Tony Bennett I Left My Heart In San FranciscoDiscothèque Idéale Qobuz

I Left My Heart In San Francisco

Tony Bennett

Publicado el 8 de noviembre de 1988 en Columbia

Artista principal: Tony Bennett

Género: Pop/Rock > Variété internacional > Crooners

Premios: Discoteca Ideal Qobuz ( enero 2015) - Hi-Res Audio ( noviembre 2013)

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Along with his producer, Ernest Altschuler, and his arranger/pianist, Ralph Sharon, Tony Bennett had been searching for a repertoire and a musical approach beyond his long-gone pop work with Mitch Miller of the early '50s and his artistically pleasing but commercially dicey jazz work of the mid- to late '50s. It seemed to be a combination of Broadway songs and other contemporary material, carefully selected and arranged to show off Bennett's now-burnished vocals, which, as he approached the end of his thirties, were starting to be located in a more comfortable range closer to a baritone than a tenor. With this album, they found the key, not only by happening across a signature song in the title track, but also in the approach to songs like "Once Upon a Time," a gem from the flop musical All American, and Cy Coleman and Carolyn Leigh's "The Best Is Yet to Come," which Bennett helped make a standard. (Frank Sinatra didn't do it until two years later.) From here on until the world changed again toward the late '60s, Bennett would not have to feel that he had to compromise his art for popularity, making up-tempo singles in an attempt to meet the marketplace while longing to do ballads and swing material instead. I Left My Heart In San Francisco, a gold-selling Top Ten hit that stayed in the charts almost three years, demonstrated that he could have it all. (Tony Bennett won two 1962 Grammy Awards for the title song: Record of the Year and Best Solo Vocal Performance, Male.) ~ William Ruhlmann
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Álbum : 1 disco - 12 pistas Duración total : 00:32:14

  1. 1 (I Left My Heart) In San Francisco (Album Version)

    Tony Bennett, Performer - Ernie Altschuler, Producer - Didier C. Deutsch, Mastering Engineer - Douglas Cross, Composer - Douglas Cross, Lyricist - George Cory, Composer - George Cory, Lyricist - Darcy Proper, Mastering Engineer Copyright : Originally released 1962. All rights reserved by Columbia Records, a division of Sony Music Entertainment

  2. 2 Once Upon a Time (Album Version)

    Tony Bennett; Arranged & conducted by Marty Manning with Ralph Sharon, Performer - Ernie Altschuler, Producer - Charles Strouse, Composer - Lee Adams, Lyricist Copyright : Originally released 1962. All rights reserved by Columbia Records, a division of Sony Music Entertainment

  3. 3 Tender Is the Night (Album Version)

    Tony Bennett, Performer - Ernie Altschuler, Producer - P.F. Webster, Composer - P.F. Webster, Lyricist - Sammy Fain, Composer - Sammy Fain, Lyricist Copyright : Originally released 1962. All rights reserved by Columbia Records, a division of Sony Music Entertainment

  4. 4 Smile (Album Version)

    Tony Bennet; Conducted by Johnny Mandel with Tommy Flanagan, Piano; Arranged by Al Cohn, Performer - Ernie Altschuler, Producer - Charlie Chaplin, Composer - Tony Bennett, Vocal - John Turner, Lyricist - Johnny Mandel, Conductor - Geoffrey Parsons, Lyricist - Tommy Flanagan, Piano - Al Cohn, Arranger Copyright : Originally released 1966. All rights reserved by Columbia Records, a division of Sony Music Entertainment

  5. 5 Love for Sale (Album Version)

    Tony Bennett, Performer - Ernie Altschuler, Producer - C. Porter, Composer - C. Porter, Lyricist Copyright : Originally released 1962. All rights reserved by Columbia Records, a division of Sony Music Entertainment

  6. 6 Taking a Chance on Love (Album Version)

    Tony Bennett, Performer - Tony Bennett, Vocal - J. Latouche, Composer - J. Latouche, Lyricist - Mitch Miller, Producer - T. Fetter, Composer - T. Fetter, Lyricist - Al Ham, Producer - V. Duke, Composer - V. Duke, Lyricist - Count Basie & His Orchestra, Performer Copyright : Originally released 1962. All rights reserved by Columbia Records, a division of Sony Music Entertainment

  7. 7 Candy Kisses (Album Version)

    Tony Bennett, Performer - Tony Bennett, Vocal - G. Morgan, Composer - G. Morgan, Lyricist - Ernie Altschuler, Producer Copyright : Originally released 1962. All rights reserved by Columbia Records, a division of Sony Music Entertainment

  8. 8 Have I Told You Lately? (Album Version)

    Tony Bennett, Performer - Tony Bennett, Vocal - Harold Rome, Composer - Harold Rome, Lyricist - Ernie Altschuler, Producer Copyright : Originally released 1962. All rights reserved by Columbia Records, a division of Sony Music Entertainment

  9. 9 Rules of the Road (Album Version)

    Tony Bennett, Performer - Tony Bennett, Vocal - C. Leigh, Composer - C. Leigh, Lyricist - Ernie Altschuler, Producer - C. Coleman, Composer - C. Coleman, Lyricist Copyright : Originally released 1962. All rights reserved by Columbia Records, a division of Sony Music Entertainment

  10. 10 Marry Young (Album Version)

    Tony Bennett, Performer - Tony Bennett, Vocal - C. Leigh, Composer - C. Leigh, Lyricist - Mitch Miller, Producer - C. Coleman, Composer - C. Coleman, Lyricist Copyright : Originally released 1962. All rights reserved by Columbia Records, a division of Sony Music Entertainment

  11. 11 I'm Always Chasing Rainbows (Album Version)

    Tony Bennett, Performer - Ernie Altschuler, Producer - J. McCarthy, Composer - J. McCarthy, Lyricist - H. Carroll, Composer - H. Carroll, Lyricist Copyright : Originally released 1962. All rights reserved by Columbia Records, a division of Sony Music Entertainment

  12. 12 The Best Is Yet to Come (Album Version)

    Tony Bennett, Performer - Ernie Altschuler, Producer - C. Leigh, Composer - C. Leigh, Lyricist - C. Coleman, Composer - C. Coleman, Lyricist Copyright : Originally released 1962. All rights reserved by Columbia Records, a division of Sony Music Entertainment

  • Descripción del álbum
  • Along with his producer, Ernest Altschuler, and his arranger/pianist, Ralph Sharon, Tony Bennett had been searching for a repertoire and a musical approach beyond his long-gone pop work with Mitch Miller of the early '50s and his artistically pleasing but commercially dicey jazz work of the mid- to late '50s. It seemed to be a combination of Broadway songs and other contemporary material, carefully selected and arranged to show off Bennett's now-burnished vocals, which, as he approached the end of his thirties, were starting to be located in a more comfortable range closer to a baritone than a tenor. With this album, they found the key, not only by happening across a signature song in the title track, but also in the approach to songs like "Once Upon a Time," a gem from the flop musical All American, and Cy Coleman and Carolyn Leigh's "The Best Is Yet to Come," which Bennett helped make a standard. (Frank Sinatra didn't do it until two years later.) From here on until the world changed again toward the late '60s, Bennett would not have to feel that he had to compromise his art for popularity, making up-tempo singles in an attempt to meet the marketplace while longing to do ballads and swing material instead. I Left My Heart In San Francisco, a gold-selling Top Ten hit that stayed in the charts almost three years, demonstrated that he could have it all. (Tony Bennett won two 1962 Grammy Awards for the title song: Record of the Year and Best Solo Vocal Performance, Male.) ~ William Ruhlmann

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