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Cédric Pescia|John Cage : Sonatas & Interludes

John Cage : Sonatas & Interludes

Cédric Pescia

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Easily the best known and most popular of John Cage's works for prepared piano, the Sonatas and Interludes (1946-1948) capture the imagination through their delicacy and exoticism. (The instrument, pioneered by Cage, is a piano that has been preset with various sound modifiers or "preparations" of different materials on its strings, hammers, and dampers.) Cédric Pescia's 2012 release on Æon is a worthy addition to the growing list of first-rate recordings, and the care and subtlety he brings to his performance contribute to the music's piquant charm and haunting ambience. Because much of this work is quite soft and sparse, and intended to be played with the lightest touch, listeners should pay close attention to follow Pescia's controlled and extremely refined interpretation. But be careful not to boost the volume too high, because there are some boldly accented and strongly rhythmic passages that provide contrast and may startle the unsuspecting listener. Even so, the overall character of Sonatas and Interludes is strongly reminiscent of Asian music, and the bell-like tones and repeated patterns can induce a soothing or meditative state, not unlike the effect of Javanese gamelan music. Thanks to close microphone placement, the varied sounds of the prepared piano are clearly distinguished and fully audible, and the resonant studio space lends a pleasant aura to the performance.
© TiVo

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John Cage : Sonatas & Interludes

Cédric Pescia

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1
Sonata l
00:02:49

Cédric Pescia, Performer - John Cage, Composer

2012 Aeon 2012 Aeon

2
Sonata ll
00:02:07

Cédric Pescia, Performer - John Cage, Composer

2012 Aeon 2012 Aeon

3
Sonata lll
00:02:24

Cédric Pescia, Performer - John Cage, Composer

2012 Aeon 2012 Aeon

4
Sonata lV
00:02:15

Cédric Pescia, Performer - John Cage, Composer

2012 Aeon 2012 Aeon

5
First Interlude
00:03:04

Cédric Pescia, Performer - John Cage, Composer

2012 Aeon 2012 Aeon

6
Sonata V
00:01:17

Cédric Pescia, Performer - John Cage, Composer

2012 Aeon 2012 Aeon

7
Sonata Vl
00:02:09

Cédric Pescia, Performer - John Cage, Composer

2012 Aeon 2012 Aeon

8
Sonata Vll
00:02:01

Cédric Pescia, Performer - John Cage, Composer

2012 Aeon 2012 Aeon

9
Sonata Vlll
00:02:52

Cédric Pescia, Performer - John Cage, Composer

2012 Aeon 2012 Aeon

10
Second Interlude
00:04:41

Cédric Pescia, Performer - John Cage, Composer

2012 Aeon 2012 Aeon

11
Third Interlude
00:02:46

Cédric Pescia, Performer - John Cage, Composer

2012 Aeon 2012 Aeon

12
Sonata lX
00:04:21

Cédric Pescia, Performer - John Cage, Composer

2012 Aeon 2012 Aeon

13
Sonata X
00:03:32

Cédric Pescia, Performer - John Cage, Composer

2012 Aeon 2012 Aeon

14
Sonata Xl
00:03:10

Cédric Pescia, Performer - John Cage, Composer

2012 Aeon 2012 Aeon

15
Sonata Xll
00:03:10

Cédric Pescia, Performer - John Cage, Composer

2012 Aeon 2012 Aeon

16
Fourth Interlude
00:03:16

Cédric Pescia, Performer - John Cage, Composer

2012 Aeon 2012 Aeon

17
Sonata Xlll
00:04:28

Cédric Pescia, Performer - John Cage, Composer

2012 Aeon 2012 Aeon

18
Sonata XlV (Gemini)
00:03:14

Cédric Pescia, Performer - John Cage, Composer

2012 Aeon 2012 Aeon

19
Sonata XV (Gemini)
00:03:11

Cédric Pescia, Performer - John Cage, Composer

2012 Aeon 2012 Aeon

20
Sonata XVl
00:07:01

Cédric Pescia, Performer - John Cage, Composer

2012 Aeon 2012 Aeon

Descripción del álbum

Easily the best known and most popular of John Cage's works for prepared piano, the Sonatas and Interludes (1946-1948) capture the imagination through their delicacy and exoticism. (The instrument, pioneered by Cage, is a piano that has been preset with various sound modifiers or "preparations" of different materials on its strings, hammers, and dampers.) Cédric Pescia's 2012 release on Æon is a worthy addition to the growing list of first-rate recordings, and the care and subtlety he brings to his performance contribute to the music's piquant charm and haunting ambience. Because much of this work is quite soft and sparse, and intended to be played with the lightest touch, listeners should pay close attention to follow Pescia's controlled and extremely refined interpretation. But be careful not to boost the volume too high, because there are some boldly accented and strongly rhythmic passages that provide contrast and may startle the unsuspecting listener. Even so, the overall character of Sonatas and Interludes is strongly reminiscent of Asian music, and the bell-like tones and repeated patterns can induce a soothing or meditative state, not unlike the effect of Javanese gamelan music. Thanks to close microphone placement, the varied sounds of the prepared piano are clearly distinguished and fully audible, and the resonant studio space lends a pleasant aura to the performance.
© TiVo

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