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Amon Tobin|ISAM

ISAM

Amon Tobin

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Amon Tobin made his name with the most distinctive sampladelic electronica in the business, and kept at it for longer than most, but eventually began trading in samples of jazz vinyl for field recordings and bands he’s captained. ISAM is his second straight invisible soundtrack, after 2007’s Foley Room, and as before, it shows Tobin fascinated with the science of sound. Short on beats but long on atmosphere, ISAM plays out like the soundtrack to some bizarre nature documentary: it continually pauses, goes off in another direction, halts again, then sits unmoving for a time, as though Tobin had been musically ghosting the movements of a tiny insect traveling along a leaf. That's not to say the production is naturalistic; in keeping with his usual style, the beats are massive and speaker-shuddering, but they rarely coalesce into a specific pattern. It shouldn't come as a surprise that Tobin succeeds despite this challenging rubric; ever since he began dabbling in video-game soundtracks, he's showed an intriguing resilience at making excellent music no matter what challenges he places in his way.

© John Bush /TiVo

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ISAM

Amon Tobin

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1
Journeyman
00:06:38

Amon Tobin, Primary

2011 Ninja Tune

2
Piece Of Paper
00:02:40

Amon Tobin, Primary

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3
Goto 10
00:04:20

Amon Tobin, Primary

2011 Ninja Tune

4
Surge
00:02:05

Amon Tobin, Primary

2011 Ninja Tune

5
Lost & Found
00:04:54

Amon Tobin, Primary

2011 Ninja Tune

6
Wooden Toy
00:02:25

Amon Tobin, Primary

2011 Ninja Tune

7
Mass & Spring
00:04:16

Amon Tobin, Primary

2011 Ninja Tune

8
Calculate
00:01:33

Amon Tobin, Primary

2011 Ninja Tune

9
Kitty Cat
00:04:16

Amon Tobin, Primary

2011 Ninja Tune

10
Bedtime Stories
00:03:44

Amon Tobin, Primary

2011 Ninja Tune

11
Night Swim
00:05:56

Amon Tobin, Primary

2011 Ninja Tune

12
Dropped From The Sky
00:07:10

Amon Tobin, Primary

2011 Ninja Tune

Presentación del Álbum

Amon Tobin made his name with the most distinctive sampladelic electronica in the business, and kept at it for longer than most, but eventually began trading in samples of jazz vinyl for field recordings and bands he’s captained. ISAM is his second straight invisible soundtrack, after 2007’s Foley Room, and as before, it shows Tobin fascinated with the science of sound. Short on beats but long on atmosphere, ISAM plays out like the soundtrack to some bizarre nature documentary: it continually pauses, goes off in another direction, halts again, then sits unmoving for a time, as though Tobin had been musically ghosting the movements of a tiny insect traveling along a leaf. That's not to say the production is naturalistic; in keeping with his usual style, the beats are massive and speaker-shuddering, but they rarely coalesce into a specific pattern. It shouldn't come as a surprise that Tobin succeeds despite this challenging rubric; ever since he began dabbling in video-game soundtracks, he's showed an intriguing resilience at making excellent music no matter what challenges he places in his way.

© John Bush /TiVo

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