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Reel Big Fish|Fame, Fortune, And Fornication

Fame, Fortune, And Fornication

Reel Big Fish

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Reel Big Fish originally formed as a cover band, playing hyperactive renditions of metal anthems and Top 40 material before discovering ska music in the mid-'90s. Although the group released several covers throughout the subsequent decade (most notably a brassy remake of A-ha's "Take on Me," which appeared on the BASEketball soundtrack), Fame, Fortune and Fornication marks Reel Big Fish's first covers-only album, featuring ten songs in less than 30 minutes. The band speeds through material by the likes of Tom Petty, Slade, and the Eagles, giving each song the standard ska remake treatment of horns, upstroke guitar, and tongue-in-cheek vocals. Poison is the only band to receive two covers, one of which -- a co-ed version of "Talk Dirty to Me" featuring British accents -- is perhaps the highlight of the disc. Other standouts include a version of Toots & the Maytals' "Monkey Man," an unpredictable choice that shows appreciation for RBF's predecessors. The bulk of this record is fairly humdrum, however, delivering on the typical promise of most ska cover albums (e.g. fast, humorous covers of songs that are neither fast nor humorous) but offering few surprises.

© Andrew Leahey /TiVo

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Fame, Fortune, And Fornication

Reel Big Fish

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1
Nothing But A Good Time (Album)
00:03:01

Reel Big Fish, MainArtist

© 2009 License To Rock Ridge Music, LLC ℗ 2009 Dall/Deville/Michaels/Rockett (License To Rock Ridge Music, LLC)

2
Mama We're All Crazy Now (Album)
00:02:15

Reel Big Fish, MainArtist - Lea/Holder, Writer

© 2009 License To Rock Ridge Music, LLC ℗ 2009 Lea/Holder (License To Rock Ridge Music, LLC)

3
Veronica Sawyer (Album)
00:03:25

Reel Big Fish, MainArtist - Diaz, Henderson, McAuliffe, Writer

© 2009 License To Rock Ridge Music, LLC ℗ 2009 Edna's Goldfish (License To Rock Ridge Music, LLC)

4
Authority Song (Album)
00:02:54

Reel Big Fish, MainArtist - John "Cougar" Mellencamp, Writer

© 2009 License To Rock Ridge Music, LLC ℗ 2009 John COugar Mellencamp (License To Rock Ridge Music, LLC)

5
Brown Eyed Girl (Album)
00:03:04

Reel Big Fish, MainArtist - VAN MORRISON, Writer

© 2009 License To Rock Ridge Music, LLC ℗ 2009 Isley/Isley, Isley/Isaley/Isley/Jasper (License To Rock Ridge Music, LLC)

6
The Long Run (Album)
00:03:36

Reel Big Fish, MainArtist - Glenn Frey, Writer - DON HENLEY, Writer

© 2009 License To Rock Ridge Music, LLC ℗ 2009 Henley/Frey (License To Rock Ridge Music, LLC)

7
Won't Back Down (Album)
00:03:09

Reel Big Fish, MainArtist - Petty/Lynne, Writer

© 2009 License To Rock Ridge Music, LLC ℗ 2009 Petty/Lynne(License To Rock Ridge Music, LLC)

8
Keep A Cool Head (Album)
00:02:13

Reel Big Fish, MainArtist - Dacres, Writer

© 2009 License To Rock Ridge Music, LLC ℗ 2009 Kolander (License To Rock Ridge Music, LLC)

9
Monkey Man (Album)
00:02:27

Reel Big Fish, MainArtist - Fredrick Hibbert, Writer

© 2009 License To Rock Ridge Music, LLC ℗ 2009 Hibbert (License To Rock Ridge Music, LLC)

10
Talk Dirty To Me (Album)
00:03:43

Reel Big Fish, MainArtist

© 2009 License To Rock Ridge Music, LLC ℗ 2009 Dall/Deville/Michaels/Rockett (License To Rock Ridge Music, LLC)

Presentación del Álbum

Reel Big Fish originally formed as a cover band, playing hyperactive renditions of metal anthems and Top 40 material before discovering ska music in the mid-'90s. Although the group released several covers throughout the subsequent decade (most notably a brassy remake of A-ha's "Take on Me," which appeared on the BASEketball soundtrack), Fame, Fortune and Fornication marks Reel Big Fish's first covers-only album, featuring ten songs in less than 30 minutes. The band speeds through material by the likes of Tom Petty, Slade, and the Eagles, giving each song the standard ska remake treatment of horns, upstroke guitar, and tongue-in-cheek vocals. Poison is the only band to receive two covers, one of which -- a co-ed version of "Talk Dirty to Me" featuring British accents -- is perhaps the highlight of the disc. Other standouts include a version of Toots & the Maytals' "Monkey Man," an unpredictable choice that shows appreciation for RBF's predecessors. The bulk of this record is fairly humdrum, however, delivering on the typical promise of most ska cover albums (e.g. fast, humorous covers of songs that are neither fast nor humorous) but offering few surprises.

© Andrew Leahey /TiVo

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