covered enough songs to merit a full compilation, Sings Jacques Brel.) Michel Delpech deserves to be heard by as many as have heard Walker's masterpieces, with a sound and feeling that's the epitome of '60s cool -- it's possible to envision him not only appearing at the Olympia in Paris, but with simultaneous airplay on Britain's Radio 1 and inclusion on a James Bond soundtrack (that year's choice would have been On Her Majesty's Secret Service). The arrangements are sympathetic and wide-ranging, usually with piano, harpsichord or marimba stating the melody while strings saw richly in the background. Most of the songs are Delpech's himself, and they revealed the birth of a solid songwriter in French pop.

© John Bush /TiVo

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