Qobuz Store wallpaper
Categorías:
Carrito 0

Su carrito está vacío

Black Sabbath - Master of Reality (2009 Remastered Version)

Mes favoris

Cet élément a bien été ajouté / retiré de vos favoris.

Master of Reality (2009 Remastered Version)

Black Sabbath

Disponible en
16-Bit CD Quality 44.1 kHz - Stereo

Streaming ilimitado

Escuche este álbum ahora en alta calidad en nuestras apps

Comenzar mi periodo de prueba gratis y escuchar este álbum

Disfrute de este álbum en las apps Qobuz con sususcripción

Suscribir

Disfrute de este álbum en las apps Qobuz con sususcripción

Descarga digital

Compre y descargue este álbum en múltiples formatos, según sus necesidades.

Idioma disponible: inglés

The shortest album of Black Sabbath's glory years, Master of Reality is also their most sonically influential work. Here Tony Iommi began to experiment with tuning his guitar down three half-steps to C#, producing a sound that was darker, deeper, and sludgier than anything they'd yet committed to record. (This trick was still being copied 25 years later by every metal band looking to push the limits of heaviness, from trendy nu-metallers to Swedish deathsters.) Much more than that, Master of Reality essentially created multiple metal subgenres all by itself, laying the sonic foundations for doom, stoner and sludge metal, all in the space of just over half an hour. Classic opener "Sweet Leaf" certainly ranks as a defining stoner metal song, making its drug references far more overt (and adoring) than the preceding album's "Fairies Wear Boots." The album's other signature song, "Children of the Grave," is driven by a galloping rhythm that would later pop up on a slew of Iron Maiden tunes, among many others. Aside from "Sweet Leaf," much of Master of Reality finds the band displaying a stronger moral sense, in part an attempt to counteract the growing perception that they were Satanists. "Children of the Grave" posits a stark choice between love and nuclear annihilation, while "After Forever" philosophizes about death and the afterlife in an openly religious (but, of course, superficially morbid) fashion that offered a blueprint for the career of Christian doom band Trouble. And although the alternately sinister and jaunty "Lord of This World" is sung from Satan's point of view, he clearly doesn't think much of his own followers (and neither, by extension, does the band). It's all handled much like a horror movie with a clear moral message, for example The Exorcist. Past those four tracks, listeners get sharply contrasting tempos in the rumbling sci-fi tale "Into the Void," which shortens the distances between the multiple sections of the band's previous epics. And there's the core of the album -- all that's left is a couple of brief instrumental interludes, plus the quiet, brooding loneliness of "Solitude," a mostly textural piece that frames Osbourne's phased vocals with acoustic guitars and flutes. But, if a core of five songs seems slight for a classic album, it's also important to note that those five songs represent a nearly bottomless bag of tricks, many of which are still being imitated and explored decades later. If Paranoid has more widely known songs, the suffocating and oppressive Master of Reality was the Sabbath record that die-hard metalheads took most closely to heart.
© Steve Huey /TiVo

Más información

Master of Reality (2009 Remastered Version)

Black Sabbath

launch qobuz app Ya he descargado Qobuz para Windows / MacOS Abrir

download qobuz app Todavía no he descargado Qobuz para Windows / MacOS Descargar la app Qobuz

Copie el enlace siguiente para compartirlo

Está escuchando muestras.

Escuche más de 70 millones de pistas con un plan de streaming ilimitado.

Escuche este álbum y más de 70 millones de pistas con los planes de streaming ilimitado.

1
Sweet Leaf
00:05:03

Ozzy Osbourne, Composer, Vocals, Writer - Tony Iommi, Composer, Guitar, Writer - Bill Ward, Composer, Drums, Writer - Rodger Bain, Producer - Black Sabbath, MainArtist - GEEZER BUTLER, Bass Guitar, Writer - Terence "Geezer" Butler, Composer

© 2009 Sanctuary Records Group Ltd., a BMG Company ℗ 1970 Warner Records Inc. Remastered 2009 (US & Canada) | 2009 Gimcastle Ltd. under exclusive licence to Sanctuary Records Group Ltd., a BMG Company (Rest Of World ex. US & Canada)

2
After Forever
00:05:24

Ozzy Osbourne, Vocals - Tony Iommi, Writer, Lead Guitar - Bill Ward, Drums - Rodger Bain, Producer - Black Sabbath, MainArtist - GEEZER BUTLER, Bass Guitar - Andy Pearce, Remastering Engineer - Matt Wortham, Remastering Engineer

© 2009 Sanctuary Records Group Ltd., a BMG Company ℗ 1971 Warner Records Inc. Remastered 2009 (US & Canada | 2009 Gimcastle Ltd. under exclusive licence to Sanctuary Records Group Ltd., a BMG Company (Rest of World ex. US & Canada)

3
Embryo
00:00:27

Ozzy Osbourne, Vocals - Tony Iommi, Composer, Writer, Lead Guitar - Bill Ward, Drums - Rodger Bain, Producer - Black Sabbath, MainArtist - GEEZER BUTLER, Bass Guitar

© 2009 Sanctuary Records Group Ltd., a BMG Company ℗ 1971 Warner Records Inc. Remastered 2009 (US & Canada | 2009 Gimcastle Ltd. under exclusive licence to Sanctuary Records Group Ltd., a BMG Company (Rest of World ex. US & Canada)

4
Children of the Grave
00:05:15

Ozzy Osbourne, Composer, Lead Vocals, Writer - Tony Iommi, Composer, Writer, Lead Guitar - Bill Ward, Composer, Drums, Writer - John Osbourne, Writer - William Ward, Writer - Terence Butler, Writer - Rodger Bain, Producer - Black Sabbath, MainArtist - GEEZER BUTLER, Composer, Bass Guitar, Writer

© 2009 Sanctuary Records Group Ltd., a BMG Company ℗ 1970 Warner Records Inc. Remastered 2009 (US & Canada) | 2009 Gimcastle Ltd. under exclusive licence to Sanctuary Records Group Ltd., a BMG Company (Rest Of World ex. US & Canada)

5
Orchid
00:01:31

Ozzy Osbourne, Vocals - Tony Iommi, Acoustic Guitar, Writer - Bill Ward, Drums - Rodger Bain, Producer - Black Sabbath, MainArtist - GEEZER BUTLER, Bass Guitar

© 2009 Sanctuary Records Group Ltd., a BMG Company ℗ 1971 Warner Records Inc. Remastered 2009 (US & Canada | 2009 Gimcastle Ltd. under exclusive licence to Sanctuary Records Group Ltd., a BMG Company (Rest of World ex. US & Canada)

6
Lord of This World
00:05:23

Ozzy Osbourne, Composer, Vocals, Writer - Tony Iommi, Composer, Writer, Lead Guitar - Bill Ward, Composer, Drums, Writer - Rodger Bain, Producer - Black Sabbath, MainArtist - GEEZER BUTLER, Bass Guitar, Writer - Terence "Geezer" Butler, Composer

© 2009 Sanctuary Records Group Ltd., a BMG Company ℗ 1971 Warner Records Inc. Remastered 2009 (US & Canada | 2009 Gimcastle Ltd. under exclusive licence to Sanctuary Records Group Ltd., a BMG Company (Rest of World ex. US & Canada)

7
Solitude
00:05:02

Ozzy Osbourne, Lead Vocals, Writer - Tony Iommi, Flute, Piano, Writer, Lead Guitar - Bill Ward, Bells, Drums, Writer - Black Sabbath, MainArtist - GEEZER BUTLER, Bass Guitar, Writer

© 2009 Sanctuary Records Group Ltd., a BMG Company ℗ 1971 Warner Records Inc. Remastered 2009 (US & Canada | 2009 Gimcastle Ltd. under exclusive licence to Sanctuary Records Group Ltd., a BMG Company (Rest of World ex. US & Canada)

8
Into the Void
00:06:13

Ozzy Osbourne, Lead Vocals, Writer - Tony Iommi, Writer, Lead Guitar - Bill Ward, Drums, Writer - Rodger Bain, Producer - Black Sabbath, MainArtist - GEEZER BUTLER, Bass Guitar, Writer

© 2009 Sanctuary Records Group Ltd., a BMG Company ℗ 1971 Warner Records Inc. Remastered 2009 (US & Canada | 2009 Gimcastle Ltd. under exclusive licence to Sanctuary Records Group Ltd., a BMG Company (Rest of World ex. US & Canada)

Descripción del álbum

The shortest album of Black Sabbath's glory years, Master of Reality is also their most sonically influential work. Here Tony Iommi began to experiment with tuning his guitar down three half-steps to C#, producing a sound that was darker, deeper, and sludgier than anything they'd yet committed to record. (This trick was still being copied 25 years later by every metal band looking to push the limits of heaviness, from trendy nu-metallers to Swedish deathsters.) Much more than that, Master of Reality essentially created multiple metal subgenres all by itself, laying the sonic foundations for doom, stoner and sludge metal, all in the space of just over half an hour. Classic opener "Sweet Leaf" certainly ranks as a defining stoner metal song, making its drug references far more overt (and adoring) than the preceding album's "Fairies Wear Boots." The album's other signature song, "Children of the Grave," is driven by a galloping rhythm that would later pop up on a slew of Iron Maiden tunes, among many others. Aside from "Sweet Leaf," much of Master of Reality finds the band displaying a stronger moral sense, in part an attempt to counteract the growing perception that they were Satanists. "Children of the Grave" posits a stark choice between love and nuclear annihilation, while "After Forever" philosophizes about death and the afterlife in an openly religious (but, of course, superficially morbid) fashion that offered a blueprint for the career of Christian doom band Trouble. And although the alternately sinister and jaunty "Lord of This World" is sung from Satan's point of view, he clearly doesn't think much of his own followers (and neither, by extension, does the band). It's all handled much like a horror movie with a clear moral message, for example The Exorcist. Past those four tracks, listeners get sharply contrasting tempos in the rumbling sci-fi tale "Into the Void," which shortens the distances between the multiple sections of the band's previous epics. And there's the core of the album -- all that's left is a couple of brief instrumental interludes, plus the quiet, brooding loneliness of "Solitude," a mostly textural piece that frames Osbourne's phased vocals with acoustic guitars and flutes. But, if a core of five songs seems slight for a classic album, it's also important to note that those five songs represent a nearly bottomless bag of tricks, many of which are still being imitated and explored decades later. If Paranoid has more widely known songs, the suffocating and oppressive Master of Reality was the Sabbath record that die-hard metalheads took most closely to heart.
© Steve Huey /TiVo

Acerca del álbum

Mejorar esta página

Qobuz logo Por qué comprar en Qobuz...

De oferta actualmente...

Aqualung

Jethro Tull

Aqualung Jethro Tull

Crime Of The Century [2014 - HD Remaster]

Supertramp

Thick as a Brick

Jethro Tull

Thick as a Brick Jethro Tull

Misplaced Childhood

Marillion

Más en Qobuz
Por Black Sabbath

Paranoid

Black Sabbath

Paranoid Black Sabbath

The Ten Year War (2009 - Remaster)

Black Sabbath

Vol. 4 (2021 Remaster)

Black Sabbath

Vol. 4 (2021 Remaster) Black Sabbath

Paranoid (2009 Remastered Version)

Black Sabbath

The Ultimate Collection

Black Sabbath

The Ultimate Collection Black Sabbath

Playlists

Quizás también le guste...

Eternal Blue

Spiritbox

Eternal Blue Spiritbox

Back In Black

AC/DC

Highway To Hell

AC/DC

Metallica

Metallica

Metallica Metallica

The Metallica Blacklist

Metallica

Los Grandes Angulares...
Y Nirvana se cargó el rock…

Hace 34 años irrumpía Nirvana, una inesperada sacudida punk a finales del siglo XX. Carrera relámpago, éxito mundial, hordas de fans y epílogo trágico para un fenómeno planetario. El caso es que tal vez la banda de Kurt Cobain haya sido la última de la historia del rock. El último fenómeno dentro de ese género musical capaz de unir a una generación, y eso por no decir su último gran mito.

Alice Cooper no esquiva el peligro

La trayectoria de Alice Cooper es un caso excepcional de duplicación de la personalidad. Al igual que en El extraño caso del Dr. Jekyll y Mr. Hyde, el cantante Vincent Furnier se somete al dominio del showman Alice Cooper. Pero según él mismo confiesa, quien habla todavía de Alice en tercera persona en las entrevistas, sigue siendo un hombre muy simple y normal en privado, lejos de esta escena en la que ha multiplicado excesos y provocaciones. A lo largo de sus cincuenta y cuatro años de carrera, podemos además descubrir algo de esquizofrenia en sus muchos cambios de estilo. Si le atribuimos la invención del shock rock, ha tocado todo, o casi todo, con más o menos éxito, desde pop hasta hard rock en sus comienzos, pasando por heavy metal, new wave o rock industrial…

Objetivo la luna: The Dark Side Of The Moon

Álbum clave en la discografía de Pink Floyd, The Dark Side Of The Moon es el fruto de una elaboración relativamente lenta que se remonta prácticamente a 1968. A Saucerful Of Secrets (la canción principal del álbum del mismo nombre) fue, para Nick Mason, el punto de partida. Un tiempo más tarde, Ummagumma permitió la expresión de unas personalidades que se tendrían que amalgamar para conseguir el éxito. Pink Floyd continuó su búsqueda del disco ideal con Meddle, en el que la banda acentuó su dominio del trabajo en estudio, y Atom Heart Mother, antes de alcanzar el nirvana con The Dark Side Of The Moon, cuya perfección aún no ha sido nunca erosionada.

De actualidad...